|Os Lusíadas character|
Statue of Adamastor by Júlio Vaz Júnior, inaugurated in 1927 at the Santa Catarina viewpoint, Lisbon, Portugal
|Created by||Luís de Camões|
|Description||Greek-type mythological character|
"Death with Interruptions" by José Saramago|
The Year Of the Death of Ricardo Reis by José Saramago
The First Life of Adamastor by André Brink
L'Africaine (1865 opera)
Essai sur la poésie épique by Voltaire
Les Misérables by Victor Hugo
The Phantom of the Opera by Gaston Leroux, Poésies et Lettres, by Count of Lautréamont, Mensagem, by Fernando Pessoa
Adamastor is a mythological character created by the Portuguese poet Luís de Camões in his epic poem Os Lusíadas (first printed in 1572), as a symbol of the forces of nature Portuguese navigators had to overcome during their discoveries.
Camões gave his creation a backstory as one of the Giants of Greek mythology, banished to the Cape of Good Hope by Doris for falling in love with her daughter Tethis, now appearing in the form of a storm cloud to Vasco da Gama and threatening to ruin anyone hardy enough to attempt passing the Cape and penetrate the Indian Ocean, which was Adamastor's domain. Adamastor became the Spirit of the Cape of Good Hope, a hideous phantom of unearthly pallor:
Even as I spoke, an immense shape
Materialised in the night air,
Grotesque and enormous stature
With heavy jowls, and an unkempt beard
Scowling from shrunken, hollow eyes
Its complexion earthy and pale,
Its hair grizzled and matted with clay,
Its mouth coal black, teeth yellow with decay.— Camões, The Lusiads Canto V
The Portuguese expedition, led by Vasco da Gama, confronts the creature by asking "Who are you?", prompting Adamastor to tell his story. Deeply moved, the giant vanishes, dispersing the clouds and calming the sea, leaving the path towards India open.
Adamastor, both the mythological character and the sculpture, are mentioned several times in José Saramago's Nobel Prize-winning novel, The Year of the Death of Ricardo Reis, also in his historical novel Memorial do Convento (English language version: Baltasar and Blimunda).
A popular gathering place in Lisbon is known by the name 'Adamastor' because of the large stone statue of the mythical figure which presides over the space, which is officially called the Miradouro de Santa Catarina. The location offers visitors some of the most scenic views of the Tagus river, the 25 de Abril Bridge and the Cristo-Rei monument.
Adamastor is also mentioned in the opera L'Africaine (1865) about Vasco da Gama by the composer Giacomo Meyerbeer. The slave Nelusko sings a song about Adamastor while he deliberately steers the ship into a storm and it sinks.
It is mentioned by Voltaire in his Essai sur la poésie épique. It also appears in the works of Victor Hugo: Les Misérables (III, Marius, chap III) and in a poem dedicated to Lamartine (Les Feuilles d'automne, chap IX). Alexandre Dumas, père refers the giant six times: Le Comte de Monte Cristo (chap. XXXI), Vingt ans après (chap. LXXVII), Georges (chap. I), Bontekoe, Les drames de la mer, (chap. I), Causeries (chap. IX) and Mes Mémoires (chap. CCXVIII). Gaston Leroux also mentions it in The Phantom of the Opera (chap. VI). Herman Melville mentions Adamastor and Camões in his Billy Budd, at the end of Chapter VII.
The name Adamastor is an adaptation for the Portuguese language from the Greek word for "Untamed" or "Untameable" (Adamastos) (which the Portuguese did tame).
- Mateus, Octávio; Jacobs, Louis L.; Schulp, Anne S.; Polcyn, Michael J.; Tavares, Tatiana S.; Buta Neto, André; Morais, Maria Luísa; Antunes, Miguel T. (March 2011). "Angolatitan adamastor, a new sauropod dinosaur and the first record from Angola". Anais da Academia Brasileira de Ciências. 83 (1): 221–233. doi:10.1590/S0001-37652011000100012.
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