5150 (album)

From Wikipedia, the free encyclopedia
Jump to navigation Jump to search

5150
A painting of a man holding up a globe with the Van Halen "VH" flying-V logo around it
Studio album by
ReleasedMarch 24, 1986 (1986-03-24)
RecordedNovember 1985 – February 1986
Studio5150 Studios, Studio City, California
Genre
Length43:14
LabelWarner Bros.
Producer
Van Halen chronology
1984
(1984)
5150
(1986)
OU812
(1988)
Sammy Hagar chronology
VOA
(1984)
5150
(1986)
I Never Said Goodbye
(1987)
Singles from 5150
  1. "Why Can't This Be Love"
    Released: February 26, 1986
  2. "Dreams"
    Released: May 1986
  3. "Love Walks In"
    Released: July 23, 1986
  4. "Best of Both Worlds"
    Released: November 5, 1986

5150 (pronounced "fifty-one-fifty") is the seventh studio album by American rock band Van Halen. It was released on March 24, 1986 by Warner Bros. Records and was the first of four albums to be recorded with lead singer Sammy Hagar, who replaced David Lee Roth. The album was named after Eddie Van Halen's home studio, 5150, in turn named after a California law enforcement term for a mentally disturbed person (a reference to Section 5150 of the California Welfare and Institutions Code). The album hit number 1 on the Billboard 200 chart, surpassing the band's previous album, 1984, which had peaked at number 2 behind Michael Jackson's Thriller album, on which Eddie made a guest appearance.

Overview[edit]

Van Halen had considerable difficulty finding a replacement for the popular Roth, until July 1985, when Eddie was referred to former Montrose singer Sammy Hagar by a mechanic working on Van Halen's Lamborghini.[1][2] The pair hit it off, and the new singer and band immediately began work on new songs.[3]

Van Halen went to work on the album in November 1985; it would be finished in February 1986, just one month before its release.

The album 5150 was notable for a number of love songs and ballads, a contrast of the straightforward rock stylings of the Roth era. Many called the new incarnation "Van Hagar" (derisively or affectionately). The nickname was so ubiquitous that, as Hagar points out in his book, Warner Bros. asked them to consider renaming the band as such; Eddie and Alex declined.

Bolstering criticism was the absence of Ted Templeman, who having produced every previous album for the band, left to helm Roth's solo Eat 'Em and Smile. Templeman would return to produce Van Halen's For Unlawful Carnal Knowledge a few years later, for which Andy Johns had already been tapped. Donn Landee took over producer duties for 5150 after serving as an engineer on previous albums. However, the production on this album was markedly different from their albums with Templeman. Eddie's guitar, previously high in the mix and frequently pushed to the left channel (to simulate a "live" sound"), now sat equal in the mix and its overall sound had changed. This may have been his doing, as he was not a fan of the "live mix" that Templeman created with the Roth band.[4]

Foreigner guitarist Mick Jones was also brought in as a producer.

Despite the controversy of replacing Roth, the album was their first to top the Billboard 200.[5] It was also Hagar's first #1, as stated by him on the Live Without a Net concert video. "The album went platinum in one week," Hagar recalled in 2014. "It was the fastest million-selling record in Warner's history ... It was such a high."[6]

A live video created during the tour for this album was released as Live Without a Net, which has since been released on DVD. The tour was a significant change from previous tours. Where Van Halen previously had years of material to work with, even on tour supporting the first album, Hagar was uncomfortable performing a number of Van Halen's Roth-penned hits. Therefore, most of the band's back catalog was dropped from the set lists. Instead, the shows consisted of almost the entire 5150 album, a few Hagar solo hits ("I Can't Drive 55", and "There's Only One Way to Rock"), and a cover of Led Zeppelin's "Rock and Roll"; the band also played a humorous verse of Robert Palmer's "Addicted to Love" as part of "Best of Both Worlds." Of the Roth-era tracks, "Panama", "Ain't Talkin' 'bout Love" and "You Really Got Me" were performed with regularity. Unlike Roth, Hagar was a competent guitarist, allowing Eddie to play keyboards on some songs.

Album opener "Good Enough" can be heard in the movie Spaceballs.[7]

Music[edit]

The album's music has been described as glam metal,[8][9] synth-pop,[10] and new wave.[9]

Artwork[edit]

The artwork features an Art Deco depiction of Atlas kneeling while holding a mirror-polished metallic sphere on his shoulders. The model for the album was ESPN BodyShaping's Rick Valente. The Van Halen logo is wrapped around the sphere.[11] The title of the album appears as a placard on a chain around Atlas' neck. The back cover of the album depicts the Atlas character collapsed, with the sphere dropped and broken open, revealing the band inside.

Critical reception[edit]

Professional ratings
Review scores
SourceRating
AllMusic[12]
Christgau's Record Guide: The '80sC+[13]
Rolling Stone[14]
The Rolling Stone Album Guide[15]

Reviews for 5150 were initially mixed, but in later years the album became considered one of the greatest rock albums and one of Van Halen's most complete recordings. The Village Voice's Robert Christgau rated the album a C+, which signifies "a not disreputable performance, most likely a failed experiment or a pleasant piece of hackwork." He wondered how "the guitar mavens who thought Eddie equalled Van Halen are going to like his fireworks displays and balls-to-the-wall hooks now that video star David Lee Roth has given way to one of the biggest schmucks in the known biz." He also stated that "no musician with something to say could stomach responding to Sammy Hagar's call".[13]

Furthermore, Tim Holmes for Rolling Stone rated the album three out of five stars. He noted that "when it was announced that Van Halen had completed its talent search and the new voice was Sammy 'I Can't Drive 55' Hagar, the response—even among hardened DLR detractors—tended more toward a bewildered 'Huh? Montrose? What?' than resounding hosannas, huzzahs and what-a-good-idea's." Despite this, he stated that "part of Eddie Van Halen's cheeky genius [...] lies in his ability to think in terms of both complex orchestration and rock banalities". He also said that "Eddie can still split the atom with his axe, and he knows it. It's a Van Halen world with or without David Lee Roth, and 5150 shoots off all the bombastic fireworks of a band at the peak of its powers." He concluded that "ultimately, it is Eddie Van Halen's uncanny and intuitive ability to orchestrate these contradictions that gives the Van Halen machinery its velocity and amplitude, the qualities that blast the roof off the garage. There's plenty of hot party action down in rockland, but Eddie's band is the one with the chops — not just notes and chords and string-bashing Sturm und Drang, but the filigree detail that makes a simple-minded riff a symphony. [...] On 5150, Eddie Van Halen and Sammy Hagar speak each other's language."

A retrospective review from AllMusic's Stephen Thomas Erlewine was fairly positive. Erlewine noted that "Eddie Van Halen wanted respect to go along with his gargantuan fame, and Roth wasn't willing to play. Bizarrely enough, Sammy Hagar — the former Montrose lead singer who had carved out a successful solo career — was ready to play, possibly because the Red Rocker was never afraid of being earnest, nor was he afraid of synthesizers, for that matter." He criticized the album for the more heavy-handed feeling that resulted from Hagar's performance: "[W]here Diamond Dave would have strutted through the song with his tongue firmly in cheek, Hagar plays it right down the middle, never winking, never joking. Even when he takes a stab at humor on the closing "Inside" — joshing around about why the guys chose him as a replacement — it never feels funny, probably because, unlike Dave, he's not a born comedian." He concluded that "it worked, because they had the songs and the desire to party, so those good intentions and slow tunes don't slow the album down; they give it variety and help make the album a pretty impressive opening act for Van Halen Mach II."[12]

Track listing[edit]

All tracks are written by Van Halen.

Side one
No.TitleLength
1."Good Enough"4:05
2."Why Can't This Be Love"3:48
3."Get Up"4:37
4."Dreams"4:54
5."Summer Nights"5:06
Total length:22:29
Side two
No.TitleLength
6."Best of Both Worlds"4:49
7."Love Walks In"5:11
8.""5150""5:44
9."Inside"5:02
Total length:20:45

Personnel[edit]

Van Halen
Production

Charts[edit]

Weekly charts

Chart (1986) Peak
position
Australia (Kent Music Report)[16] 5
US Billboard 200[17] 1

Singles

Year Single Chart Position
1986 "Best of Both Worlds"[18] Billboard Mainstream Rock 12
"Dreams" 6
Billboard Hot 100 22[18]
"Love Walks In" Billboard Mainstream Rock[18] 4
Billboard Hot 100 22[18]
"Summer Nights" Billboard Mainstream Rock[18] 33
"Why Can't This Be Love" 1
Billboard Hot 100[18] 3

Certifications[edit]

Region Certification Certified units/sales
Australia (ARIA)[19] 2× Platinum 140,000^
Canada (Music Canada)[20] 3× Platinum 300,000^
Germany (BVMI)[21] Gold 250,000^
United Kingdom (BPI)[22] Silver 60,000^
United States (RIAA)[23] 6× Platinum 6,000,000^

^ Shipments figures based on certification alone.

See also[edit]

References[edit]

  1. ^ Hunt, Dennis (August 30, 1987). "Sammy Hagar--On Cruise Control". Los Angeles Times.
  2. ^ Hagar, Sammy (2011). Red : my uncensored life in rock. Joel Selvin (1st ed.). New York: t Books. ISBN 978-0-06-204236-1. OCLC 772082030.
  3. ^ "Alex Van Halen - Pasadena City College". Archived from the original on June 5, 2016. Retrieved August 8, 2007.
  4. ^ Quotes www.valleywebs.com
  5. ^ "Van Halen".
  6. ^ Elliott, Paul (March 2014). "The best of both worlds". Classic Rock. No. 194. p. 49.
  7. ^ Spaceballs (1987) – Cast and Credits – Yahoo! Movies
  8. ^ Kachejian, Brian (August 8, 2015). "Top 10 Van Halen Albums". ClassicRockHistory.com. Retrieved June 22, 2021.
  9. ^ a b Popoff, Martin (2014). The Big Book of Hair Metal: The Illustrated Oral History of Heavy Metal's Debauched Decade. Voyageur Press. p. 104. ISBN 978-0-7603-4546-7.
  10. ^ "Did Van Halen Bite Off Too Much With 'OU812'?". Ultimate Classic Rock. May 24, 2018. Retrieved April 11, 2021.
  11. ^ Shawn Ray (April 3, 2009). "Where Are They Now with Rick Valente". Muscular Development. Retrieved May 23, 2013.
  12. ^ a b Erlewine, Stephen Thomas. 5150 – Van Halen at AllMusic. Retrieved October 11, 2011.
  13. ^ a b Christgau, Robert. "CG: Van Halen". The Village Voice. Archived from the original on March 18, 2009. Retrieved October 10, 2011.
  14. ^ Holmes, Tim (May 22, 1986). "5150". Rolling Stone. Wenner Media. Retrieved October 10, 2011.
  15. ^ "Van Halen: Album Guide". Rolling Stone. Archived from the original on December 10, 2012. Retrieved November 25, 2012.
  16. ^ Kent, David (1993). Australian Chart Book 1970–1992 (illustrated ed.). St Ives, N.S.W.: Australian Chart Book. p. 319. ISBN 0-646-11917-6.
  17. ^ "Van Halen Chart History (Billboard 200)". Billboard. Retrieved June 26, 2017.
  18. ^ a b c d e f "Van Halen - Chart history | Billboard". www.billboard.com. Retrieved December 9, 2016.
  19. ^ "ARIA Charts – Accreditations – 1996 Albums" (PDF). Australian Recording Industry Association.
  20. ^ "Canadian album certifications – Van Halen – 5150". Music Canada.
  21. ^ "Gold-/Platin-Datenbank (Van Halen; '5150')" (in German). Bundesverband Musikindustrie.
  22. ^ "British album certifications – Van Halen – 5150". British Phonographic Industry.
  23. ^ "American album certifications – Van Halen – 5150". Recording Industry Association of America.

External links[edit]