Željko Bebek

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Željko Bebek
Željko Bebek.jpg
Bebek in concert, September 2009
Born Želimir Bebek
(1945-12-16) 16 December 1945 (age 72)
Bugojno, PR Bosnia and Herzegovina, FPR Yugoslavia
Other names Željko
Musical career
Genres Rock, Pop, Disco
Occupation(s) Singer, miner, waiter
Instruments Vocals, guitar, bass, mandolin
Years active 1965-present
Labels Croatia Records, Taped Pictures
Associated acts Bijelo dugme, Kodeksi, Jutro

Želimir "Željko" Bebek (born 16 December 1945) is Croatian singer, popular throughout former Yugoslav republics. He is most notable for being the lead vocalist of former Yugoslav rock band Bijelo dugme from 1974 to 1984. He also has a successful career as a solo artist.

Early years[edit]

Bebek was born in Bugojno, PR Bosnia and Herzegovina, FPR Yugoslavia to Bosnian Croat parents Zvonimir and Katarina. He showed an early interest in music, entertaining his mother's house guests by singing songs he heard on the radio. He also experimented with harmonica, but abandoned it in third grade of primary school as he wanted to play guitar and sing along. His teacher, however, discouraged such intentions so Željko ended up playing mandolin instead. He soon became the school's best mandolin player and was allowed to play guitar as a reward.

At age 16, Bebek entered his first band Eho 61, which operated as a school activity for musically inclined students of Sarajevo's 2nd gymnasium. A couple of years earlier, the same band featured Kornelije Kovač who would later also go on to become famous musician and composer.

Bebek's next musical activity came in a nameless band with Šento Borovčanin and the Redžić brothers — Fadil and Zoran. Bebek carried on playing with the band until Fadil Redžić left to join Indexi.



In 1965 Edo Bogeljić invited Bebek to join a cover band he founded called Kodeksi that also featured Ismeta Dervoz on backing vocals and Luciano Paganotto on drums.

Bebek spent the next couple of years singing and playing rhythm guitar with the band, helping them become quite prominent locally. As Kodeksi had perisistent problems filling the bass guitar spot, Bebek recommended young 18-year-old Goran Bregović after seeing him play with Beštije in 1969.

In fall 1970, after falling out with band mates during the band's stay in Italy, Bebek left Kodeksi and returned home to Sarajevo.

Novi Kodeksi[edit]

Shortly after getting back to Sarajevo, Bebek established Novi Kodeksi with another former Kodeksi member Edo Bogeljić. Conceptualized as a return to the original Kodeksi cover repertoire, Bogeljić's and Bebek's band gigged around Sarajevo with diminishing success as the audiences' general taste seemingly moved away from cover music; although at one point they broke a record for the length of performance, spending 32 straight hours playing on stage.

The new year 1971 brought more creative stagnation as their repertoire still consisted entirely of foreign covers. In December 1971, Bebek received a notice from the Yugoslav People's Army (JNA) to report for his mandatory military service and Novi Kodeksi played their last ever gig at Sarajevo's Dom mladih. Twenty six years of age at this point, Bebek got married with the intention of settling down and giving up on trying to make a living via playing music altogether.


Just as he was about to report for army duty in early 1972, 26-year-old Bebek received an invitation from Bregović (whom he hadn't spoken to for a year-and-a-half since the split in Italy) to record "Patim, evo, deset dana" song with Jutro, a new band Bregović formed with Nuno Arnautalić. Bebek accepted, recorded vocals in a studio, and then left for his army stint in Pirot in late February 1972.

Discharged from the army, and returning home in March 1973, Bebek joined Jutro in earnest, but took a job as a clerk as a protective measure, as he wasn't yet certain about the band's creative and commercial potential. Jutro did become successful and he quit the government job to again devote to music full-time. Jutro soon transformed into Bijelo dugme, with Bebek as a founding member.

Bijelo Dugme[edit]

Bebek continued as vocalist and occasional bassist in Bijelo dugme from its inception in 1974. Bebek found himself to be a country-wide celebrity. He ended up spending a full decade and recording six studio albums with the band before eventually leaving in April 1984 to fully pursue a solo career.

Solo career[edit]

Željko Bebek has a very successful solo career, which actually began in parallel with his work in Bijelo dugme.

In 1978, while Bregović was away serving the army stint and Dugme was on hiatus, Bebek recorded a solo album Skoro Da Smo Isti with drummer Điđi Jankelić, old friend Edo Bogeljić on guitar and on keyboards. The album was released on 28 July 1978, but failed both critically and commercially as it sold only 6,000 copies and quickly fell into oblivion. Though the band had planned a tour to support the album, their plans quickly got scrapped following the poor public reaction.

In late 1983, just before officially leaving Bijelo dugme he recorded his second solo album Mene Tjera Neki Vrag. The album was released in 1984, with the title song being a huge hit.

Bebek had several major hits throughout his 11-album run. Most of his hits had strong folk influence, including "Oprosti mi što te volim", "Da je sreće bilo", "Laku noć svirači", "Jabuke i vino", "Sinoć sam pola kafane popio" (with lyrics by Bora Đorđević), "Da zna zora" (duet with Halid Bešlić)", "Čaša otrova", "Gdje će ti duša", and others. Also he had several hit ballads like "Žuta Ruža", "I Bog je od nas digao ruke", "Sta je meni ovo trebalo", "Lagano umirem", "Tko je mene prokleo" and "Ne idi sad".

When the Yugoslav wars started, he moved to Zagreb where he continues to live and work. His record labels included Taped Pictures and Croatia Records.

In 2005 he took part in three large farewell concerts of Bijelo dugme, in Zagreb, Sarajevo and Belgrade, performing alongside most of the musicians that passed through the band, including other two vocalists (Alen Islamović and Tifa).

During 2006, Bebek (in collaboration with Alen Islamović and Tifa) formed a Bijelo dugme tribute band called "B.A.T." (stands for Bebek, Alen, Tifa), which performed on numerous stages around the world between 2006 and 2010. Their 2006 "Kad Bi' Bio Bijelo Dugme" North American tour (together with Okus Meda and Tifa Band), was featured in a documentary titled "B.A.T.: Balkan Rock Nostalgia", (directed by Serb-American filmmaker B. R. Tatalovic). Bebek was one of the three featured performers alongside Alen Islamovic, and Tifa, in a documentary that followed the musicians while they were on tour.[1]

During 2012, after recording a duet with Crvena Jabuka, Bebek met their producer, Branimir Mihaljević, and together they started working on what will become Bebek's new studio album, first after twelve years.[2] Album entitled Kad poljubac pomiješaš sa vinom was released in late 2012. Some of the songs on the album include "Gdje sam bio", "Kaldrma", "Tango" (duet with Severina Vučković), "Začarani krug" and others.

Personal life[edit]

Bebek was born in Bugojno, but he grew up in Sarajevo. Bebek has been married three times. He has a daughter Silvija from his first marriage, and another daughter Bianca from his second marriage.

From his current, third, marriage with Ružica from Tomislavgrad whom he met in 1997 and soon married, Bebek has a son Zvonimir and daughter Katarina, named after his father and mother.



Studio albums[edit]

  • Skoro Da Smo Isti (1978)
  • Mene Tjera Neki Vrag (1984)
  • Armija B (1985)
  • Niko Više Ne Sanja (1989)
  • Pjevaj Moj Narode (1989)
  • ...Karmin, Pjesma I Rakija (1990)
  • ...A Svemir Miruje (1992)
  • Gori Svijet...Ti Ćeš Ga Ugasiti (1994)
  • Puca Mi U Glavi (1995)
  • S Tobom I Bez Tebe (1999)
  • Ošini Po Prašini (2000)
  • Kad Poljubac Pomiješaš Sa Vinom (2012)
  • Ono Nešto Naše (2017)

With Bijelo Dugme[edit]

Studio albums[edit]


  1. ^ Tatalovic, Branislav R. (2008–2012). B.A.T.: Balkan Rock Nostalgia. Documentary. IMDb. Retrieved 26 February 2012. 
  2. ^ [1] December 15, 2012