Al Kooper

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Not to be confused with Al Cooper or Alice Cooper.
Al Kooper
Al Kooper 22A.jpg
Al Kooper at an interview in 2009
Background information
Also known as Roosevelt Gook
Born (1944-02-05) February 5, 1944 (age 71)
Brooklyn, New York, United States
Genres Blues, R&B, pop rock
Occupation(s) Musician, songwriter, producer
Instruments Vocals, guitar, bass, Hammond organ, keyboards, percussion, mandolin
Years active 1958–present
Labels ABC Records
Associated acts Mike Bloomfield, The Blues Project, Blood, Sweat & Tears, Bob Dylan

Al Kooper (born Alan Peter Kuperschmidt; February 5, 1944) is an American songwriter, record producer and musician, known for organizing Blood, Sweat & Tears (although he did not stay with the group long enough to share its popularity), providing studio support for Bob Dylan when he went electric in 1965, and also bringing together guitarists Mike Bloomfield and Stephen Stills to record the Super Session album. He has had a successful solo career since then, written music for film soundtracks, and has also lectured in musical composition. He continues to perform live.

Life and career[edit]

Kooper, born in Brooklyn,[1] grew up in a Jewish family[2] in Hollis Hills, Queens, New York. His first musical success was as a fourteen-year-old guitarist in The Royal Teens, best known for their 1958 ABC Records novelty twelve-bar blues riff, "Short Shorts". In 1960, he joined the songwriting team of Bob Brass and Irwin Levine, and wrote "This Diamond Ring", which became a hit for Gary Lewis and the Playboys. When he was twenty-one, Kooper moved to Greenwich Village.

He performed with Bob Dylan in concert in 1965, and in the recording studio in 1965 and 1966, including playing Hammond organ with Dylan at the Newport Folk Festival in 1965. Kooper also played the Hammond organ riffs on Dylan's "Like a Rolling Stone". It was in those recording sessions that Kooper met and befriended Mike Bloomfield, whose guitar-playing he admired. He worked extensively with Bloomfield for a number of years. Kooper played organ once again with Dylan during his 1981 world tour.

Kooper joined The Blues Project as their keyboardist in 1965, leaving the band shortly before their gig at the Monterey Pop Festival in 1967. He formed Blood, Sweat & Tears in 1967, leaving after the group's first album, Child Is Father to the Man, due to creative differences in 1968.[3] He recorded Super Session with Bloomfield and Stills in 1968 as well,[4] and in 1969 he collaborated with 15-year-old guitarist Shuggie Otis on the album Kooper Session. In 1975 he produced the debut album by The Tubes.

Kooper with guitar, celebrated his 68th birthday at The Regatta Bar in Cambridge, Massachusetts on Feb. 4, 2012.

Kooper has played on hundreds of records, including ones by The Rolling Stones, B. B. King, The Who, The Jimi Hendrix Experience, Alice Cooper, and Cream. On occasion, he has even overdubbed on his own efforts, as on The Live Adventures of Mike Bloomfield and Al Kooper and on other albums, as "Roosevelt Gook".[5] After moving to Atlanta in 1972, he discovered the band Lynyrd Skynyrd, and produced and performed on their first three albums, including the single "Sweet Home Alabama" and "Free Bird". Kooper also wrote the score for the TV series Crime Story and the film The Landlord. Kooper has also written music for several made-for-television movies. He was the musical force behind many of the pop tunes, including "You're the Lovin' End", for the Banana Splits, a children's television program. During the late eighties Kooper had his own dedicated keyboard studio room in the historic Sound Emporium recording studio in Nashville, next to studio B.

"I'm so pleased to be in Britain, I could just sit and pour tea over my head."

Al Kooper[6]

Kooper has published a memoir, Backstage Passes: Rock 'n' Roll Life In The Sixties (1977), now available in revised form as Backstage Passes & Backstabbing Bastards: Memoirs of a Rock 'N' Roll Survivor (1998). The latter includes indictments against "manipulators" within the music industry, including his one-time business manager, Stan Polley. His status as a published author enabled him to join (and act as musical director of) the Rock Bottom Remainders, a band made up of writers including Dave Barry, Stephen King, Amy Tan, and Matt Groening.

Kooper celebrating his 68th birthday at the Regatta Bar in Cambridge, Massachusetts, on February 4, 2012

Kooper is retired from teaching songwriting and recording production at Berklee College of Music in Boston, and plays weekend concerts with his bands The ReKooperators and The Funky Faculty. In 2008, he participated in the production of the album Psalngs,[7] the debut release of Canadian musician John Lefebvre and was inducted into the Musicians Hall of Fame and Museum in Nashville.[8]

In 2005 Martin Scorsese produced a documentary, No Direction Home: Bob Dylan, for the PBS American Masters Series, Kooper's most notable playing with Dylan is the organ parts on "Like a Rolling Stone". Kooper had been invited to the session as an observer, and hoped to be allowed to sit in on guitar, his primary musical instrument. Kooper uncased his guitar and began tuning it. After hearing Mike Bloomfield, who was the hired session guitarist for the sessions, warming up in the room, Kooper concluded that Bloomfield at that point, was a much better guitarist, so Kooper put his guitar aside and retreated into the control room.

As the recording sessions progressed, keyboardist Paul Griffin was moved from the Hammond organ to piano. Kooper quickly suggested to producer Tom Wilson that he had a "great organ part" for the song (which he later confessed was just a ruse to play in the session), and Wilson responded, "Al, you're not an organ player, you're a guitar player", but Kooper stood his ground. Before Wilson could explicitly reject Kooper's suggestion, he was interrupted by a phone call in the control room. Kooper immediately went into the studio and sat down at the organ, though he had rarely played organ before the session. Wilson quickly returned, and was shocked to find Kooper in the studio. By this time, Kooper had been playing along with Dylan and his backing band. His organ can be heard coming in an eighth-note just behind the other members of the band, as Kooper followed to make sure he was playing the proper chords. During a playback of tracks in the control room, when asked about the organ track, Dylan was emphatic: "Turn the organ up!"[9]



Studio albums[edit]

Sample of "I Can't Quit Her". From the album Rare and Well-Done.

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Sample of "Flute Thing". From the album Rare + Well-Done.

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  • Black Coffee (August 2005)
  • White Chocolate (2008)[1]

Live albums[edit]

  • Soul of a Man (February 1995)


Sample of "Albert's Shuffle". From the album Super Session.

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Label: Columbia [10] Producer: John Simon


Also appears on[edit]



  1. ^ a b Strong, Martin C. (2000). The Great Rock Discography (5th ed.). Edinburgh: Mojo Books. pp. 543–544. ISBN 1-84195-017-3. 
  2. ^ Wilentz, Sean (April 8, 2013). "Like a Rolling Stone: Rock legend Al Kooper opens up to Princeton’s Sean Wilentz about making music with Bob Dylan, and more". Nextbook Inc. Retrieved May 10, 2015. 
  3. ^ Tobler, John (1992). NME Rock 'N' Roll Years (1st ed.). London: Reed International Books Ltd. p. 232. CN 5585. 
  4. ^ Tobler, John (1992). NME Rock 'N' Roll Years (1st ed.). London: Reed International Books Ltd. p. 259. CN 5585. 
  5. ^ "Tom Rush's "Take a Little Walk with Me" Liner Notes". Archived from the original on November 28, 2010. Retrieved 2010-11-17. 
  6. ^ No Direction Home: The Life and Music of Bob Dylan, Robert Shelton, 1986, Da Capo Press reprint 2003, ISBN 0-306-81287-8
  7. ^ [1][dead link]
  8. ^ Daniel Kreps (October 29, 2008). "Kid Rock, Keith Richards Help Induct Crickets, Muscle Shoals into Musicians Hall of Fame | Music News". Rolling Stone. Retrieved 2014-04-19. 
  9. ^ No Direction Home: The Life and Music of Bob Dylan, Robert Shelton, 1986, Da Capo Press reprint 2003, ISBN 0-306-81287-8
  10. ^ Wikipedia

External links[edit]