|Died||11 August 1939|
|Education||Bendigo School of Mines and Industries (1898-1899)|
Académie Delécluse, Paris, France (1899)
|Known for||portrait painting|
Her early art training started with Arthur T. Woodward at the Bendigo School of Mines and Industries from 1898 to 1899, and in 1899 some of her work was raffled in Bendigo to partly finance her study in Paris. The years following World War I saw a virtual exodus of Australian artists on a sort of Grand Tour to Paris, all intent on being part of the explosion of the arts taking place there. Painters like Rupert Bunny, Stella Bowen and Max Meldrum were drawn there by the appeal of the Left Bank. Others like Margaret Preston and Grace Crowley were inspired to develop in new directions by post-war Parisian art.
Goodsir attended the Académie Delécluse, the Académie Julian (under Jean-Paul Laurens) and then the Académie Colarossi. From about 1912 she shuttled between London and Paris, but finally settled in Paris in 1921 at 18 rue de l'Odéon.
During her time in Paris Goodsir painted portraits of cosmopolitan women including her partner, Rachel Dunne, nicknamed Cherry. The Parisienne, a portrait of Cherry was painted around 1924.
On a short visit to Australia in 1927 she exhibited at the Macquarie Galleries in Sydney and the Fine Arts Gallery in Melbourne. In 1938 four of her oils were shown at the sesquicentennial exhibition at the Art Gallery of New South Wales.
She was a member of the Societe Nationale des Beaux-Arts.
Goodsir died in Paris, France in 1939.
Goodsir's work showed strong composition and technique, favouring oils over watercolours. Despite turning out a large number of still lifes and interiors, her forté was portraits, including Katharine Goodson, Leo Tolstoy, Ellen Terry, Banjo Paterson, Bertrand Russell, Dame Eadith Walker, Countess Pinci and Italian leader Benito Mussolini.
Works are held in:
- the National Gallery of Victoria - The letter, (Woman reading)
- the Bendigo Art Gallery
- the National Gallery of Australia - In a Latin Quarter studio and The Parisienne.
- the Art Gallery of New South Wales - Chinese skirt
- K Quinlan, In A Picture Land Over The Sea: Agnes Goodsir, 1864-1939, Bendigo, 1998
- "Agnes Goodsir: biography". Paddington, New South Wales: Design & Art Australia Online. 19 October 2011. Retrieved 19 September 2012.
- "Views from the Left Bank". The Australian. Surry Hills, New South Wales. 4 December 2007. Archived from the original on 11 March 2008. Retrieved 10 June 2009.
- "Musée d'Orsay: Notice d'Artiste: Agnes Goodsir". www.musee-orsay.fr. Retrieved 27 August 2020.
- Watson, Bronwyn (8 October 2011). "Public Works: Agnes Goodsir". The Australian. Surry Hills, New South Wales. Retrieved 18 September 2012.
- Teffer, Nicola. "Agnes Goodsir". National Gallery of Australia. Retrieved 25 June 2020.
- "Agnes GOODSIR | Artists | NGV". www.ngv.vic.gov.au. Retrieved 27 August 2020.
- "Our 19th century art collection". Bendigo Art Gallery. Retrieved 27 August 2020.
- Goodsir, Agnes. "In a Latin Quarter studio". Item held by National Gallery of Australia. Retrieved 27 August 2020.
- Goodsir, Agnes. "The Parisienne". Item held by National Gallery of Australia. Retrieved 27 August 2020.
- Deutsch; Français; 日本語; 中文; Español; Italiano; 한국어; العربية; us, Contact. "Chinese skirt, 1933 by Agnes Goodsir". www.artgallery.nsw.gov.au. Retrieved 27 August 2020.
- The Goodsir Scholarship Archived 24 February 2011 at the Wayback Machine, Bendigo Art Gallery, 2010.
- "Schedule 'B' National Memorials Ordinance 1928-1972 Street Nomenclature List of Additional Names with Reference to Origin - Commonwealth of Australia Gazette. Special (National : 1977 - 2012) - 8 Feb 1978". Trove. Retrieved 3 September 2019.
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