A Journal of the Plague Year
Title page of the original edition in 1722
A Journal of the Plague Year is a book by Daniel Defoe, first published in March 1722. It is an account of one man's experiences of the year 1665, in which the bubonic plague struck the city of London in what became known as the Great Plague of London, the last epidemic of plague in that city. The book is told somewhat chronologically, though without sections or chapter headings, and with frequent digressions and repetitions.
Presented as an eyewitness account of the events at the time, it was written in the years just prior to the book's first publication in March 1722. Defoe was only five years old in 1665 when the Great Plague took place, and the book itself was published under the initials H. F. and is probably based on the journals of Defoe's uncle, Henry Foe, who, like 'H. F.', was a saddler who lived in the Whitechapel district of East London.
In the book, Defoe goes to great pains to achieve an effect of verisimilitude, identifying specific neighbourhoods, streets, and even houses in which events took place. Additionally, it provides tables of casualty figures and discusses the credibility of various accounts and anecdotes received by the narrator.
The book is often compared to the actual, contemporary accounts of the plague in the diary of Samuel Pepys. Defoe's account, which appears to include much research, is far more systematic and detailed than Pepys's first-person account.
How the Journal is to be classified has been disputed. It was initially presented and read as a work of non-fiction, but by the 1780s the work's fictional status was accepted. Debate continued as to whether Defoe could be regarded as the work's author rather than merely its editor. Edward Wedlake Brayley wrote in 1835 that the Journal is "emphatically, not a fiction, not based on fiction ... great injustice is done to [Defoe's] memory so to represent it." Brayley takes pains to compare Defoe's account with known bona fide accounts such as Loimologia by Dr. Nathaniel Hodges (1672), the diary of Samuel Pepys, and Thomas Vincent's God's Terrible Voice in the City by Plague and Fire (1667), as well as primary sources. This view was also held by Watson Nicholson – writing in 1919 – who argued that "there is not one single statement in the Journal, pertinent to the history of the Great Plague in London, that has not been verified", and thus the work can be regarded as "authentic history". It is, according to Nicholson, "a faithful record of historical facts ... [and] was so intended by its author." At least one modern literary critic, Frank Bastian, has agreed that "the invented detail is ... small and inessential" and that the Journal "stands closer to our idea of history than to that of fiction", and that "any doubts that remain whether to label it "fiction" or "history" arise from the ambiguities inherent in those words."
Other literary critics have argued that the work should be regarded as a work of imaginative fiction, and thus can justifiably be described as an "historical novel". This view was held by Everett Zimmerman, who wrote that "It is the intensity of the focus on the narrator that makes A Journal of the Plague Year more like a novel than like ... history." Indeed, Defoe's use of the narrator "H.F.", and his initial presentation of the Journal as being the recollections of an eye-witness to the plague, is the major sticking point for critics who consider it more of a "romance" – "one of the peculiar class of compositions which hovers between romance and history" as it was described by Sir Walter Scott – than a historical account. Walter George Bell, a historian of the plague, noted that Defoe should not be considered to be a historian because he uses his sources uncritically.
Scott's somewhat ambiguous view of the nature of the Journal was shared by Defoe's first major biographer, Walter Wilson, who wrote in Memoir of the Life and Times of Daniel De Foe (1830) about it that "[Defoe] has contrived to mix up so much that is authentic with the fabrications of his own brain, that it is impossible to distinguish one from the other; and he has given the whole such a likeness to the dreadful original, as to confound the sceptic, and encircle him in his enchantments." In Wilson's view the work is an "alliance between history and fiction" in which one continually morphs into the other and back again. This view is shared by John Richetti who calls the Journal a type of "pseudohistory", a "thickly factual, even grossly truthful book" in which "the imagination ... flares up occasionally and dominates those facts."
- In 1945, the syndicated radio programme The Weird Circle adapted the novel into a condensed 30-minute drama.
- The 1979 Mexican film El Año de la Peste (The Year of the Plague), directed by Mexican director Felipe Cazals from a screenplay written by Gabriel García Márquez, was based on A Journal of the Plague Year.
- The Oscar-nominated 1999 German stop motion animated short film Periwig Maker is based on A Journal of the Plague Year.
- A 2016 BBC Radio 4 play adapted the novel into a 60-minute drama.
In popular culture
- In Michael D. O'Brien's 1999 novel Plague Journal, the narrator and main character settles on that title to describe the theme of the book. He jokingly refers to himself as a modern-day Defoe.
- Norman Spinrad's 1995 satirical novel Journals of the Plague Years tells the story of four people during the time of a quickly-mutating sexually-transmitted viral disease which can not be defeated by vaccines, so all sexual activity eventually leads to death. (AIDS was in its earliest days known as "the gay plague".)
- A comparison of plague driven behavior described by Defoe and the Covid-19 crisis of 2020 is discussed in "Persistent Patterns of Behavior: Two Infectious Disease Outbreaks 350 Years Apart." and a commentary in The Guardian. 
- Ford-Smith, Alice (January 2012). "Book Review: A Journal of the Plague Year". Med Hist. 56 (1): 98–99. doi:10.1017/S0025727300000338. PMC 3314902.
- Brown, H. (1996). "The Institution of the English Novel: Defoe's Contribution". Novel: A Forum on Fiction. 29 (3): 299–318. doi:10.2307/1345591. JSTOR 1345591., p. 311.
- Bastian, F. (1965). "Defoe's Journal of the Plague Year Reconsidered". The Review of English Studies. 16 (62): 151–173. doi:10.1093/res/xvi.62.151.
- Mayer, Robert (Autumn 1990). "The Reception of a Journal of the Plague Year and the Nexus of Fiction and History in the Novel". ELH. 57 (3): 529–555. doi:10.2307/2873233. JSTOR 2873233.
- Zimmerman, E. (1972). "H. F.'s Meditations: A Journal of the Plague Year". PMLA. 87 (3): 417–423. doi:10.2307/460900. JSTOR 460900.
- Lichtenstein, Jesse "Bringing Out the Dead" The New Republic
- "A Journal of the Plague Year" BBC Radio 4 website
- Agranoff, David (6 February 2019) "Book Review: Journals of the Plague Years by Norman Spinrad " Postcards From a Dying World
- Dasgupta, Utteeyo; Jha, Chandan Kumar; Sarangi, Sudipta. "Persistent Patterns of Behavior: Two Infectious Disease Outbreaks 350 Years Apart". Economic Inquiry. n/a (n/a). doi:10.1111/ecin.12961. ISSN 1465-7295.
- Dasgupta, Utteeyo (20 December 2020). "Research explains how people act in pandemics – selfishly, but often with surprising altruism | Utteeyo Dasgupta". the Guardian. Retrieved 13 January 2021.