Jump to content

Homesick for Another World

From Wikipedia, the free encyclopedia

This is an old revision of this page, as edited by Citation bot (talk | contribs) at 11:02, 1 October 2023 (Alter: title. | Use this bot. Report bugs. | Suggested by Spinixster | Category:Penguin Press books | #UCB_Category 9/105). The present address (URL) is a permanent link to this revision, which may differ significantly from the current revision.

Homesick for Another World
First edition
AuthorOttessa Moshfegh
LanguageEnglish
Publication date
January 17, 2017
Publication placeUnited States
Media typePrint (Penguin Press)
Pages304
ISBN978-0-399-56288-4

Homesick for Another World is a collection of fourteen short stories by Ottessa Moshfegh.[1]

Contents

Story Originally published in
"Bettering Myself" The Paris Review
"Mr. Wu" The Paris Review
"Malibu" Vice
"The Weirdos" The Paris Review
"A Dark and Winding Road" The Paris Review
"No Place for Good People" The Paris Review
"Slumming" The Paris Review
"An Honest Woman" The New Yorker
"The Beach Boy" The New Yorker
"Nothing Ever Happens Here" Granta
"Dancing in the Moonlight" The Paris Review
"The Surrogate" Vice
"The Locked Room" The Baffler
"A Better Place" Original

Reception

The review aggregator website Book Marks reported that 41% of critics gave the book a "rave" review, whilst the other 59% of the critics expressed "positive" impressions, based on a sample of 22 reviews.[2]

Writing in The New York Times, novelist David Means wrote, "Moshfegh quickly established herself as an important new voice in the literary world, and her concerns for those isolated not only in the margins of society but within the physical confines of the body itself mirrored the work of brilliant predecessors like Mary Gaitskill, Christine Schutt and, in some ways, Eileen Myles."[3]

Christian Lorentzen, reviewing the collection in Vulture, wrote, "The stories in Homesick for Another World are mostly marvels, but none of them are marvels of plot. Voice, mood, atmosphere, and the piercing detail are the native elements of her arsenal."[4]

Author and Tin House co-founder Elissa Schappell, writing in The Los Angeles Times, compared Moshfegh's style to Flannery O'Connor.[5]

References