A Bullet for the General

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A Bullet for the General
A Bullet for the General.jpg
Directed by Damiano Damiani
Produced by Bianco Manini
Screenplay by Salvatore Laurani
Adaptation and Dialogue:
Franco Solinas
Story by Salvatore Laurani
Starring Gian Maria Volontè
Klaus Kinski
Martine Beswick
Lou Castel
Jaime Fernández
Music by Luis Bacalov
Musical Supervisor:
Ennio Morricone
Cinematography Antonio Secchi
Edited by Renato Cinquini
M. C. M.
Distributed by Indipendenti Regionali (Italy)
AVCO Embassy Pictures (US)
Warner-Pathé (UK)
Release dates
7 December 1966
Running time
118 minutes (Italy)
115 minutes (US)
Country Italy
Language Italian

A Bullet for the General (Es. Quién sabe?), also known by its international title El Chucho Quién Sabe?, is a 1966 Italian Zapata Western film directed by Damiano Damiani, written by Salvatore Laurani and Franco Solinas, and starring Gian Maria Volontè, Lou Castel, Klaus Kinski and Martine Beswick. The film tells the story of El Chuncho, a bandit, and Bill Tate (or El Niňo), who is a counter-revolutionary in Mexico. Chuncho soon learns that social revolution is more important than mere money. This is one of the more famous Zapata Westerns, a subgenre of the spaghetti western which deals with the radicalizing of bad men and bandits into revolutionaries when they are confronted with injustice. Others in this subgenre include Compañeros, The Mercenary and perhaps most famously Duck, You Sucker!

Some parts of the soundtrack, composed by Luis Enríquez Bacalov, are featured in the videogame Red Dead Revolver.


The two Mexican brothers Chuncho and Santo and their mutual US-American friend Bill support the revolution in Mexico by delivering stolen guns to a rebel leader. Their mutual contempt for the current government unites the three men, but Chuncho only strives for maximum profit, whereas Santo is driven by political idealism. In the course of action their motives prove being incompatible. The brothers split up and then even oppose each other. Bill has to choose sides.



Damiano's film has been called a "serious statement about the Mexican Revolution" and has been recognised as an accomplished blend of "tension, action, politics and history".[1]


  1. ^ Hughes, p.66

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