34th World Science Fiction Convention
| MidAmeriCon, the 34th World Science Fiction Convention | |
|---|---|
| Genre | Science fiction |
| Venue | Muehlebach Hotel and Phillips House |
| Location(s) | Kansas City, Missouri |
| Country | USA |
| Inaugurated | September 2–6, 1976 |
| Attendance | 3014; total membership 4200 |
| Organized by | Science Fiction Conventions of Kansas City, Inc. |
| Filing status | 501(c)(3) non-profit |
The 34th World Science Fiction Convention carried the official name MidAmeriCon (abbreviated as MAC) and was held September 2–6, 1976, in Kansas City, Missouri, USA, at the Radisson Muehlebach Hotel and nearby Phillips House hotel. The convention committee was chaired by Ken Keller, who had also chaired the "KC in '76" bid. There were 4200 registered members of the convention, of which 3014 actually attended.
Guests of honor
 |
The professional Guest of Honor at the 34th Worldcon was former Kansas Citian Robert A. Heinlein. He did not prepare a formal guest of honor speech, as such, but gave a generally well received one, immediately following the convention's Hugo Awards ceremony at the nearby Art Deco-inspired Music Hall section of the Kansas City Municipal Auditorium. Heinlein came with an alarm clock and put it on his center stage podium and spoke casually until his own preset time period ended with the alarm going off. Heinlein was previously the Guest of Honor at the 3rd Worldcon (1941) and the 19th Worldcon (1961). He remains the only science fiction writer honored three times by the annual Worldcon. Heinlein attended many MidAmeriCon events, including a blood donation drive and reception held at the nearby Hotel Continental, one of the overflow hotels. Being someone with a very rare blood type, Heinlein had organized the blood drive and reception.
Longtime fan artist George Barr was the convention's Fan Guest of Honor. He created the convention's official black-and-white logo artwork and painted the full-color wrap-around dust jacket artwork used on the convention's hardcover program book. His hardcover art book, Upon the Winds of Yesterday from Donald F. Grant, Publisher, made its debut at MidAmeriCon.
Well known, long time fan and fan writer and professional science fiction and mystery writer Wilson Tucker (aka Bob Tucker) served as the convention's Toastmaster.
Programming and events
|
The Star Wars display
Listed on the MidAmeriCon program was "The Star Wars Display" in Muehlebach Towers meeting room 364. Charles Lippincott, 20th Century Fox's vice-president of publicity, promotion, and merchandising for the film, producer Gary Kurtz, and actor Mark Hamill, were on hand, promoting the upcoming George Lucas film that at that point was being called The Star Wars (Star Wars). A number of the film's props were on display, including mannequined Darth Vader and Storm Trooper costumes, plus the C-3PO and R2-D2 robots, lightsabers and blaster props, behind-the-scenes production 8x10 stills, and a wall of conceptual artwork by Ralph McQuarrie. As a part of the studio's promotion of the film, an offset-printed two-page yellow press release flyer was available in the display room; it depicted an early graphic of the Luke Skywalker character. A blue, three-inch wide "May the Force Be With You" promotional button and a full color film poster by Howard Chaykin were also available, the 500 poster copies going very quickly. In fact, the display proved so popular that all three promo items were gone by day two of the display.
The Star Wars slide presentation
An hour-long slide presentation, made up of 35mm slides of the film's production artwork and on-set production photos, was narrated live in the Muehlebach's Imperial Ballroon, the hotel's largest, to a standing-room-only crowd; this was presented by Lippencott. He outlined in great detail the entire plot of the film from scene one through to the final scene. A question-and-answer period then followed with the large audience, with Lippencott, producer Kurtz, and star Hamill talking about the film.
Forbidden Planet soundtrack & screening
The "electronic tonalities" soundtrack for the classic MGM science fiction film Forbidden Planet was first released in 1976 by Louis and Bebe Barron at MidAmeriCon. It was on a vinyl LP album, done for the film's 20th anniversary, on the Barron's own PLANET Records label (later changed to SMALL PLANET Records and distributed by GNP Crescendo Records). The LP was premiered at the convention by the Barrons as part of a 20th Anniversary celebration of the film being held at MidAmeriCon. They helped the convention's film programming staff arrange for the rental of fine grain print of the film from MGM's archival storage vaults. Three separate screenings of Forbidden Planet were held as part of the convention's all 35mm science fiction and fantasy film retrospective. The Barrons were on-hand to promote their signed soundtrack LP, and they introduced the first of the three screenings of the film.
First Hugo Losers party
For MidAmeriCon, science fiction and fantasy author George R. R. Martin, along with his good friend Gardner Dozois, organized the first-ever Hugo Losers Party. They first gathered together all the leftover but previously unfinished and opened bottles of wine and liquor, and all unopened beer, and all left-over snack foods from Sunday evening's many open room parties. This was for a uniquely-themed "dead dog" party: It was to be a gathering spot for all past Hugo losers (and friends and family), set to happen Monday evening after the "official" closing ceremonies for MidAmeriCon that afternoon. Martin and Dozois had planned to host this open party should Martin lose either Hugo for which he had been nominated. He became the party's undisputed host when he lost in both MidAmeriCon Hugo Awards categories: for the Novelette "...and Seven Times Never Kill Man" and the novella "The Storms of Windhaven", written with Lisa Tuttle.
Whenever a past or current Hugo loser entered, Martin, standing atop his three-draw-high room dresser, would take a swig directly from a liquor bottle, and in a loud voice announce, "Looooose," as his other arm, held on high, made a wide, sweeping downward arc, all to the delight of the assembled party goers. A little later at the party, writer Larry Niven was presented with a replacement Hugo Award by convention chairman Ken Keller. As Niven entered, from atop his dresser, Martin announced in a well-lubricated voice, "There's another loser, he broke his new Hugo". Niven had dropped and broken the award in a backstage stairwell shortly after winning it while rushing back to his auditorium seat. Niven quickly departed after receiving a loud round of good natured boos and catcalls in response to Keller's presentation. In the years and decades that followed, the Hugo Losers Party became an annual event and evolved into one of the largest social gatherings held annually at every Worldcon.
First hardcover program & souvenir book
The convention also produced another first: a highly collectible hardcover 172 page program and souvenir book, edited and designed by Tom Reamy. The book contained articles, essays, an artists' portfolio illustrating scenes from the novels of Guest of Honor Robert A. Heinlein, fiction by Harlan Ellison and Howard Waldrop, as well as convention-related items like guest biographies, detailed film program notes, a membership list, and paid advertising. Only two other hardcovers have subsequently been done, one by the 45th World Science Fiction Convention and one by the 63rd World Science Fiction Convention.
Awards
The Hugo Awards, named for pioneering editor and publisher Hugo Gernsback, are presented every year at the annual Worldcon for the best science fiction or fantasy works and achievements of the previous year. Results are based on the ballots submitted by the membership of each Worldcon, which comprises the World Science Fiction Society.[1] Other awards, including the John W. Campbell Award for Best New Writer, are also presented each year at Worldcon.[2]
Ceremony and format change
For MidAmeriCon, the 27th Hugo Awards ceremony was held for the very first time as a separate event, staged in the nearby 2600 seat Music Hall of Kansas City's Art Deco Municipal Auditorium complex. The awards were presented that Sunday evening, theater-style, instead of being given out during a combined guests of honor speeches and awards banquet in the nearby Worldcon hotels.
With the house lights fully down and spotlights panning the curtained stage, the 1930's show tune "Hurrah for Holywood" began playing from the speakers. The house lights began to slowly rise as Max Steiner's film score Overture to the 1932 fantasy film King Kong began playing. The stage's seven sets of vertical and horizontal drapery opened, one after the other, timed to the music, ending with an offstage dramatic voice announcing, "He was a king in his own land ... but we've tamed him and brought him here for you tonight ... ladies and gentlemen, please welcome the 8th Wonder of the Science Fiction World ... Mr. Bob Tucker". After opening words and announcements the awards ceremony began.
Bob was assisted on stage throughout by MAC committee members Pat Cadigan and India Boone. They alternately brought the Hugo Awards from back stage as Bob Tucker announced the recipients and they came on stage from the auditorium's audience. Guest of Honor Robert A. Heinlein's guest of honor address immediately followed the awards.
First "theme" Hugo base
MidAmeriCon also presented another Worldcon first, a "theme" base used for the Hugo Award: "The Dragon and the Rocket". Instead of being made out of finished wood in square or angled stacked shapes, as in the past, all bases were cast from flexible molds using a marbled effect achieved by combining contrasting tinted porcelain powder layers with resin and a hardener. When cured, a low-luster clear outer finish was then applied. Each example featured a sculpted, just-hatched dragon (representing the fantasy genre) wrapped half-way around each round 4.5" tall base. The traditional 13" tall, four-finned Hugo rocket (representing science fiction) was John Millard's newer 1973 design; a dozen examples had been machined from billeted aluminum stock and then finished with an overall semi-gloss clear outer coat. The flat top of each base had a 4-inch diameter, quarter-inch thick, sand-blasted aluminum "transition" disk that each rocket sat upon. The rocket and disc where then friction tightened to the base through its center using a long threaded bolt and nut; each base's round, flat bottom was then covered with adhesive-backed black felt to hide the recessed attachment point. A curved black-and-silver engraved Hugo information plate was affixed by two screws to the base's side facing away from the wrapped dragon. The overall base design was by convention chairman Ken Keller, with the final finished design and casting master sculpted by three-time Hugo Award winning fan artist Tim Kirk (who went on to win his fourth Hugo in the same category that year).
1976 Hugo Awards
- Best Novel: The Forever War by Joe Haldeman
- Best Novella: "Home Is the Hangman" by Roger Zelazny
- Best Novelette: "The Borderland of Sol" by Larry Niven
- Best Short Story: "Catch That Zeppelin!" by Fritz Leiber
- Best Dramatic Presentation: A Boy and His Dog
- Best Professional Editor: Ben Bova
- Best Professional Artist: Frank Kelly Freas
- Best Fanzine: Locus, edited by Charles N. Brown and Dena Brown
- Best Fan Writer: Richard E. Geis
- Best Fan Artist: Tim Kirk
Other awards
- Special Award: presented to James E. Gunn for Alternate Worlds, The Illustrated History of Science Fiction[3]
- John W. Campbell Award for Best New Writer: Tom Reamy[3]
- Gandalf Grand Master Award: L. Sprague de Camp
See also
References
- ^ "1976 Hugo Awards". The Hugo Awards. World Science Fiction Society. Retrieved August 17, 2013.
- ^ "Hugo Award FAQ". The Hugo Awards. World Science Fiction Society. Retrieved October 11, 2013.
- ^ a b "The Long List of Hugo Awards, 1976". New England Science Fiction Association. 1976. Retrieved August 17, 2013.