|Relative key||F-sharp minor|
|Parallel key||A minor|
|Dominant key||E major|
|A, B, C♯, D, E, F♯, G♯|
A major (or the key of A) is a major scale based on A, with the pitches A, B, C♯, D, E, F♯, and G♯. Its key signature has three sharps. Its relative minor is F-sharp minor and its parallel minor is A minor. The key of A major is the only key where a Neapolitan sixth chord on requires both a flat and a natural accidental.
The A major scale is:
Although not as rare in the symphonic literature as sharper keys, examples of symphonies in A major are not as numerous as for D major or G major. Beethoven's Symphony No. 7, Bruckner's Symphony No. 6 and Mendelssohn's Symphony No. 4 comprise a nearly complete list of symphonies in this key in the Romantic era. Mozart's Clarinet Concerto and Clarinet Quintet are both in A major, along with his 23rd piano concerto, and generally Mozart was more likely to use clarinets in A major than in any other key besides E-flat major. Moreover, the climax part of Tchaikovsky's Violin Concerto is also in A major.
The key of A major occurs frequently in chamber music and other music for strings, which favor sharp keys. Franz Schubert's Trout Quintet and Antonín Dvořák's Piano Quintet No. 2 are both in A major. Johannes Brahms, César Franck, and Gabriel Fauré wrote violin sonatas in A major. In connection to Beethoven's Kreutzer Sonata, Peter Cropper said that A major "is the fullest sounding key for the violin."
According to Christian Friedrich Daniel Schubart, A major is a key suitable for "declarations of innocent love, ... hope of seeing one's beloved again when parting; youthful cheerfulness and trust in God."
For orchestral works in A major, the timpani are typically set to A and E a fifth apart, rather than a fourth apart as for most other keys. Hector Berlioz complained about the custom of his day in which timpani tuned to A and E a fifth apart were notated C and G a fourth apart, a custom which survived as late as the music of Franz Berwald.
Notable compositions in A major
- Wolfgang Amadeus Mozart
- Ludwig van Beethoven
- Franz Schubert
- Felix Mendelssohn
- Symphony No. 4, Op. 90 ("Italian")
- Frédéric Chopin
- Franz Liszt
- Piano Concerto No. 2, S.125
- Johannes Brahms
- César Franck
- Anton Bruckner
- Sergei Prokofiev
- Piano Sonata No. 6, Op. 82
- Dmitri Shostakovich
- Mark Anson-Cartwright (2000). "Chromatic Features of E♭-Major Works of the Classical Period". Music Theory Spectrum. 22 (2): 178. JSTOR 745959.
- Peter Cropper, "Beethoven's Violin Sonata in A major, Op.47 'Kreutzer': First Movement", The Strad, March 2009, p. 64
- Rita Steblin (1996) A History of Key Characteristics in the Eighteenth and Early Nineteenth Centuries, University of Rochester Press, p. 123, ISBN 0835714187.
- N. D. Mar (1981). Anatomy of the Orchestra University of California Press, p. 349, ISBN 0520045009.
- Colin Lawson, Mozart: Clarinet Concerto, A Cambridge Music Handbook, Cambridge University Press, 1996.
- Media related to A major at Wikimedia Commons
|The table indicates the number of sharps or flats in each scale. Minor scales are written in lower case.|