61st Academy Awards
|61st Academy Awards|
|Date||March 29, 1989|
Los Angeles, California, U.S.
|Best Picture||Rain Man|
|Most awards||Rain Man and Who Framed Roger Rabbit (4)|
|Most nominations||Rain Man (8)|
|TV in the United States|
|Duration||3 hours, 19 minutes|
29.81% (Nielsen ratings)
The 61st Academy Awards ceremony, organized by the Academy of Motion Picture Arts and Sciences (AMPAS), honored the best films of 1988, and took place on Wednesday, March 29, 1989, at the Shrine Auditorium in Los Angeles, beginning at 6:00 p.m. PST/ 9:00 p.m. EST. During the ceremony, AMPAS presented Academy Awards (commonly referred to as Oscars) in 23 categories. The ceremony, televised in the United States by ABC, was produced by Allan Carr and directed by Jeff Margolis. Ten days earlier, in a ceremony held at the Beverly Hills Hotel in Beverly Hills, California, the Academy Awards for Technical Achievement were presented by host Angie Dickinson.
Rain Man won four awards, including Best Actor for Dustin Hoffman, Best Director for Barry Levinson, and Best Picture. Other winners included Who Framed Roger Rabbit, with four awards; Dangerous Liaisons, with three awards; and The Accused, The Accidental Tourist, A Fish Called Wanda, The Appointments of Dennis Jennings, Beetlejuice, Bird, Hôtel Terminus: The Life and Times of Klaus Barbie, The Milagro Beanfield War, Mississippi Burning, Pelle the Conqueror, Tin Toy, Working Girl, and You Don't Have to Die with one each. The telecast garnered almost 43 million viewers in the United States.
- 1 Winner and nominations
- 2 Presenters and performers
- 3 The ceremony
- 4 See also
- 5 References
- 6 Bibliography
- 7 External links
Winner and nominations
The nominees for the 61st Academy Awards were announced on February 15, 1989, at 5:38 a.m. PST (13:38 UTC), at the Samuel Goldwyn Theater in Beverly Hills, California, by Richard Kahn, president of the Academy, and the actress Anne Archer. Rain Man led all nominees, with eight nominations; Dangerous Liaisons, Mississippi Burning, and Who Framed Roger Rabbit tied for second with seven apiece.
The winners were announced at the award ceremony on March 29, 1989. Best Actor winner Dustin Hoffman was the fifth person to win the aforementioned category twice. Sigourney Weaver became the fifth performer to receive two acting nominations in the same year. However, she also became the first to lose both nominations.
Winners are listed first and indicated with double dagger ()
Box office performance of nominees
At the time of the nominations announcement on February 15, the combined gross of the five Best Picture nominees at the US box office was $188 million, with an average of $37.7 million per film. Rain Man was the highest earner among the Best Picture nominees, with $97 million in domestic box office receipts. The film was followed by Working Girl ($42.1 million), The Accidental Tourist ($24.2 million), Mississippi Burning ($18.6 million), and finally Dangerous Liaisons ($6.69 million).
Of the top 50 grossing movies of the year, 52 nominations went to 13 films. Only Big (3rd), Rain Man (5th), Working Girl (21st), The Accused (32nd), The Accidental Tourist (38th), Gorillas in the Mist (40th), Mississippi Burning (45th), and Tucker: The Man and His Dream (50th) were nominated for Best Picture, directing, acting, or screenwriting. The other top 50 box office hits that earned nominations were Who Framed Roger Rabbit (1st), Coming to America (2nd), Die Hard (7th), Beetlejuice (9th), and Willow (12th).
Academy Honorary Awards
Special Achievement Award
Films with multiple nominations and wins
The following 17 films received multiple nominations:
The following three films received multiple awards:
Presenters and performers
The following individuals, listed in order of appearance, presented awards or performed musical numbers.
|O'Donnell, CharlieCharlie O'Donnell||Announcer for the 61st annual Academy Awards|
|Kahn, RichardRichard Kahn (AMPAS president)||Gave opening remarks welcoming guests to the awards ceremony|
|Selleck, TomTom Selleck||Introducers of presenters Melanie Griffith and Don Johnson|
|Griffith, MelanieMelanie Griffith
|Presenters of the award for Best Supporting Actress|
|Fonda, JaneJane Fonda||Presenter of the film Rain Man on the Best Picture segment|
|Novak, KimKim Novak
|Presenters of the awards for Best Sound and Best Sound Editing|
|Downey, Jr., RobertRobert Downey, Jr.
|Presenters of the award for Best Makeup|
|Swayze, PatrickPatrick Swayze||Presenter of film tribute to 1950s movie musicals|
|Swayze, PatrickPatrick Swayze||Presenters of the award for Best Original Score|
|Newton-John, OliviaOlivia Newton-John||Introducer of presenters Donald Sutherland and Kiefer Sutherland|
|Sutherland, DonaldDonald Sutherland
|Presenters of the Academy Honorary Award to the National Film Board of Canada|
|Huston, AnjelicaAnjelica Huston||Presenter of the film Mississippi Burning on the Best Picture segment|
|Dafoe, WillemWillem Dafoe
|Presenters of the award for Best Art Direction|
|Derek, BoBo Derek
|Presenters of the award for Best Costume Design|
|Crystal, BillyBilly Crystal||Presenter of the movie tap dancers and Best Original Song performances montage|
|Davis, Jr., SammySammy Davis, Jr.
|Presenters of the award for Best Original Song|
|Bergen, CandiceCandice Bergen
|Presenters of the award for Best Foreign Language Film|
|Hershey, BarbaraBarbara Hershey||Presenter of the film The Accidental Tourist on the Best Picture segment|
|Caine, MichaelMichael Caine
|Presenters of the award for Best Supporting Actor|
|Bridges, BeauBeau Bridges
|Presenters of the award Best Visual Effects|
|Matthau, WalterWalter Matthau||Introducer of presenters of Lucille Ball and Bob Hope|
|Ball, LucilleLucille Ball
|Introducers of the performance of the "I Wanna Be an Oscar Winner" musical number|
|Davis, GeenaGeena Davis
|Presenters of the award for Best Documentary Short|
|Olmos, Edward JamesEdward James Olmos
Max von Sydow
|Presenters of the award for Best Documentary Feature|
|Archer, AnneAnne Archer||Presenter of the film Dangerous Liaisons on the Best Picture segment|
|Fleischer, CharlesCharles Fleischer
|Presenters of the Special Achievement Academy Award to Richard Williams|
|Moore, DemiDemi Moore
|Presenter of the award for Best Cinematography|
|Fisher, CarrieCarrie Fisher
|Presenters of the awards for Best Live Action Short Film and Best Animated Short Film|
|Douglas, MichaelMichael Douglas||Presenter of the award for Best Actor|
|MacGraw, AliAli MacGraw||Presenter of the film Working Girl on the Best Picture segment|
|Fawcett, FarrahFarrah Fawcett
|Presenters of the award for Best Film Editing|
|Dickinson, AngieAngie Dickinson||Presenter of the segment of the Academy Awards for Technical Achievement and Gordon E. Sawyer Award|
|Dreyfuss, RichardRichard Dreyfuss
|Presenters of the award Best Original Screenplay|
|Pfeiffer, MichelleMichelle Pfeiffer
|Presenters of the award for Best Adapted Screenplay|
|Hawn, GoldieGoldie Hawn
|Presenters of the award for Best Director|
|Cruise, TomTom Cruise
|Presenters of the award for Best Actress|
|Cher, Cher||Presenter of the award for Best Picture|
|Hamlisch, MarvinMarvin Hamlisch||Musical Arranger||Orchestral|
|Archerd, ArmyArmy Archerd
|Coogan, KeithKeith Coogan
Tricia Leigh Fisher
Tyrone Power, Jr.
Holly Robinson Peete
|Performers||"(I Wanna Be an) Oscar Winner"|
In an attempt to attract viewers to the telecast and increase interest in the festivities, the Academy hired film producer and veteran Oscar ceremony executive talent coordinator Allan Carr to produce the 1989 ceremony. In interviews with various media outlets, he expressed that it was a dream come true to produce the Oscars.
Notable changes were introduced in the production of the telecast. For the first time, presenters announced each winner with the phrase "And the Oscar goes to..." rather than "And the winner is...". The green room where Oscar presenters, performers, and winners gathered backstage was transformed into a luxurious suite complete with furniture, pictures, refreshments, and other amenities called "Club Oscar". Instead of hiring a host for the proceedings, Carr heavily relied on presenters often grouped in pairs that had some connection, either through family or the film industry.
Several other people were involved in the production of the ceremony. Jeff Margolis served as director of the telecast. Lyricist and composer Marvin Hamlisch was hired as musical supervisor of the festivities. Comedian and writer Bruce Vilanch was hired as a writer for the broadcast, a role he has had ever since. Carr had also rounded up eighteen young stars, including Patrick Dempsey, Corey Feldman, Ricki Lake, and Blair Underwood, to perform in a musical number entitled "I Wanna Be an Oscar Winner". Unlike in most Oscar ceremonies, however, Carr announced that none of the three songs nominated for Best Original Song would be performed live.
The telecast was also remembered for being the final public appearance of actress and comedienne Lucille Ball, where she and co-presenter Bob Hope were given a standing ovation. On April 26, almost a month after the ceremony, she died from a dissecting aortic aneurysm at age 77.
In an effort to showcase more glamour and showmanship in the ceremony, producer Carr hired playwright Steve Silver to co-produce an opening number inspired by Silver's long-running musical revue Beach Blanket Babylon. The segment consisted of an elaborate stage-show centered around actress Eileen Bowman dressed as Snow White from Disney's Snow White and the Seven Dwarfs, who comes to Hollywood and is entranced by its glamour. Like Beach Blanket Babylon, the opening act also featured dancers wearing giant, elaborate hats. In a setting designed to resemble the Cocoanut Grove nightclub, Hollywood dignitaries such as actresses Doris Day and Cyd Charisse were prominently featured, while singer and television producer Merv Griffin sang a rendition of the song "I've Got a Lovely Bunch of Coconuts" (of which he had had a hit recording in 1949). Bowman and actor Rob Lowe then sang a reworked version of Creedence Clearwater Revival's "Proud Mary", with lyrics rewritten to refer to the film industry; it is this song for which the act is infamously remembered.
Critical reviews and public reaction
The show received a negative reception from most media publications. Los Angeles Times television critic Howard Rosenberg lamented, "the Academy Awards telecast on ABC was surprisingly devoid of magic. It was on the musty side, and compared with last month's Grammycast, absolutely moribund." Film critic Janet Maslin chastised the opening number, saying it "deserves a permanent place in the annals of Oscar embarrassments". She also bemoaned that the "I Wanna Be an Oscar Winner" number "was confusingly shot and inspired no confidence in Hollywood's future". Television editor Tony Scott of Variety complained, "The 61st Annual Academy Awards extravaganza—seen in 91 different countries including, for the first time, the Soviet Union—turned out to be a TV nyet" He also observed that the "Break-Out Superstars number" looked like they were "cavorting around a giant Oscar as if it were the golden calf".
The telecast also received a mixed reception from professionals within the showbusiness industry. Talent agent Michael Ovitz praised Carr saying that he had "brought show business back to the movie business". Actress Jennifer Jones thanked Carr in a written letter to the producer, which read "You delivered." On the other hand, seventeen people, including actors Paul Newman, Gregory Peck, and Julie Andrews, and directors Billy Wilder and Joseph L. Mankiewicz, signed an open letter deriding the telecast as "an embarrassment to both the Academy and the entire motion picture industry".
In addition, The Walt Disney Company filed suit against AMPAS for use of the likeness of Snow White. The lawsuit demanded unspecified damages for "copyright infringement, unfair competition, and dilution of business reputation". Academy president Richard Kahn immediately issued an apology to the studio, and the lawsuit was subsequently dropped.
Ratings and aftermath
Despite the criticism regarding the production of the ceremony, the American telecast on ABC drew in an average of 42.68 million people over its length, which was a 1% increase from the previous year's ceremony. The show also drew higher Nielsen ratings compared to the previous ceremony, with 29.81% of households watching over a 50.41 share. It was the highest rated Oscar broadcast since the 56th ceremony held in 1984.
Nevertheless, AMPAS created an Awards Presentation Review Committee to evaluate and determine why the telecast earned such a negative reaction from the media and the entertainment industry. The committee later determined that Carr's biggest mistake was allowing the questionable opening number to run for 12 minutes. Producer and former Directors Guild of America president Gilbert Cates, who headed the committee, said that Carr would have not received such harsh criticism if the number had been much shorter. Cates was subsequently hired as producer of the succeeding year's telecast.
According to various showbiz insiders and reporters, the criticism and backlash from the ceremony resulted in Carr never again producing a film or theatrical show. He died from complications resulting from liver cancer on June 29, 1999, at the age of 62.
Bowman has claimed that she was made to sign a gag order the next day prohibiting her from speaking to the press about her performance for the next 13 years. She finally spoke about it publicly in a 2013 interview, in which she described the performance as looking "like a gay bar mitzvah".
- 9th Golden Raspberry Awards
- 31st Grammy Awards
- 41st Primetime Emmy Awards
- 42nd British Academy Film Awards
- 43rd Tony Awards
- 46th Golden Globe Awards
- List of submissions to the 61st Academy Awards for Best Foreign Language Film
- Osborne 2008, p. 296
- "Past Scientific & Technical Awards Ceremonies". Academy of Motion Picture Arts and Sciences (AMPAS). Archived from the original on February 13, 2014. Retrieved July 31, 2013.
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- Levy, Emanuel (2003). All About Oscar: The History and Politics of the Academy Awards. New York, United States: Continuum International Publishing Group. ISBN 0-8264-1452-4.
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