28th Annual Grammy Awards
|28th Annual Grammy Awards|
|Date||February 25, 1986|
|Location||Shrine Auditorium, Los Angeles|
|Hosted by||Kenny Rogers|
|Most awards||USA for Africa (4)|
The 28th Annual Grammy Awards were held on February 25, 1986, at Shrine Auditorium, Los Angeles. They recognized accomplishments by musicians from the previous year, 1985. The night's big winner was USA For Africa's "We Are The World", which won four awards, including Song of the Year which went to Michael Jackson and Lionel Richie. It marked the first time in their respective careers that they received the Song of the Year Award. For Richie, it was his sixth attempt in eight years. The other three awards (including Record of the Year) for the latter single were given to the song's producer, Quincy Jones.
Another big winner was Phil Collins, whose No Jacket Required LP amassed three wins: Album of the Year (alongside Hugh Padgham), Producer of the Year and Best Pop Vocal (Male). The Manhattan Transfer also won three awards, including two for the song "Another Night in Tunisia" (performed and arranged on the album by guest vocalists Jon Hendricks and Bobby McFerrin).
Stevie Wonder won his first Grammy in nine years for his album In Square Circle, after winning fifteen awards in the mid-1970s. While songwriter Jimmy Webb won him his first Grammy in 17 years for his song "Highwayman" (after 1969's Up, Up and Away). Orchestrator and arranger Nelson Riddle, posthumously won for his arrangements on Linda Ronstadt's album Lush Life. There was one new category, Best Polka Recording. It would run until 2009.
There were a number of remarkable wins in the classical field. The Atlanta Symphony Orchestra's recording of Berlioz: Requiem won three awards, while a different recording by the same orchestra won the Best Orchestral Performance award. These four wins were the result of an unusually large number of nominations for the orchestra (12 in total), including four in the Best Classical Album category which normally holds five nominees (the Recording Academy decided to add a number of nominations to this list to lessen the domination of the Atlanta Symphony Orchestra in this category).
Several sources from the American classical community - including record labels - expressed their dismay with the situation, suggesting that this was the result of many members of the orchestra and other associates joining the Recording Academy in force to be able to vote on nominations and Grammy winners. Despite the controversy, the orchestra's conductor Robert Shaw and their album producer (and record label owner) Robert Woods won three Grammy's each.
- "We Are the World" – USA for Africa
- Quincy Jones, producers
- "Money for Nothing" – Dire Straits
- "The Boys of Summer" – Don Henley
- "The Power of Love" – Huey Lewis and the News
- Huey Lewis and the News, producers
- "Born in the U.S.A." – Bruce Springsteen
- No Jacket Required – Phil Collins
- Hugh Padgham & Phil Collins, producers
- Brothers in Arms – Dire Straits
- Whitney Houston – Whitney Houston
- The Dream of the Blue Turtles – Sting
- Sting & Rick Chertoff, producers
- We Are the World – USA for Africa
- Quincy Jones, producer
- "We Are the World"
- "Money for Nothing"
- "The Boys of Summer"
- "Everytime You Go Away"
- "I Want to Know What Love Is"
- "My Guitar Sings the Blues" - B.B. King
- Best Recording for Children
- Best Classical Orchestral Recording
- Best Classical Vocal Soloist Performance
- Best Opera Recording
- Best Choral Performance (other than opera)
- Best Classical Performance - Instrumental Soloist or Soloists (with orchestra)
- Best Classical Performance - Instrumental Soloist or Soloists (without orchestra)
- Best Chamber Music Performance
- Best Classical Contemporary Composition
- Best Classical Album
- Best New Classical Artist
Composing and arranging
- Best Instrumental Composition
- Best Album of Original Score Written for a Motion Picture or a Television Special
- Best Arrangement on an Instrumental
- Best Instrumental Arrangement Accompanying Vocalist(s)
- Best Vocal Arrangement for Two or More Voices
- Best Country Vocal Performance, Female
- Rosanne Cash for "I Don't Know Why You Don't Want Me"
- Best Country Vocal Performance, Male
- Best Country Performance by a Duo or Group with Vocal
- Best Country Instrumental Performance (orchestra, group or soloist)
- Best Country Song
- Best Gospel Performance, Female
- Amy Grant for Unguarded
- Best Gospel Performance, Male
- Larnelle Harris for "How Excellent Is Thy Name"
- Best Gospel Performance by a Duo or Group, Choir or Chorus
- Best Soul Gospel Performance, Female
- Shirley Caesar for "Martin"
- Best Soul Gospel Performance, Male
- Marvin Winans for "Bring Back the Days of Yea and Nay"
- Best Soul Gospel Performance by a Duo or Group, Choir or Chorus
- The Winans for Tomorrow
- Best Inspirational Performance
- Jennifer Holliday for "Come Sunday"
- Best Historical Album
- John Pfeiffer (producer) for RCA/Met - 100 Singers - 100 Years performed by various artists
- Best Jazz Vocal Performance, Female
- Cleo Laine for Cleo at Carnegie - The 10th Anniversary Concert
- Best Jazz Vocal Performance, Male
- Best Jazz Vocal Performance, Duo or Group
- Best Jazz Instrumental Performance, Soloist
- Wynton Marsalis for Black Codes From the Underground
- Best Jazz Instrumental Performance, Group
- Wynton Marsalis for Black Codes From the Underground performed by the Wynton Marsalis Group
- Best Jazz Instrumental Performance, Big Band
- Best Jazz Fusion Performance, Vocal or Instrumental
- David Sanborn for Straight To The Heart
- Best Latin Pop Performance
- Lani Hall for Es Facil Amar
- Best Tropical Latin Performance
- Best Mexican-American Performance
- Vikki Carr for Simplemente Mujer
- Best Music Video, Short Form
- Best Music Video, Long Form
Packaging and notes
- Best Album Package
- Best Album Notes
- Best Pop Vocal Performance, Female
- Whitney Houston for "Saving All My Love for You"
- Best Pop Vocal Performance, Male
- Best Pop Performance by a Duo or Group with Vocal
- Best Pop Instrumental Performance
Production and engineering
- Best Engineered Recording, Non-Classical
- Best Engineered Recording, Classical
- Producer of the Year (Non-Classical)
- Classical Producer of the Year
- Best R&B Vocal Performance, Female
- Aretha Franklin for "Freeway of Love"
- Best R&B Vocal Performance, Male
- Stevie Wonder for In Square Circle
- Best R&B Performance by a Duo or Group with Vocal
- Commodores for "Nightshift"
- Best R&B Instrumental Performance (Orchestra, Group or Soloist)
- Ernie Watts for Musician
- Best Rhythm & Blues Song
- Best Rock Vocal Performance, Female
- Tina Turner for "One Of The Living"
- Best Rock Vocal Performance, Male
- Best Rock Performance by a Duo or Group with Vocal
- Best Rock Instrumental Performance
- Jeff Beck for "Escape"
- Best Spoken Word or Non-musical Recording
- Mike Berniker (producer) & the original Broadway cast for Ma Rainey's Black Bottom
- ""World" gets four Grammys". The Milwaukee Sentinel. 26 February 1986. Retrieved 1 May 2011.
- "1985 Grammy Award Winners". Grammy.com. Retrieved 1 May 2011.
- Inc, Nielsen Business Media (1 February 1986). "Billboard". Nielsen Business Media, Inc. Retrieved 1 August 2017 – via Google Books.
- "Prince". GRAMMY.com. 2019-11-19. Retrieved 2019-11-24.
- 28th Grammy Awards at the Internet Movie Database