Helen Birch Bartlett Memorial Collection
The Helen Birch Bartlett Memorial Collection is an art collection held by the Art Institute of Chicago.[1] It is based on a collection assembled by Helen Louise Birch and her husband, Frederic Clay Bartlett.[2]
Birch and Bartlett
Helen Louise Birch married Frederic Clay Bartlett in on January 22, 1919, in Boston Massachusetts at a private ceremony attended only by Senator and Mrs. Albert Beveridge and Mrs. Marshall Field, Sr., both relatives of Birch.[3] The Bartletts were a dynamic couple, both from like upbringings, they had similar interests and played off each other's strengths. They were a fixture of Chicago’s civic-minded elite during the early 1900s. Prior to their marriage, Frederic's art collection focused on a variety of sources, including antique, Renaissance, and 19th-century fine and decorative arts. Bartlett was himself a talented artist and muralist.[4][5]
Collecting
In the early 1920s, their collecting activities became more focused. Leading a cosmopolitan lifestyle, the couple traveled regularly to Europe, where they acquired a collection of modern art. Concentrating on the contemporary French avant-garde, they purchased works by André Derain, André Dunoyer de Segonzac, André Lhôte, and Amedeo Modigliani.
In the spring of 1923, they acquired Henri Matisse’s, Woman Before an Aquarium. The following year, less than one year after Frederic succeeded his father, Adolphus Clay Bartlett, as a trustee of the Art Institute of Chicago, they acquired Georges Seurat’s, Sunday Afternoon on the Island of La Grande Jatte. This purchase was made specifically with the museum in mind, at a time when the Seurat was not yet represented in any American or French public collection. Over the next several years, with the intention of placing La Grande Jatte in an appropriate artistic context, the Bartletts purchased major paintings by key Post-Impressionist artists Paul Cézanne, Paul Gauguin, Vincent van Gogh, and Henri de Toulouse-Lautrec, as well as important works by other modern masters, such as Pablo Picasso and Henri Rousseau.[6]
Memorial collection
After only six-and-one-half years of marriage, Helen Birch Bartlett died of cancer on October 24, 1925. To honor his wife, Frederic presented their unique art collection to the Art Institute of Chicago in May 1926. The Helen Birch Memorial Collection has been permanently displayed in the museum continuously since the donation. During the 1920s and 30s, Bartlett would swap-out paintings in order to add pieces that would be a better representation or example of the work displayed. The twenty-five paintings in the collection are still in the public gallery as well as other works from the same historical time-frame.[1]
Works of art in the collection include:
| Image | Title | Year | Artist | Medium |
|---|---|---|---|---|
 |
The Basket of Apples | c. 1893 | Paul Cézanne | Oil on canvas |
.JPG) |
Flowers (Cyclamen) | 1920 | Charles Demuth | Watercolor on off-white wove paper |
| Fountain | early 1920s | André Derain | Oil on portrate | |
| Grapes | early 1920s | André Derain | Oil on canvas | |
| Landscape | c. 1920/25 | André Derain | Oil on panel | |
| Still Life | c. 1920/24 | André Dunoyer de Segonzac | Oil on panel | |
 |
Day of the God (Mahana no Atua) | 1894 | Paul Gauguin | Oil on canvas |
 |
Polynesian Woman with Children | 1901 | Paul Gauguin | Oil on canvas |
.jpg) |
Madame Roulin Rocking the Cradle (La berceuse) | 1889 | Vincent van Gogh | Oil on canvas |
 |
Terrace and Observation Deck at the Moulin de Blute-Fin, Montmartre | 1887 | Vincent van Gogh | Oil on canvas, mounted on pressboard |
 |
The Bedroom | 1887 | Vincent van Gogh | Oil on canvas, mounted on pressboard |
 |
Head of a Soldier | 1917 | Ferdinand Hodler | Oil on canvas |
 |
James Vibert, Sculptor | 1907 | Ferdinand Hodler | Oil on canvas |
 |
Le Grand Muveran | 1912 | Ferdinand Hodler | Oil on canvas |
| The Ladies of Avignon | 1923 | André Lhote | Oil on canvas | |
| The Brook | 1923 | John Marin | Watercolor on wove paper | |
| Woman Before an Aquarium | 1926 | Henri Matisse | Oil on canvas | |
| Woman on Rose Divan | 1921 | Henri Matisse | Oil on canvas | |
 |
Jacques and Berthe Lipchitz | 1916 | Amedeo Modigliani | Oil on canvas |
 |
The Old Guitarist | late 1903 - early 1904 | Pablo Picasso | Oil on panel |
 |
The Waterfall | 1910 | Henri Rousseau | Oil on canvas |
 |
A Sunday Afternoon on the Island of La Grande Jatte | 1884/86 | Georges Seurat | Oil on canvas |
 |
At the Moulin Rouge | 1892/95 | Henri de Toulouse-Lautrec | Oil on canvas |
 |
Ballet Dancers | 1885/86 | Henri de Toulouse-Lautrec | Oil on plaster, transferred to canvas |
| Street in Paris | 1914 | Maurice Utrillo | Oil on canvas |
References
- ^ a b Art Institute of Chicago
- ^ "The Helen Birch Bartlett Memorial Collection". Art Institute of Chicago. Retrieved 25 January 2016.
- ^ Frederic Clay and Helen Birch Bartlett: The Collectors by Courtney Graham Donnell, FortuneArchive.com
- ^ Mary Lackritz Gray (1 April 2001). A Guide to Chicago's Murals. University of Chicago Press. pp. 98–9. ISBN 978-0-226-30596-7.
- ^ Poore, Patricia (1995). "Mrs Bartlett's Oasis". Old House Interiors: 74–81. Retrieved 25 January 2016.
- ^ Historic Collections: The Helen Birch Bartlett Memorial Collection