34th World Science Fiction Convention

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MidAmeriCon, the 34th World Science Fiction Convention
Genre Science fiction
Venue Muehlebach Hotel and Phillips House
Location(s) Kansas City, Missouri
Country USA
Inaugurated September 2–6, 1976
Attendance 3014; total membership 4200
Organized by Science Fiction Conventions of Kansas City, Inc.
Filing status 501(c)(3) non-profit

The 34th World Science Fiction Convention carried the official name MidAmeriCon (abbreviated as MAC) and was held September 2–6, 1976, in Kansas City, Missouri, USA, at the Radisson Muehlebach Hotel and nearby Phillips House hotel. The convention committee was chaired by Ken Keller, who had also chaired the "KC in '76" bid. There were 4200 registered members of the convention, of which 3014 actually attended.

Guests of honor[edit]

Heinlein at the convention

The professional Guest of Honor at the 34th Worldcon was former Kansas Citian Robert A. Heinlein. He did not prepare a formal guest of honor speech, as such, but gave a generally well received one, immediately following the convention's Hugo Awards ceremony at the nearby Art Deco-inspired Music Hall section of the Kansas City Municipal Auditorium. Heinlein came with an alarm clock and put it on his center stage podium and spoke casually until his own preset time period ended with the alarm going off. Heinlein was previously the Guest of Honor at the 3rd Worldcon (1941) and the 19th Worldcon (1961). He remains the only science fiction writer honored three times by the annual Worldcon. Heinlein attended many MidAmeriCon events, including a blood donation drive and reception held at the nearby Hotel Continental, one of the overflow hotels. Being someone with a very rare blood type, Heinlein had organized the blood drive and reception.

Longtime fan artist George Barr was the convention's Fan Guest of Honor. He created the convention's official black-and-white logo artwork and painted the full-color wrap-around dust jacket artwork used on the convention's hardcover program book. His hardcover art book, Upon the Winds of Yesterday from Donald F. Grant, Publisher, made its debut at MidAmeriCon.

Well known, long time fan and fan writer and professional science fiction and mystery writer Wilson Tucker (aka Bob Tucker) served as the convention's Toastmaster.


Listed on the MidAmeriCon program was "The Star Wars Display" in Muehlebach Towers meeting room 364, where actor Mark Hamill and producer Gary Kurtz were on hand, promoting the upcoming George Lucas film that at this time was at that point being called The Star Wars (Star Wars). A number of the film's props were on display, including the Darth Vader costume, C-3PO and R2-D2 robots, lightsabers and blaster props, behind-the-scenes production 8x10 stills, and a wall of conceptual artwork by Ralph McQuarrie. As a part of the studio's promotion of their film, an offset-printed two-page press release was available in the display room; it depicted an early graphic of the Luke Skywalker character. A three-inch blue promotional button and a full color movie poster poster by Howard Chaykin were also available, the poster going very quickly. In fact, the display proved so popular that all three promo items were gone by day two of the display. An hour-long slide presentation, made up of 35mm slides of the film's production artwork and on-set production photos, was narrated live in the Muehlebach's Imperial Ballroon, the hotel's largest, to a standing-room-only crowd; this was presented by Charles Lippincott, 20th Century Fox's head of publicity and promotion for the film. He outlined in great detail the entire plot of the film from scene one through to the final scene. A question-and-answer period then followed with the large audience, with Lippencott, producer Gary Kurtz, and star Mark Hamill talking about the film.

The "electronic tonalities" soundtrack for the classic MGM science fiction film Forbidden Planet was first released in 1976 by Louis and Bebe Barron at MidAmeriCon. It was on a vinyl LP album, done for the film's 20th anniversary, on the Barron's own PLANET Records label (later changed to SMALL PLANET Records and distributed by GNP Crescendo Records). The LP was premiered at the convention by the Barrons as part of a 20th Anniversary celebration of the film being held at MidAmeriCon. They helped the convention's film programming staff arrange for the rental of fine grain print of the film from MGM's archival storage vaults. Three separate screenings of Forbidden Planet were held as part of the convention's all 35mm science fiction and fantasy film retrospective. The Barrons were on-hand to promote their signed soundtrack LP, and they introduced the first of the three screenings of the film.

For MidAmeriCon, science fiction and fantasy author George R. R. Martin, along with Gardner Dozois, organized the first-ever Hugo Losers Party. They gathered all the previously opened bottles of beer and wine and various left-over snack foods from Sunday evening's many open room parties; this for a uniquely-themed "dead dog" party: It was to be a gathering spot for all past Hugo losers (and friends and family), set to happen Monday evening after the "official" closing ceremonies for MidAmeriCon that afternoon. Martin and Dozois had planned to host this party should Martin lose either Hugo for which he had been nominated. He became the party's undisputed host when he lost both his MidAmeriCon Hugo Awards: for the Novelette "...and Seven Times Never Kill Man" and the novella "The Storms of Windhaven," written with Lisa Tuttle. Whenever a past or current Hugo loser entered the room, Martin would take a swig directly from a liquor bottle and in a loud voice announce, "Looooooose," as his other arm, held on high, made a wide, sweeping arc downward, all to the delight of the party goers. Later in the evening, writer Larry Niven was presented with a replacement Hugo Award by convention chairman Ken Keller. This replacement was for the Hugo Niven had dropped and broken in a stairwell backstage shortly after winning it, as he rushed back to his auditorium seat; he then quickly departed after receiving a loud round of boos and catcalls in response to Keller's presentation. In the years and decades that followed, the Hugo Losers Party became an annual event and evolved into one of the largest social gatherings held annually at every Worldcon.

The convention also produced another first: a highly collectible hardcover program and souvenir book, edited and designed by Tom Reamy; only two others have subsequently been done, one for the 45th World Science Fiction Convention and one for the 63rd World Science Fiction Convention.


The Hugo Awards, named after Hugo Gernsback, are presented every year at the annual Worldcon for the best science fiction or fantasy works and achievements of the previous year. Results are based on the ballots submitted by the membership of each Worldcon, which comprises the World Science Fiction Society.[1] Other awards, including the John W. Campbell Award for Best New Writer, are also presented each year at Worldcon.[2]

Ceremony format change[edit]

For MidAmeriCon, the Hugo Awards ceremony was held in the nearby 2600 seat Music Hall of Kansas City's Art Deco-inspired Municipal Auditorium complex. This was the first time the Hugos were presented as a separate event, using a theater-style format instead of being given out at a combined guests of honor speeches and awards banquet in the Worldcon hotel. Toastmaster Bob Tucker officiated, assisted on stage by MAC committee members Pat Cadigan and India Boone, who alternately brought the awards from back stage as the winners were announced and came on stage from the audience.

First "theme" Hugo base[edit]

MidAmeriCon also presented another Worldcon first, a "theme" base used for the Hugo Award, "The Dragon and the Rocket". Instead of being made out of finished wood in square or angled shapes, as in the past, all bases were cast from flexible molds using a marbled effect achieved by combining contrasting tinted porcelain powder layers with resin and a hardener. When cured, a low-luster clear outer finish was applied. Each example featured a sculpted, just-hatched dragon (representing the fantasy genre) wrapped half-way around each rounded 4.5" tall base. The traditional 13" tall, four-finned Hugo rocket (representing science fiction) were John Millard's newer 1973 design; a dozen examples were machined from billeted aluminum stock and then finished with an overall clear semi-gloss outer finish. The flat top of each base had a 4-inch diameter, quarter-inch thick, sand-blasted aluminum "transition" disk that each rocket sat upon. The rocket and disc where pressure tightened through the center of the base using a long bolt and nut; the round, flat bottom was covered with adhesive-backed black felt to hide the recessed attachment point. A curved black-and-silver engraved Hugo information plate was affixed by two screws to the base's side facing away from the wrapped dragon. The overall base design was by convention chairman Ken Keller, with the final finished design and casting master sculpted by three-time Hugo Award winning fan artist Tim Kirk (who went on to win his fourth Hugo in the same category that year).

1976 Hugo Awards[edit]

Other awards[edit]

See also[edit]


  1. ^ "1976 Hugo Awards". The Hugo Awards. World Science Fiction Society. Retrieved August 17, 2013. 
  2. ^ "Hugo Award FAQ". The Hugo Awards. World Science Fiction Society. Retrieved October 11, 2013. 
  3. ^ a b "The Long List of Hugo Awards, 1976". New England Science Fiction Association. 1976. Retrieved August 17, 2013. 

External links[edit]

Preceded by
33rd World Science Fiction Convention
Aussiecon One in Melbourne, Australia (1975)
List of Worldcons
34th World Science Fiction Convention
in Kansas City, USA (1976)
Succeeded by
35th World Science Fiction Convention
SunCon I in Miami Beach, USA (1977)