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Propaganda in the Republic of China

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A propaganda poster celebrating the birthday of Republic of China President Chiang Kai-shek proclaiming "Long Live the President"

Propaganda in the Republic of China (in mainland China before 1949 and in Taiwan since then) has been an important tool since its inception with the Xinhai Revolution in 1912. The term xuanchuan (Chinese: 宣傳 "propaganda; publicity") can have either a neutral connotation in official government contexts or a pejorative connotation in informal contexts.[1][need quotation to verify] Some xuanchuan collocations usually refer to "propaganda" (e.g., xuānchuánzhàn 宣傳戰 "propaganda war"), others to "publicity" (xuānchuán méijiè 宣傳媒介 "mass media; means of publicity"), and still others are ambiguous (xuānchuányuán 宣傳員 "propagandist; publicist").[2] It also was an important tool in legitimizing the Kuomintang controlled Republic of China government that retreated from Mainland China to Taiwan in 1949.

Themes

Patriotism

Five Races Under One Union poster proclaiming "Long Live the Republic"
The Chinese Republic Forever poster

Because the national government of the time was weak, it was difficult for any censorship or propagandistic measures to be carried out effectively. However, a bureau was set up to control the production and the release of film in China. Also, newspapers unfavorable to the central government could be harassed at will. After the Northern Expedition, the power of the central government increased significantly, and propaganda campaigns became more effective. Propaganda was produced with different patriotic themes, such as Chinese nationalism.[citation needed]

Second Sino-Japanese War

Propaganda of the Republic of China from the Second Sino-Japanese War by the National Revolutionary Army

The Republic of China produced propaganda against Japan during the Second Sino-Japanese War to booster morale and bolden resistance to the invasion.[3][page needed] During the Second Sino-Japanese War, the Nationalists had mobile projectionists travel in rural China to play anti-Japanese propaganda films.[4]: 46  More was produced during the Chinese Civil War.

Anti-communism

In Mainland China

Propaganda promoting Sino-German cooperation

During the Chinese Civil War, propaganda against the Chinese Communist Party (CCP) was extensively used.[5]

Chiang Kai-shek attacked the CCP in 1943 with the propaganda piece China's Destiny, which questioned the CCP's power after the war, and the CCP strongly opposed Chiang's leadership and referred to his regime as fascist in an attempt to generate a negative public image.[5]

In Taiwan

See also: Cross-Strait war of propaganda
A propaganda sign on Kinmen facing Mainland China proclaiming "Three Principles of the People unite China"

One of the main tools for disseminating propaganda in Taiwan has been the Government Information Office and the various media properties controlled by the Kuomintang and the government. Besides controlling commercial television and radio stations, a police radio station often broadcast "educational" plays with propagandistic value and a film bureau. After the Kuomintang fled to Taiwan, propaganda through public education in Taiwan was an important tool in creating a Chinese national identity among Taiwanese and preparing the people for "a counter-offensive" against the PRC. Although the government is now democratic, the legacy of authoritarian rule has created a confusion of identity in Taiwan, both with many adults having grown up thinking that the ROC would launch a "counter-offensive" against the PRC and with Mandarin becoming the most common language. Previously, the people had been educated in the evils of the Communists and the good of the Nationalists, with many Taiwanese remembering lore taught in elementary school on the wisdom of Chiang Kai-shek.

The Kuomintang also published numerous publications after its retreat to Taiwan, including the Free China Journal. Its popularity soared, as the editors and writers analyzed political situations at the time and sometimes even advised or criticized the government in earnest.

Occasionally, the ROC has attempted to spread propaganda into PRC-controlled areas, usually in the form of leaflet drops over coastal provinces that call for the locals to rebel against CCP rule and are accompanied by the promise that the ROC will one day liberate the mainland. That proved to be ineffective and after several years was largely discontinued.

The Government Information Office was replaced after democratization with the National Communications Commission, an agency styled after the FCC, in the United States. Most of today's films in Taiwan are Hollywood movies, and all theaters are commercially-run for-profit enterprises. Some activities of the Taiwanese government have been described as propaganda.[6][7] Much of it has been directed against Mainland China's People's Republic of China.[8]

Media

Films

See also: Cinema of Taiwan and Cinema of China
Children of Troubled Times poster.

In the Republic of China, movies were created even during wartime, such as Mulan Joins the Army (1939)[9] with its story of a young Chinese peasant fighting against a foreign invasion, and Children of Troubled Times (1935), a patriotic Chinese film about the Japanese invasion of China[citation needed], and known for being the origin of the "March of the Volunteers", now the national anthem of the People's Republic of China.

Patriotic songs

Main page: Category:Chinese patriotic songs

Several songs written in the Republic of China had patriotic messages. Some, such as 800 Heroes Song, Guerrillas' Song, and The Sword March, were written during the Second Sino-Japanese War, and others, such as Go and Reclaim the Mainland and The Anti-Communist and Anti-Russian Aggression Song, were written with anti-communist messages.

See also

References

  1. ^ Kingsley Edney (2014), The Globalization of Chinese Propaganda: International Power and Domestic Political Cohesion, Palgrave Macmillan, pp. 22, 195.
  2. ^ Translations from John DeFrancis, ed. (2003), ABC Chinese-English Comprehensive Dictionary, University of Hawaii Press, p. 1087.
  3. ^ Shuge Wei (5 September 2017). News under fire : China's propaganda against Japan in the English-Language Press, 1928-1941. ISBN 9789888390618. OCLC 1039082220.
  4. ^ Li, Jie (2023). Cinematic Guerillas: Propaganda, Projectionists, and Audiences in Socialist China. New York, NY: Columbia University Press. ISBN 9780231206273.
  5. ^ a b JIAN, CHEN (2001). Mao's China and the Cold War. University of North Carolina Press. ISBN 978-0-8078-4932-3. JSTOR 10.5149/9780807898901_chen.
  6. ^ Rawnsley, Gary (2000-05-01). "Selling Taiwan: Diplomacy and propaganda". Issues and Studies. 36 (3): 1–25.
  7. ^ Rawnsley, Gary D. (1999-12-01). "Taiwan's propaganda cold war: The offshore islands crises of 1954 and 1958". Intelligence and National Security. 14 (4): 82–101. doi:10.1080/02684529908432572. ISSN 0268-4527.
  8. ^ Rawnsley, Gary D. (2005-10-01). "Old wine in new bottles: China—Taiwan computer-based 'information warfare' and propaganda". International Affairs. 81 (5): 1061–1078. doi:10.1111/j.1468-2346.2005.00502.x. ISSN 0020-5850.
  9. ^ Ministry of Culture Staff (2003). "Sole Island Movies". ChinaCulture.org. Archived from the original on 2006-08-26. Retrieved 2006-08-18.
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