The đàn tranh (Vietnamese: [ɗâːn ʈajŋ̟], 彈箏) or đàn thập lục is a plucked zither of Vietnam, similar to the Chinese guzheng, the Japanese koto, the Korean gayageum and ajaeng, the Mongolian yatga, the Sundanese kacapi and the Kazakh jetigen. It has a long soundbox with the steel strings, movable bridges and tuning pegs positioned on its top.
The đàn tranh can be used either as a solo instrument, as part of various instrumental ensembles or to accompany vocal performances.
In the late 13th and early 14th centuries, the đàn tranh had 14 strings. Between the late 15th and the 18th centuries, the number of strings of the đàn tranh increased to fifteen and the instrument was called thập ngũ huyền cầm. In the 19th centuries, the đàn tranh with 16 strings appeared and had become the standard version until the late 1970s and early 1980s.
The body of the đàn tranh is between 104 and 120 cm in length. The soundbox consists of a curved top plate, a flat bottom plate, and six side-pieces. The top and bottom plates are usually made of Paulownia wood. The side-pieces as well as the bridges, and tuning pegs and the two small legs are made of hard wood. The movable briges have the shape of the letter V turned upside down, and their sizes varies according to their position: The one for the lowest string is the largest. The higher their position, the smaller their size is. The strings are made of steel and have varying diameters. They are tuned to the pentatonic scale. Performers usually wear picks made of metal, plastic, or tortoise-shell to pluck the strings.
The standard version of the đàn tranh, or the đàn thập lục had 16 strings and had been used between the nineteenth century and the late 1980s. In the late 1950s, South Vietnamese master musician and instrumental designer Nguyễn Vĩnh Bảo (b. 1918) began to design and construct instruments with 17, 19 and 21 strings. By the late 1980s, the 17-stringed đàn tranh has become the standard version of the instrument used throughout Vietnam. Larger instruments with 22, 24 and 25 strings have also been made in the 1980s and 1990s.
Performers pluck the strings with the right hand and bend the strings with the left hand to create a wide range of microtonal and tonal ornaments. In traditional music, performers use 2 or 3 fingers (thumb and index, or thumb, index and middle fingers) to pluck the strings. In a number of new compositions, as many as four or five fingers may be used to pluck the strings. In these new works, the left hand may also be used to enable the performer to play two simultaneous parts. Sometimes, đàn tranh will play with bow, the player traditionally bowing the strings to the right of the bridges while the left hand varied pitch and vibrato by pressing the strings on the other side of the bridges.
- "Khúc Ngẫu Hứng trên Hò Đồng Tháp / Inspiration on a River Song (1982), composed and performed by Đặng Kim Hiền on a 22-stringed đàn tranh designed and made by the late master instrumental maker Tín Thanh". Retrieved 2014-05-08.
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- Le, Tuan Hung. Dan Tranh Music of Vietnam : Traditions and Innovations. Melbourne, Tokyo : Australia Asia Foundation, 1998. ISBN 0958534306 (hard back); ISBN 0958534314 (paperback), page 1
- Le, Tuan Hung. Dan Tranh Music of Vietnam: Traditions and Innovations. Melbourne, Tokyo: Australia Asia Foundation, 1998. ISBN 0958534306 (hard back); ISBN 0958534314 (paperback), page 12.
- Tran, Van Khe. La Musique Vietnamienne Traditionnelle. Paris: Presses Universitaires de France, 1962. Page 20.
- "Hugo's window on the world of Chinese zheng". Chime. Leiden: European Foundation for Chinese Music Research. 16-17: 242. 2005.
Throughout the centuries, the zheng became the parent instrument of the Asian zither family as it spread from China to a number of adjacent countries giving birth to the Japanese koto, the Korean gayageum and the Vietnamese dan tranh.
- Howard, Keith (1995). Korean musical instruments. Oxford University Press. pp. 38. ISBN 978-0-19-586177-8.
The kayagum, the most popular South Korean instrument, is a 12-string half-tube plucked zither (H/S 312.22.5) (Plate 7). It resembles the Chinese zheng, Mongolian yatga, Japanese koto, and Vietnamese dan tranh. All these instruments descend from a common model, the ancient zheng.
- "Dan tranh". Archived from the original on 2008-02-03. Retrieved 2008-06-08.
- Le, Tuan Hung. Dan Tranh Music of Vietnam : Traditions and Innovations. Melbourne, Tokyo : Australia Asia Foundation, 1998. ISBN 0958534306 (hard back); ISBN 0958534314 (paperback)
- New Grove Dictionary of Music and Musicians, second edition, edited by Stanley Sadie and John Tyrrell (London, 2001).
- Pham, Duy. Musics of Vietnam. Carbondale, IL: Southern Illinois University Press, 1975.
- Tran, Van Khe. La Musique Vietnamienne Traditionnelle. Paris : Presses Universitaires de France, 1962.