Age of Iron

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Age Of Iron
AgeOfIronNovel.jpg
First UK edition
Author J. M. Coetzee
Country South Africa
Language English
Publisher Secker and Warburg (UK)
Publication date
September 1990
Media type Print (Hardback), (Paperback)
Pages 224
ISBN 0-394-58859-2
OCLC 41354850

Age of Iron is a 1990 novel by South African Nobel Prize winner J. M. Coetzee. It is among his most popular works and was the 1990 Sunday Express Book of the Year. In it, he paints a picture of social and political tragedy unfolding in a country ravaged by racism and violence.

Plot summary[edit]

This story is narrated in a letter from Mrs. Curren, the main character, to her daughter. She lives in Cape Town during the Apertheid. She's just been told by her doctors that her cancer is incurable and that she's going to die soon. Upon arriving home, she turns away a homeless man who is camped out near her house. He leaves, but comes back right away. Mrs. Curren gives him food and offers him work, which latter offer offends him. Later that evening, she spots the man staring at the TV through her window. Needless to say she's annoyed. In the night, however, she has a sudden painful attack, and the man helps her. They form a sort of weird friendship as Vercueil spends most of his time near her house. One day she asks him to deliver mail to her daughter. He takes a really long time to agree, but eventually he mails the letter.

Mrs. Curren's housekeeper, Florence, returns from a trip and brings her two daughters and her son Bheki with her. Mrs. Curren resents having Bheki in the house, but he has no other place go. His friend, whom Mrs. Curren thinks is a no-good hoodlum, hang out a lot and gets into a fight with Vercueil, who disappears for a bit. Around this time, policemen start hanging out near the house, apparently keeping tabs on Bheki and his friends. Tensions are rising. When Vercueil returns, he brings home a woman and they both pass out drunk in the living room. Overwhelmed with people, Mrs. Curren starts to feel like everyone is conspiring against her to take over her property before she even dies.

One day Mrs. Curren witnesses a couple cops force Bheki and his friend, John, who are on bikes to run into a truck. John injures his head badly, and she sits in the street holding his wound until the ambulance arrives. Insulated from racial hatred, Mrs. Cullen starts to realize that her neat little white world doesn't match the reality of police brutality against black people. She wants to demand justice from the authorities for John's injury, but Florence won't let her because she's afraid to cause trouble with the police. They all go to the hospital to visit Bheki's friend, but Vercueil and Mrs. Curren wait in the car because she's in too much pain. Brought to tears, she admits to him that she hasn't told her daughter about her impending death. He encourages her to tell the truth, so her daughter doesn't resent her after she's gone. At home that night, Mrs. Curren invites Vercueil to sleep on the couch. She catches herself wishing he lives there.

Tragedy strikes again when Florence gets a phone call in the middle of the night saying her son is in trouble. Mrs. Curren drives Florence and her daughter to Guglethu, an unsafe place, where they meet Mr. Thabane, Florence's cousin. They drive to a part of town in chaos - fire, screaming people, and dead bodies. Faced with so much destruction and fear, Mrs. Curren essentially throws a fit and is put to shame about her privileged sensibility by Mr. Thabane. Eventually they find Bheki. He and four other black men have been murdered and left lying against a wall, their eyes and mouths full of sand. Horrified, Mrs. Curren finds a policeman and demands he do something, but he brushes her off. The next day some women come to pick up Florence's things as she won't return.

After all of that, Vercueil asks Mrs. Curren if she intends to kill herself that day. She says yes, so they go for a drive. She's unable to go through with it however, so Vercueil buys some liquor and tells her to get drunk. Offended, she screams at him to leave, which he does. He stays away for a while. One night Mrs. Curren wakes up to find John asking about Bheki. She tells him that his friend is dead, but the boy doesn't seem to understand. He's injured, so she looks after him for a bit. When she finds him stashing something in the floorboards one day, she calls Mr. Thabane to take John away.

The next morning the police come to her house asking about John. She says that everything is fine, but John is afraid. Promising not to let anything hurt him, she tries to comfort him. In a cruel trick, an officer distracts Mrs. Curren and the others shoot John. The cops then say she can return to her home, but she can't stand the thought of it. She wanders the streets until she falls asleep under a bridge. Waking to kids groping her, she's robbed and in excruciating pain. Somehow Vercueil finds her, but she still refuses to go home. They fall asleep in the woods together before returning the next day. Her house has been trashed, and a policeman is there who interrogates her about John and Vercueil. After he leaves, she calls Mr. Thabane to warn him.

From this point on, Mrs. Curren fades quickly as the cancer progresses. Her pain gets worse, and she has bizarre nightmares. Vercueil, who is caring for her now, encourages her to commit suicide repeatedly. They start sharing a bed so that she can stay warm. Their relationship is completely platonic; she just can't stay warm anymore. When she wakes up extremely cold one day, she asks Vercueil if today is the day. Without a word, he climbs into bed and embraces her. Her final words are that he can't make her any warmer.

Structure and Genre[edit]

Mrs Curren is the first person narrator in an epistolary style. Since Mrs Curren addresses her daughter in her letters as "you" the reader feels directly addressed. Coetzee's novel can be interpreted as a coming-of-age novel since it is about Mrs Curren's perspective on the world and coming to terms with that. Therefore, coming-of-age is in this case not growing older but rather about development.

The title is not about the Iron Age but iron represents the rough and brutal way of life Mrs Curren and the people in Cape Town live in. The first part where the term Age of Iron comes up is:

Children of iron, I thought. Florence herself, too, not unlike iron. The age of iron. After which comes the age of bronze. How long, how long before the softer ages return in their cycle, the age of clay, the age of earth? A Spartan matron iron-hearted, bearing warrior sons for the nation..

Mrs Curren does indeed think that the brutality is not something a handful of people partakes in but is a very big part in the nature of the people in Cape Town. However, she does underline that just like every other era planet earth has gone through, this time of brutality and racism will come to an end eventually.

Coetzee brings together important themes in this book: aging, the confessor as hero, narrative representation, the meaning of freedom, and the position of the white liberal in Apartheid South Africa