Portrait of Adele Bloch-Bauer I
|Type||Oil, silver, and gold on canvas|
|Dimensions||138 cm × 138 cm (54 in × 54 in)|
|Location||Neue Galerie, New York|
Portrait of Adele Bloch-Bauer I (also called The Lady in Gold or The Woman in Gold) is a 1907 painting by Gustav Klimt. The first of two portraits Klimt painted of Bloch-Bauer, it has been referred to as the final and most fully representative work of his golden phase. It is on display at the Neue Galerie in New York City as part of the largest Klimt collection in the U.S.
Adele Bloch-Bauer (1881–1925) was a wealthy member of Viennese society and a patron and close friend of Gustav Klimt. Klimt originally titled the painting as Adele Bloch-Bauer, but Nazi soldiers seized the painting from the Bloch-Bauer home and displayed it in the early 1940s, removing the name and instead calling it The Woman in Gold so that it could be displayed without referencing a prominent Jewish family.
Klimt took three years to complete the painting; preliminary drawings for it date from 1903/4. It measures 54" x 54" [138 x 138 cm] and is made of oil and gold on canvas, showing elaborate and complex ornamentation as seen in the Jugendstil style. Klimt was a member of the Vienna Secession, a group of artists that broke away from the traditional way of painting. The picture was painted in Vienna and commissioned by Adele's husband Ferdinand Bloch-Bauer. As a wealthy industrialist who had made his fortune in the sugar industry, he sponsored the arts and favored and supported Gustav Klimt. Adele Bloch-Bauer became the only model who was painted twice by Klimt when he completed a second picture of her, Portrait of Adele Bloch-Bauer II, in 1912.
Ownership of the painting
In her will, it is claimed that Adele Bloch-Bauer asked her husband to consider donating his Klimt paintings to the Austrian State Gallery upon his death. She died in 1925 from meningitis. When Nazi Germany annexed Austria in 1938 in the action known as the Anschluss, her widower fled to Prague and subsequently to Zurich. Most of his properties in Austria, including his Klimt paintings, were looted and the attorney Friedrich Führer was designated to administer their sale or disposal on behalf of the German state. In 1941, it was acquired by the Austrian state gallery, housed in the Belvedere Palace in Vienna.
Ferdinand Bloch-Bauer died in November 1945 in Zurich. In his 1945 testament, he designated his nephew and nieces, including Maria Altmann, as the heirs of his estate, which included his Klimt paintings.
In 2000, following administrative impedance by the Austrian authorities to her claims for restitution of the seized works, Maria Altmann sued Austria in US Court for ownership of Adele Bloch-Bauer I and other paintings from her uncle's collection. As Bloch-Bauer's pictures had remained in Austria, the Austrian government took the position that the request in the will of Adele Bloch-Bauer regarding her husband's property, contrary to his own will, determined that these pictures were to stay there. After a court battle, binding arbitration by a panel of Austrian judges established in 2006 that Maria Altmann was the rightful owner of this and four other paintings by Klimt.
In June 2006 the work was sold for US$135 million to Ronald Lauder for the Neue Galerie in New York City, at the time a record price for a painting. It has been on display at the Neue Galerie since July 2006.
Her recovery of the paintings has also been recounted in three documentary films. Stealing Klimt, released in 2007, features interviews with Altmann, Schoenberg, and others who were closely involved with the story. Adele's Wish by filmmaker Terrence Turner, who is the husband of Altmann's great-niece, was released in 2008, and features interviews with Altmann, Schoenberg and leading experts from around the world. The piece was also featured in the 2006 documentary The Rape of Europa, which dealt with the massive theft of art in Europe by the Nazi government during World War II.
This piece is featured in the memoir of Gregor Collins, The Accidental Caregiver, about his relationship with Maria Altmann, the niece of Adele Bloch-Bauer. It was published on August 15, 2012, and was turned into a stageplay in New York in January 2015.
The tale of the painting and those involved with it is covered in detail in the book by Anne-Marie O'Connor, The Lady in Gold: The Extraordinary Tale of Gustav Klimt's Masterpiece, Portrait of Adele Bloch-Bauer, published on February 7, 2012.
The story of this work, as well as other stories of the clashes between the heirs determined to retrieve their inheritance and the current owners, is told by Melissa Müller and Monika Tatzkow in Lost Lives, Lost Art: Jewish Collectors, Nazi Art Theft, and the Quest for Justice, published by The Vendome Press on September 1, 2010.
- Portrait of Adele Bloch-Bauer II
- Art repatriation
- List of famous stolen paintings
- List of most expensive paintings
- List of paintings by Gustav Klimt
- "Provenance" (Numbers)
- "Gustav Klimt and Adele Bloch-Bauer: The Woman in Gold". Neue Galerie. Retrieved 23 June 2015.
- Partsch, Susanna. Klimt: Life and Work, p. 242. Bracken Books, London, 1989. ISBN 1 85170 286 5
- Susan Stamberg (23 June 2015). "Immortalized As 'The Woman In Gold,' How A Young Jew Became A Secular Icon". NPR. Retrieved 29 June 2016.
- Shapira, Elana (1 March 2009). "Adele Bloch-Bauer.". Jewish Women's Archive, Jewish Women: A Comprehensive Historical Encyclopedia. Retrieved 24 October 2014.
- Partsch, 242
- Ferdinand Bloch-Bauer was born Ferdinand Bloch, the son of David Bloch (also known as Abraham Bloch), a banker and sugar factory owner, and his wife Marie, née Straschnow. Ferdinand married Adele Bauer, the daughter of Moritz Bauer (director of the Vienna bank Wiener Bankverein) and his wife Jeanette, née Honig. When Ferdinand married Adele, both adopted the surname Bloch-Bauer.
- Her name is pronounced as [aˈdeːlə blɔx ˈbaʊ̯ɐ] in German.
- "Last Will 1923". Adele.at. 1923-01-19. Retrieved 2011-05-15.
- "Bloch-Bauer 1945 testament". Arthistory.about.com. Retrieved 2011-05-15.
- "Ruling of the Austrian arbitration court". Austrian arbitration court, Vienna, 2006. Retrieved 23 April 2015.
- The admissibility of the US Case under US Jurisdiction was predicated in the extreme costs imposed on her by the Austrian authorities
- "List and Pictures of Klimt Paintings ("Amalie" not part of the five pictures), Photo of Adele Bloch-Bauer, Photo of Klimt". Adele.at. Retrieved 2011-05-15.
- Vogel, Carol (19 June 2006). "NY Times report from June 19, 2006". Nytimes.com. Retrieved 15 May 2011.
- "The Ronald S. Lauder Collection: Selections from the 3rd Century BC to the 20th Century/Germany, Austria, and France". Neue Galerie.
- "Stealing Klimt".
- "Adele's Wish". Adele's Wish.
- "The Accidental Caregiver: How I Met, Loved, and Lost Legendary Holocaust Refugee Maria Altmann - Kindle edition by Gregor Collins. Arts & Photography Kindle eBooks @ Amazon.com.".
- "THE ACCIDENTAL CAREGIVER". New York Theater Festival.
- "New York: STAGED READING - THE ACCIDENTAL CAREGIVER (presented by the ACF New York)". Austria.
- "The Lady in Gold: The Extraordinary Tale of Gustav Klimt's Masterpiece, Portrait of Adele Bloch-Bauer [Deckle Edge] [Hardcover]". Retrieved 2013-01-24.
- "Lost Lives, Lost Art: Jewish Collectors, Nazi Art Theft, and the Quest for Justice [Hardcover]". TheVendomePress. Retrieved 2014-07-15.
- Czernin, Hubertus. Die Fälschung: Der Fall Bloch-Bauer und das Werk Gustav Klimts. Czernin Verlag, Vienna 2006. ISBN 3-7076-0000-9
- O'Connor, Anne-Marie. The Lady in Gold, The Extraordinary Tale of Gustav Klimt's Masterpiece, Portrait of Adele Bloch-Bauer. Alfred A. Knopf, New York 2012. ISBN 0-307-26564-1
- The Fight for the Klimt Paintings
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