A Gentle Woman

From Wikipedia, the free encyclopedia
Jump to: navigation, search
A Gentle Woman
French Poster
Une femme douce
Directed by Robert Bresson
Produced by Mag Bodard
Written by Robert Bresson
Based on "A Gentle Creature"
1876 short story
by Fyodor Dostoyevsky
Starring Dominique Sanda
Guy Frangin
Jeanne Lobre
Music by Jean Wiener
Cinematography Ghislain Cloquet
Edited by Raymond Lamy
Release date
  • 1969 (1969)
Running time
88 minutes
Country France
Language French

A Gentle Woman (French: Une femme douce) is a 1969 French drama film directed by Robert Bresson. It is Bresson's first film in color, and adapted from Fyodor Dostoevsky's short story "A Gentle Creature" (Кроткая). The film was set in Paris at the time.

The tragic drama is characterised by Bresson's well known ascetic style, without any dynamic sequences or professional actors' experienced and excessive expressions. Dominique Sanda, who plays the titular "gentle woman", made her debut in the film, starting her career as an actress. Bresson chose her just as a result of her first voice call.[1]

Although the film applies a background of 1960s Paris, such as Muséum national d'histoire naturelle and Musée National d'Art Moderne, its theme adheres closely to the novella.

Bresson subsequently made another adaptation of Dostoevsky, his next film Quatre nuits d'un rêveur (Four Nights of a Dreamer) (1971) based on White Nights.


The film opens with a falling scarf, leading us to a young woman's dead body on the street. From the later scenes, we understand that the young woman was Elle (Dominique Sanda), who steps off the balcony of her Parisian apartment, plunging to her death. Why has she done it? As her distraught husband, Luc (Guy Frangin), looks over her dead body, and explores what led her to kill herself in a talk to the maid, the picture traces their lives together in flashbacks. Elle is A Gentle Creature—meek, dreamy and thoughtful. She entrances Luc, who pursues her passionately. They marry, but the match never seems right. The story reveals their desperate, despairing miscommunication. Though they try many diversions (theater, television, films) these are momentary respites for the two of them (for Elle more-so, as we see with her interest in Hamlet, which plays out in an extended scene). Their dialogue only deepens her isolation and sadness.



  1. ^ Samuels, Charles Thomas. "Encountering Directors: Robert Bresson". Masters of Cinema. Archived from the original on 18 August 2010. 

External links[edit]