||This article may be expanded with text translated from the corresponding article in the Catalan Wikipedia. (April 2009)|
Àngel Guimerà i Jorge (Catalan pronunciation: [ˈaɲʒəɫ ɣiməˈɾa]) (6 May 1845 – 18 July 1924) was a Spanish writer, born in Santa Cruz de Tenerife, Canary Islands, to a Catalan father and a Canary islander mother. At an early age, Guimerà's family moved to Catalonia, where they settled at his father's birthplace, El Vendrell.
Guimerà wrote a number of popular plays, which were translated into other languages and performed abroad, proving instrumental in the revival of Catalan language as a literary language (Renaixença) in the late 19th and early 20th centuries. By far, the most famous was his realistic drama Terra baixa (Lowlands, also translated as Martha of the Lowlands). Written in 1896, it quickly became an international sensation. The play was translated into 15 different languages and the Spanish translation was presented regularly for a period of thirty years by Enric Borràs's theatre throughout Spain and Latin America. In English, the play received three Broadway productions between 1903 and 1936.
In addition to being a popular stage play, Terra baixa was made into six films, including a silent film in the United States, entitled "Martha of the Lowlands" (1914) and Leni Riefenstahl's Tiefland (1954). Furthermore, it served as the source material for two operas: Eugen d'Albert's German opera Tiefland (1903) and Fernand Le Borne's La Catalane (French). Playwright Àngel Guimerà was even nominated a record 21 times for the Nobel Prize in Literature, though he never won, due to controversy about the political significance of the gesture. He was a candidate for the Nobel Prize in 1904, to be shared with the Provençal writer Frédéric Mistral, in recognition of their contributions to literature in non-official languages. Political pressure from Spain central government having made this prize impossible, it was eventually awarded to Mistral and to the Spanish language playwright José de Echegaray.
When Guimerà died in 1924, he was offered a state funeral in Barcelona of a proportion which had never been seen before. In his hometown of Santa Cruz de Tenerife is a theater built in his name (Teatro Guimerá).
Terra baixa is the story of Martha, a poor girl from Barcelona, who finds herself the young lover to Sebastià, the most important landowner in the Catalan lowlands. Sebastià must marry a woman of prominence to keep his land and inheritance. To squelch gossip of his relationship with Martha but still keep her as his lover, Sebastià marries her off to the unsuspecting Manelic, a young shepherd from the Pyrenees, and sets the newly weds up in the house attached to the town's mill. Martha finds herself torn between her old domineering lover and her new caring husband.
La Filla del Mar
Another well-known work by Guimerà is the play La filla del mar (The daughter of the sea, 1900), that recounts the story of Agata (Agate).
Her name is that of a precious stone, in sharp contrast to the contempt in which she is held.
Her uncertain origins, and the fact that she had been born «among Moors» renders her an object of hate, branded as a heretic.
One of the few people who does not exclude her is Baltasanet, who states that “When we are born, we are all Moors”. Agata is perfectly conscious of the fact that she is considered a “nobody” and a “nuisance”. «What evil have I done, that everyone despises me?», she asks. The discrimination she faces leads ultimately to her death.
Agata feels attracted by the sea, which seems to be calling out to her, in the voices of her parents.
For her there is a symbolic opposition between sea and earth, the latter being all about misery and tears, whereas the sea harbours peacefulness and truth. Drowning, for her, would be a return to the ‘amniotic fluid’ of the sea from which she was born.
Like a sailor, she is strong, brave, and vital. At the same time she is sensitive, and when she finds in Pere Màrtir the affection she had desperately lacked, they are able to connect. She excuses his past as a ladies’ man, but, overcome by jealousy, threatens him with death if he relapses.
The story of Àgata involves numerous literary allusions and archetypes, from mythological aquatic characters, to the legend of Sappho committing suicide by throwing herself from a cliff into the sea. < Diccionari de la Literatura Catalana, 2008 >
- "The Nomination Database for the Nobel Prize in Literature, 1901-1950". www.nobelprize.org. Retrieved 2 June 2012.
|Wikimedia Commons has media related to Àngel Guimerà.|
|Wikisource has original text related to this article:|
- Àngel Guimerà website in Catalan with English translation.
- Àngel Guimerà in LletrA, Catalan Literature Online (Open University of Catalonia) (English) (Spanish) (Catalan)
- Liebesketten an opera by Eugen d'Albert based on Guimera's La filla del mar, translated by Rudolf Lothar; Score from Sibley Music Library Digital Scores Collection