In the Q & Mojo Classic Special Edition Pink Floyd & The Story of Prog Rock, the album came #6 in its list of "40 Cosmic Rock Albums".
AllMusic's Greg Prato gave the album 3.5 stars (of 5), saying they "had improved their songwriting and strengthened their focus and musical approach." He took notice of the synthesizers that were creeping into the arrangements, "a direction the band would continue to pursue on future releases."
Robert Christgau was much less positive. He gave the record a D rating, calling them "the most obnoxious band currently making a killing on the zonked teen circuit." He compared them to bands such as "Angel. Or Kansas. Or a power-trio Uriah Heep, with vocals revved up an octave. Or two."
The tray has a picture of the star with man painting (mirroring the cover art of Retrospective I) with "The Rush Remasters" printed in all capital letters just to the left. All remasters from Rush through Permanent Waves are like this.
The remaster has all of the original vinyl packaging, including the back cover (all black with puppet strings) and inner sleeve photos of the band on stage. The star with man logo was reinstated after its absence on the original CD issue.
A Farewell to Kings was remastered again in 2011 by Andy VanDette as part of the three-volume "Sector" box sets, which re-released all of Rush's albums recorded for Mercury. In addition to the standard audio CD, A Farewell to Kings was also included on an audio DVD in the Sector 2 set, remixed into 5.1 surround sound.
A Farewell to Kings was remastered for vinyl in 2015 by Sean Magee at Abbey Road Studios as a part of the official "12 Months of Rush" promotion. The high definition master prepared for this release was also made available for purchase in 24-bit/96kHz and 24-bit/192kHz formats, at several high-resolution audio online music stores. These masters have significantly less compression than the 1997 remasters and the "Sector" remasters by Andy VanDette.