A, A Novel
Cover of the first edition
|Media type||Print (Hardcover)|
a, A Novel is a 1968 book by the American artist Andy Warhol published by Grove Press. It is a nearly word-for-word transcription of tapes recorded by Warhol and Ondine over a two-year period in 1965-1967.
a, A Novel, Warhol's knowing response to James Joyce's Ulysses, was intended as an uninterrupted twenty-four hours in the life of Ondine, an actor who was famous mostly as a Factory fixture, Warhol film Superstar and devoted amphetamine user. A taped conversation between Warhol and Ondine, the book was actually recorded over a few separate days, during a two-year period. The first recording probably took place on Friday, August 13, 1965 (based on a statement on page 17 by Ondine that he was going to see the Beatles the next Wednesday). The book is a verbatim printing of the typed manuscripts and contains every typo, abbreviation and inconsistency that the typists produced from the twenty-four tapes (each chapter is named for its respective tape and side, from '1/ 1' to '24/ 2'). Ondine's monologues and disjointed conversations are further fragmented by Warhol's insistence on maintaining a purity of the transcriptions.
a, A Novel was the second of several publishing projects Andy Warhol produced in his lifetime. Warhol wanted to be a writer but much like his film work, spontaneous performances and an explicit lack of editing was used as a device. Warhol wanted to write a "bad" novel, "because doing something the wrong way always opens doors." Four typists were employed to transcribe the Warhol/Ondine tapes. Maureen Tucker, the drummer for the Velvet Underground was an expert typist. However, she refused to transcribe the swear words and left them out. Two high school girls were hired to work on some of the tapes. When one girl's mother heard what they were listening to she threw out the tape, losing several hours of conversation. All four hired typists transcribed the dialogue differently, some identifying the speakers, others not. The editor for a, A Novel, Billy Name, preserved the transcripts as is, with every typo and inconsistent character identification, and even moving from two column pages to single-column based on each typist's style. The final printed version was identical to the typed manuscripts.
In his glossary for the 1998 edition of a, A Novel, Victor Bockris cites Billy Name as the source for the title; "a" refers to both amphetamine use and as an homage to e.e. cummings. The title in both editions published by Grove Press in 1969 and 1998 use the a, A Novel format.
The book is a roman a clef, meaning that the fictional characters are thinly-disguised actual persons. The "cast" is itemized in the glossary written by Victor Bockris in the 1998 paperback edition. A run-down of the major characters in the book are:
Paul is Paul Morrissey, who had just joined the group and would eventually become the director of Warhol's later films.
Lucky L is Paul America, newly popular in the Factory crowd for starring in My Hustler.
Gerard Malanga was the star of many Warhol films, and is the only person whose real name is used in the book.
Taxine or "Taxi," is Edie Sedgwick, the great female Warhol superstar. A, a novel was the beginning of the end of their relationship.
Ingrid is Ingrid Superstar, a Warhol Superstar, who was brought to the Factory to "replace" Edie in late 1965.
Rink or "Rink Crawl" is Chuck Wein, responsible for bringing both Edie and Ingrid to the Factory.
Irving Du Ball is Lester Persky, a film producer.
The Duchess is Brigid Polk, whose real name was Brigid Berlin. She would be Warhol's companion for the rest of his life, although he did not take part in her only conversation in the book.
Do Do or "Do Do Mae Doome," is Dorothy Dean. She worked at the New Yorker Magazine in the 60s.
The Sugar Plum Fairy is Joe Campbell who starred in My Hustler and Nude Restaurant.
Ron Via is Ronnie Vial, a member of the underground.
Oxydol is Olympio Vasconzalez, who starred in Conquest of the Universe with Ondine.
- Bockris, Victor (1989). The life and death of Andy Warhol. Bantam Dell Publishing Group. p. 243. ISBN 978-0-553-05708-9.
- Wolf, Reva (1997). Andy Warhol, Poetry, and Gossip in the 1960s. University of Chicago Press. p. 3. ISBN 978-0-226-90493-1.
- Wolf, Reva (1997). Andy Warhol, Poetry, and Gossip in the 1960s. University of Chicago Press. p. 145. ISBN 978-0-226-90493-1.
- Bockris, Victor (1989). The life and death of Andy Warhol. Bantam Dell Publishing Group. pp. 453–54. ISBN 978-0-553-05708-9.
- Bockris, Victor (1989). The life and death of Andy Warhol. Bantam Dell Publishing Group. p. 453. ISBN 978-0-553-05708-9.
- Warhol, Andy (1998). A. Grove Press. pp. 454–55. ISBN 0-8021-3553-6.
- Bockris, Victor (1989). The life and death of Andy Warhol. Bantam Dell Publishing Group. ISBN 978-0-553-05708-9.
- Tillman, Lynne. "The Last Words Are Andy Warhol." Grey Room (Fall 2005, No. 21): 38-45.
- The Velvet Years Warhol's Factory, 1965-67. 1995. ISBN 978-1-56025-098-2.
- Warhol, Andy (1998). A. Grove Press. ISBN 0-8021-3553-6.
- Watson, Steven (2003). Factory Made Warhol and the Sixties. Random House LLC. ISBN 0-679-42372-9.
- Wolf, Reva (1997). Andy Warhol, Poetry, and Gossip in the 1960s. University of Chicago Press. ISBN 978-0-226-90493-1.