A Town Like Alice
This article needs additional citations for verification. (January 2018) (Learn how and when to remove this template message)
|Media type||Print (Softcover)|
A Town Like Alice (United States title: The Legacy) is a romance novel by Nevil Shute, published in 1950 when Shute had newly settled in Australia. Jean Paget, a young Englishwoman, becomes romantically interested in a fellow prisoner of World War II in Malaya, and after liberation emigrates to Australia to be with him, where she attempts, by investing her substantial financial inheritance, to generate economic prosperity in a small outback community—to turn it into "a town like Alice" i.e. Alice Springs.
The story falls broadly into three parts.
In post-World War II London, Jean Paget, a secretary in a leather goods factory, is informed by solicitor Noel Strachan that she has inherited a considerable sum of money from an uncle she never knew. But the solicitor is now her trustee and she only has the use of the income until she inherits absolutely, at the age of thirty-five, several years in the future. In the firm's interest, but increasingly with personal interest, Strachan acts as her guide and advisor. Jean decides that her priority is to build a well in a Malayan village.
The second part of the story flashes back to Jean's experiences during the war, when she was working in Malaya at the time the Japanese invaded and was taken prisoner together with a group of women and children.
As she speaks Malay fluently, Jean takes a leading role in the group of prisoners. The Japanese refuse all responsibility for the group and march them from one village to another. Many of them, not used to physical hardship, die. Jean meets an Australian soldier, Sergeant Joe Harman, also a prisoner, who is driving a lorry for the Japanese and they strike up a friendship. He steals food and medicines to help them. Jean is carrying a toddler, whose mother has died, and this leads Harman to believe that she is married; to avoid complications, Jean does not correct this assumption.
On one occasion, Harman steals five chickens from the local Japanese commander. The thefts are investigated and Harman takes the blame to save Jean and the rest of the group. He is beaten, crucified, and left to die by the Japanese soldiers. The women are marched away, believing that he is dead.
When their sole Japanese guard dies, the women become part of a Malayan village community. They live and work there for three years, until the war ends and they are repatriated.
Now a wealthy woman (at least on paper), Jean decides she wants to build a well for the village so that the women will not have to walk so far to collect water: "A gift by women, for women".
Strachan arranges for her to travel to Malaya, where she goes back to the village and persuades the headman to allow her to build the well. While it is being built, she discovers that, by a strange chance, Joe Harman survived his punishment and returned to Australia. She decides to travel on to Australia to find him. On her travels, she visits the town of Alice Springs, where Joe lived before the war, and is much impressed with the quality of life there. She then travels to the (fictional) primitive town of Willstown in the Queensland outback, where Joe has become manager of a cattle station. She soon discovers that the quality of life in "Alice" is an anomaly, and life for a woman in the outback is elsewhere very rugged. Willstown is described as "a fair cow".
Meanwhile, Joe has met a pilot who helped repatriate the women, from whom he learns that Jean survived the war and that she was never married. He travels to London to find her, using money won in the Golden Casket lottery. He finds his way to Strachan's office, but is told that she has gone travelling in the Far East. Disappointed, he gets drunk and is arrested, but is bailed out by Strachan. Without revealing Jean's actual whereabouts, Strachan persuades Joe to return home by ship and intimates that he may well receive a great surprise there.
While staying in Willstown, awaiting Joe's return, Jean learns that most young girls have to leave the town to find work in the bigger cities. Having worked with a firm in Britain that produced crocodile-leather luxury goods, she gets the idea of founding a local workshop to make shoes from the skins of crocodiles hunted in the outback. With the help of Joe and of Noel Strachan, who releases money from her inheritance, she starts the workshop, followed by a string of other businesses; an ice-cream parlour, a public swimming pool and shops.
The third part of the book shows how Jean's entrepreneurship gives a decisive economic impact to develop Willstown into "a town like Alice"; also Jean's help in rescuing an injured stockman, which breaks down many local barriers.
The story closes a few years later, with an aged Noel Strachan visiting Willstown to see what has been done with the money he has given Jean to invest. He reveals that the money which Jean inherited was originally made in an Australian gold rush, and he is satisfied to see the money returning to the site of its making.
Jean and Joe name their second son Noel, and ask Strachan to be his godfather. They invite Noel (Strachan) to make his home with them in Australia, but he declines the invitation, returns to Britain and the novel closes.
- Jean Paget - a young Englishwoman who is a prisoner of war in Malaya and later finds love with an Australian man and settles in the Australian outback.
- Joe Harman - an Australian cattleman who is a prisoner of war in Malaya; he survives crucifixion and gets back to Australia.
- Noel Strachan - the narrator; he is Jean Paget's solicitor and trustee.
- Donald - Jean Paget's brother
This section does not cite any sources. (January 2018) (Learn how and when to remove this template message)
The protagonists share the attitudes of the time: Australian Aboriginal and Torres Strait Islander people are referred to as "boongs" or "abos". It is also assumed that non-whites must use different shops and bars from whites and that they are less reliable than whites. But these attitudes are often presented not in a racist, but an ironic sense: for example, the captive British women are completely lost, because the only Malayan words they have learned are orders for their Malayan servants, while Jean survives by use of her language skills and her willingness to live the Malayan way.
Another theme is the situation of women in Western and Asian society at that period. For example, Jean Paget is not given full control of the money she inherited from her uncle, but has her capital managed by male lawyers. Also the Malayan women are subject to their husbands. Jean Paget makes a move toward female emancipation by digging a well in a Malayan village, so that the women of this village no longer have to carry their water for two miles each day, and also have a meeting place next to the well where they can discuss village affairs without being heard by the male villagers. However, this must be done with the approval of the men.
A third theme is that of entrepreneurship, and especially the role that entrepreneurs may play in community building. Instead of living on the income from her inheritance, Jean Paget puts it to good use to make Willstown a better place.
A fourth and allegorical theme is the gift and resurrection of the crucified Christ.
In a note to the text, Shute wrote that a forced march of women by the Japanese did indeed take place during World War II, but the women in question were Dutch, not British as in the novel, and the march was in Sumatra, not Malaya. Jean Paget was based on Carry Geysel (Mrs J. G. Geysel-Vonck), whom Shute met while visiting Sumatra in 1949. Geysel had been one of a group of about 80 Dutch civilians taken prisoner by Japanese forces at Padang, in the Dutch East Indies in 1942. Shute's understanding was that the women were forced to march around Sumatra for two-and-a-half years, covering 1,900 kilometres (1,200 mi), with fewer than 30 people surviving the march. However, the Nevil Shute Foundation states that this was a misunderstanding, and that the women were merely transported from prison camp to prison camp by the Japanese. "Shute, fortunately misinformed about parts of her experience, mistakenly understands that the women were made to walk. This was possibly the luckiest misunderstanding of his life..." says the Foundation.
Shute based the character of Harman on Herbert James "Ringer" Edwards, whom Shute met in 1948 at a station (ranch) in Queensland. Edwards, an Australian veteran of the Malayan campaign, had been crucified for 63 hours by Japanese soldiers on the Burma Railway. He had later escaped execution a second time, when his "last meal" of chicken and beer could not be obtained. Crucifixion (or Haritsuke) was a form of punishment or torture that the Japanese sometimes used against prisoners during the war.
This section includes a list of references, related reading or external links, but its sources remain unclear because it lacks inline citations. (January 2018) (Learn how and when to remove this template message)
The novel was adapted to film in 1956 as A Town Like Alice. It starred Virginia McKenna and Peter Finch, directed by Jack Lee. This film was known as Rape of Malaya in U.S. cinemas, and by various other titles in non-English-speaking countries. It was shown in Japan under the title Malay Death March: A Town Like Alice（Maree shi no koshin: Arisu no yo na machi「マレー死の行進:アリスのような町」）.
In 1981 it was adapted into a popular television miniseries called A Town Like Alice, starring Helen Morse and Bryan Brown (with Gordon Jackson as Noel Strachan). It was broadcast internationally, in the United States it was shown as part of the PBS series Masterpiece Theatre.
In 1997 a six-part radio version of A Town Like Alice was broadcast on BBC Radio 2 starring Jason Connery, Becky Hindley, Bernard Hepton and Virginia McKenna who had starred as the novel's heroine, Jean Paget, in the 1956 movie version. It was dramatised by Moya O'Shea, produced by Tracey Neale and David Blount and directed by David Blount. It won a Sony Award in 1998.
- Margaret Dryburgh – an English missionary held captive by the Japanese in World War II
- Tenko (TV series) – a 1981-84 BBC and ABC TV series based on the female prisoners of war in Singapore during World War II
- Paradise Road (1997 film) – a film based on the female prisoners of war in Sumatra in World War II
- "Too Good to Be True" (Time, 12 June 1950) Access date 6 June 2007.
- Special Broadcasting Service, 2005 "She was Nevil Shute's inspiration for a Town Like Alice" Archived 8 March 2007 at the Wayback Machine Access date 6 June 2007.
- Nevil Shute Foundation Access date 3 October 2009.
- Nevil Shute Norway Foundation, "1948" Access date 6 June 2007.
- Roger Bourke, Prisoners of the Japanese: Literary imagination and the prisoner-of-war experience (St Lucia: University of Queensland Press, 2006), Chapter 2 "A Town Like Alice and the prisoner of war as Christ-figure", pp. 30–65.
- Nevil Shute Norway Foundation, Ibid.
- "A Town Like Alice (1956)". BFI.
- "BFI Screenonline: Town Like Alice, A (1956)". www.screenonline.org.uk.
- TmqmNuMCdj (19 July 2016). "A Town Like Alice". www.nfsa.gov.au.
- "A Town Like Alice (1980) - David Stevens - Synopsis, Characteristics, Moods, Themes and Related". AllMovie.
- "Masterpiece Theatre - The Archive - A Town Like Alice". mpt-legacy.wgbhdigital.org.
- "A Town Like Alice". 20 February 1997. p. 108 – via BBC Genome.
- "- DIVERSITY - radio drama - Moya O'Shea". www.suttonelms.org.uk.