aUI (constructed language)

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Created byW. John Weilgart, PhD
Setting and usageDesigned to dissolve the discrepancy between homonymous and synonymous words
Language codes
ISO 639-3None (mis)
This article contains IPA phonetic symbols. Without proper rendering support, you may see question marks, boxes, or other symbols instead of Unicode characters. For an introductory guide on IPA symbols, see Help:IPA.
emblem of aUI

aUI (IPA: [aui]) is a philosophical, a priori language created in the 1950s by W. John Weilgart, Ph.D. (March 9, 1913– January 26, 1981; born Johann Wolfgang Weixlgärtner,[1] and also known as John W. Weilgart[2]) a philosopher and psychoanalyst originally from Vienna, Austria. He described it as "the Language of Space", connoting universal communication, and published the fourth edition of the textbook in 1979;[2] a philosophic description of each semantic element of the language was published in 1975.[3]

As an effort toward world 'peace through understanding', it was Weilgart's goal to clarify and simplify communication. Ultimately it was his experiment in facilitating conscious thinking in that it is built from a proposed set of primitive, possibly universal elements that are designed to reflect a motivated, mnemonic relationship between symbol, sound, and meaning. In his psychotherapy work, he sometimes used client-created aUI formulations to reveal possible subconscious associations to problematic concepts.[4] aUI can also be considered an experiment in applied cognitive lexical semantics, and Weilgart claimed it could serve as an auxiliary language.


aUI is built upon a set of proposed universal semantic primes or elements of meaning that are combined to create miniature definitions. Weilgart found these fundamental concepts to be at such a basic level that they likely could not be defined by any simpler concepts. Linguistically speaking, aUI attempts 'oligosynthesis' in which words are synthesized or composed from a minimal number of total morphemes or units of meaning. The motivated relationship between morphology, phonology, and semantics means that if words look and sound similar, they also have similar meanings; homophonous words become synonymous.

aUI has 31 morpheme-phonemes each with an associated meaning, i.e. each morpheme = a phoneme = a sememe.


Character Meaning Letter IPA Mnemonics
AUI - a - 1.png Space a /a/ Open mouth a 'wide space' as in Italian "fa" or "mamma" ("mamma's womb being our first space')
AUI - e - 2.png Movement e /ɛ/ A spiral-nebula's primal cosmic motion
AUI - i - 3.png Light i /ɪ/ Source of light and rays spreading out.
AUI - o - 5.png Life o /ɔ/ A leaf: photosynthesis in green sap and red blood
AUI - u - 4.png Human u /ʊ/ Man's legs - walking to heaven or hell.
AUI- AA - 6.png Time A /ä/ The earth orbits around the sun, the moon around the earth in oval paths: year and month. An elongation of space.
AUI - EE - 7.png Matter E /e/ A brickstone of matter.
AUI - II - 8.png Sound I /i/ A sound wave, a shrieking police sirene.
AUI - UU - 10.png Feeling O /o/ A heart
AUI - OO - 9.png Spirit / Mind U /u/ The tri-une spirit, trinity
AUI - QQ.png Condition Ø /œ/ IFs hem us in as between parentheses.
AUI - YY.png Negation Y /y/ Anti. This minus-sign denies whatever stands below it.
AUI - b.png Together b /b/ Two dots joined together by an arc.
AUI - CC.png Existence c /ʃ/ When you stand up you exist, ex-sist; not lying down.
AUI - d.png Through d /d/ A line crossing through another.
AUI - f.png This f /f/ An arrow pointing down to this
AUI - g.png Inside g /ɡ/ A dot or thing inside a circle
AUI - h.png Question h /h/ A question-mark simplified
AUI - j.png Equal j /ʒ/ Equation signjoined so the blind can trace it
AUI - k.png Above k /k/ A dot above a line as a musical quarter note
AUI - XX.png Around l /l/ A circle within a circle
AUI - m.png Quality m /m/ A bowl, round and feminine
AUI - n.png Quantity n /n/ A measuring-box
AUI - p.png Before p /p/ Dot in front of a line
AUI - CC.png Positive r /ʀ/ Pluss-sign, cross of salvation
AUI -s.png Thing s /s/ Round, closed in itself so it can be wrapped into a sack
AUI - t.png Towards t /t/ An arrow pointing, a hook pulling
AUI - v.png Active v /v/ A bolt of lightning is most active.
Power w /w/ Potential energy lying down
AUI - x.png Relation x /x/ A double arrow from you to me and from me to you
AUI - z.png Part z /z/ Half-moon or round-cheese cut apart.

Additionally, short nasal vowels (marked with an asterisk) are used for numerals:

0 1 2 3 4 5 6 7 8 9 10
⟨y*⟩ ⟨a*⟩ ⟨e*⟩ ⟨i*⟩ ⟨u*⟩ ⟨o*⟩ ⟨A*⟩ ⟨E*⟩ ⟨I*⟩ ⟨U*⟩ ⟨O*⟩

The phoneme /b/, for instance, meaning "together", is a bilabial stop, pronounced with the lips pressed together. "Light" is pronounced with a short /ɪ/, as the brightest, highest-frequency sound, while "sound", is pronounced with a longer /iː/, as sound travels slower than light.

Each phoneme also has an ideographic glyph or symbol that represents its meaning. The symbol for "human", /u/ is depicted by the two legs or arms of the human being, also suggesting his dichotomous nature. The "human" may be fulfilled by the whole triangular trinity of "spirit", a 'deep, mysterious' /uː/, (there are many possible trinities found in philosophy and religion). "Life", /o/, represented by the shape of a leaf, is photosynthesis forming the basis of life on Earth. "Feeling", /oː/ is a heart shape, blood pressure and pulse reflecting various feelings, and "action", a 'vibrant' /v/, is represented by a lightning bolt, the most active phenomenon in nature.


Compound Morphology IPA Meaning
io Light-Life /ɪɔ/ plant
iO Light-Feeling/Sensation /ɪo/ sight
iOv sight-Action/Verb /ɪov/ to see
fu This-Human /fʊ/ I, me
bu Together-Human /bʊ/ you
bru Together-Good-Human /bʀʊ/ friend
brU Together-Good-Spirit /bʀu/ peace

History and theory[edit]

Weilgart followed Gottfried Leibniz' proposal for an alphabet of human thought that would provide a universal way to analyze ideas by breaking them down into their component pieces—to be represented by a unique "real" character. In the early 18th century, Leibniz outlined his characteristica universalis, the basic elements of which would be pictographic characters representing a limited number of elementary concepts. René Descartes suggested that a lexicon of a universal language should consist of primitive elements. The history of this language philosophy is delineated in Umberto Eco's The Search for the Perfect Language.[5]

As a young man, Weilgart observed the pervasive and insidious effects of state planned Nazi propaganda. In particular, he was struck by how double meanings, together with similar sounds in slogans often associated unrelated words into suggestive "stereotyped formulas", [that would] "arrest the attention and appeal to the hearts of the national masses" (Hitler, Mein Kampf, 1925). For example, in one of the most repeated political slogans, Ein Volk, Ein Reich, Ein Führer! ("One people, One empire, One leader!") the word Volk sounds similar to folgt, meaning to follow or obey; Reich also means rich; so the phrase points to a subliminal association: that the populace obeys and follows their leader, who leads them to a wealthy empire. Blu-Bo from Blut und Boden (Blood and Soil) was also a key slogan of Nazi ideology, as well as of course Heil Hitler! (Hail Hitler! - heil also meaning salvation, safe, well).

Based on research in semantic conditioning[6][7][8] from the 1950s, Weilgart theorized that whereas the conscious mind links synonyms (similar meanings), the subconscious mind associates assonance (similar sounds). That is, while we think about and distinguish similar-sounding words by their different meanings, we nonetheless feel at some level that they are (or ought to be) also related in meaning. Alliterative slogans may suggest a link in words unrelated by meaning but related by common sounds. Weilgart posited that such slogans were one of the many significant factors that could lead to war under desperate and incendiary conditions. Further, he believed that the general discrepancy between homophonous and synonymous words in conventional language would add to the disconnect with the subconscious mind.

Encoding and Fonts[edit]

aUI is currently included in the unofficial ConScript Unicode Registry (CSUR), which assigns code points in the Private Use Area. aUI code points are mapped to the range U+E270 to U+E28F.

The eight “Aux” variant fonts of Kurinto (Kurinto Text Aux, Book Aux, Sans Aux, etc.) support aUI.

See also[edit]


  1. ^ "Dr. Weilgart's Story". aUI - the language of space. Cosmic Communication Foundation. Retrieved 31 August 2019.
  2. ^ a b Weilgart, John W. (1979). aUI, The Language of Space. Decorah, Iowa: Cosmic Communication Co. ISBN 978-0-912038-08-7.
  3. ^ Weilgart, John W. (1975). Cosmic Elements of Meaning: Symbols of the Spirit's Life. Decorah, Iowa: Cosmic Communication Co.
  4. ^ reykr (10 March 2006). "Another Birthday Yesterday: Dr. John W. Weilgart". LIVE JOURNAL. LiveJournal, Inc. Retrieved 8 April 2012.
  5. ^ Eco, Umberto (1995). The Search for the Perfect Language. Blackwell. ISBN 978-0631205104. Archived from the original on 2015-08-13. Retrieved 2012-03-09.
  6. ^ Luria, A. R.; Vinogradova, O. S. (1959-05-01). "An Objective Investigation of the Dynamics of Semantic Systems". British Journal of Psychology. 50 (2): 89–105. doi:10.1111/j.2044-8295.1959.tb00687.x. ISSN 2044-8295.
  7. ^ Razran, Gregory (1961). "The observable unconscious". Psychological Review. 68 (2): 81–147. doi:10.1037/h0039848. hdl:11858/00-001M-0000-002C-4D33-A.
  8. ^ Razran, Gregory (1939). "A quantitative study of meaning by semantic conditioning". Science. 90 (2326): 89–90. doi:10.1126/science.90.2326.89-a. hdl:21.11116/0000-0001-913F-5. PMID 17798918.

External links[edit]