Alexander Brattell is a British photographer best known for his abstract monochrome fine art prints which examine the role of visual perception in non-verbal thought.
Brattell's interest in photography started when he was a psychology undergraduate at Liverpool University in 1981 with an ambition to become a writer. Comfortable with a camera from the outset, what was intended to be a visual diary to accompany writing projects soon took centre stage. His first published picture was a portrait of professor Patrick Minford for The Financial Times. In 1982 Brattell's photographs of the author William S. Burroughs were purchased by his publisher, John Calder.
When his request to transfer his degree to a media subject was declined Brattell left university to pursue photography full-time. He was the staff photographer and writer for the Liverpool Music and Art fanzine "Breakout" until he began several years of employment in the photographic industry as a social & commercial location and studio photographer. He became freelance in 1986. By this time he had already established his fine art practice and was regularly exhibiting his prints in shops and restaurants. His first solo exhibition was at Veronica's Restaurant in Bayswater West London in 1984.
Moving to a studio and darkroom in Poplar, East London in 1987, Brattell divided his time between commissions from design companies and PR agencies, editorial assignments and making prints of his personal images. He freelanced for The Sunday Telegraph for 14 years under picture editor Nigel Skelsey and worked for diverse publications including The Times, Arena, GQ, Esquire, Vogue, Tandoori, Skin Two magazine, Square Meal and Fortean Times. His work with musicians continued through work for fRoots magazine and with The Big Chill, then a small Sunday club event planning their first festival, for whom he photographed, co-wrote (as Headonastick) and co-edited the Big Chill magazine "ON" (1995–1996).
Commercial clients during a 25-year period have included PricewaterhouseCoopers, CVC Capital Partners, Freud Communications' and international hotel design company Hirsch Bedner Associates. Brattell resisted specialising, enjoying the contrasts and challenges offered by a combination of still life, food, interiors and portraiture.
In 1996 Brattell began teaching part-time, first at Cordwainers College Hackney, then at The London College of Fashion. He has facilitated numerous community projects and student exhibitions at venues ranging from The Whitechapel Gallery to doctors surgeries.
At the end of 2005 Brattell relocated to St Leonards on Sea, East Sussex with his partner the jewellery artist Jo McAllister and their young son. He continues to accept commissions, most usually from artists, performers and craftspeople, teaches photography part-time at Sussex Coast College Hastings and exhibits regularly. He increasingly works with galleries such as F-ish, Hastings (curating), The De La Warr Pavilion, Bexhill (art projects in primary schools) and Towner, Eastbourne (exhibition events).
His fine art practice weaves an unbroken thread through his career resulting in bodies of work and series of pictures from Britain, Poland, Italy, Southern Africa, Morocco, Egypt and the Western United States. His multi-series work centred on London's East End has attracted particular attention, being chosen for display by The Prince's Foundation and the 2010 London International Documentary Festival.
Through encountering the work and writings of mid-twentieth century American avant garde photographers of the 1940s and 1950s such as Minor White, Harry Callahan and Aaron Suskind, Brattell realised that it was Alfred Stieglitz's theory of Equivalents that could best help him verbalise his own work. Like those artists his work is not primarily concerned with the subjects that it depicts and is therefore closer to the concerns of surrealism and abstract expressionism than traditional or post-modern modes in photography.
- The Sun Does Not Move; Conquest Hospital Hastings. Sep - Nov 2012. Eastbourne District Hospital. Dec 2012 - Feb 2013.
- Tulpa. Marina Post Office Tearooms. St. Leonards On Sea. October - November 2010.
- The Edge of England: McCarrons, St Leonards On Sea, East Sussex 2009
- Word on the Street: Royal London Hospital, Whitechapel. October 2004 – January 2005
- 19 Hz: The Spitz Bistro, London E1. October 2004
- Antinomy: The Fashion Space Gallery, London College of Fashion, London. November 2003
- Lines of Desire: The Space, London. June – July 2003
- Spectacle: The Eye Company, London. 2002
- Last Minute: The Alex, London. 2002
- britart.com: Foyer exhibition, London. 2000
- Paul Mark Hatton Jewellery: London. 2000
- Portals and Spirits: The Clerks House, London. 1999
- Freuds Cafe Gallery: London W1. 1992
- Brattell in Poland: Polish Social & Cultural Association Gallery, London W6. 1990
- They’re Not Laughing Now: F-ISH gallery, Hastings. Exhibitor & curator. October 2010
- The Invisible City: London International Documentary Festival. Exhibitor & speaker. April 2010
- IPG's Greatest Hits: The Independent Photographers Gallery, Battle, December 2009
- Indian Summer: Hastings Museum & Art Gallery, September 2009
- Conversations...From the Edge: Photo Hub Group, St Mary In The Castle Hastings, September 2009
- Jack in the Green: Hastings Arts Forum, St. Leonards on Sea, May 2008, 2009, 2010
- Shadowlands: South Coast Artists. Arts Forum, St. Leonards on Sea, March 2008
- Spirit of the Season: The Independent Photographers Gallery, Battle, Dec 2007 – Jan 2008
- Regeneration: SoCo Gallery, Hastings, March 2007
- Seaside: Conquest Hospital, Hastings, August – November 2006
- South Coast Artists Spring Show: SoCo Gallery Hastings, May 2006
- Landscape Through the Lens: SoCo Gallery Hastings, January 2006
- War!: The Rivington Gallery, London. June 2003
- Looking at London: The Prince’s Foundation, London. 2002
- London College of Fashion Faculty Show: London W1, 2001
- Cordwainers College Faculty Exhibitions: 1997, 1998, 1999
- Spitalfields, A Last Lingering Look: The Clerks House, Shoreditch. 1999
- Smalls: The Clerks House, Shoreditch, 1998
- Camerawork Open Exhibition: London E2, 1990
- Lucy Bell Fine Art Photography
- Fetish – Masterpieces of Erotic Fantasy Photography – Carlton Books ISBN 1-85868-674-1
- They're Not Laughing Now - F‐ISH Gallery (Oct 2010)
- London Road - Zetetic Press (2011) ISBN 978-0-9569773-0-4
- Skin Two magazine: 26, "The Story of Zero" Cover Photo & fashion feature (1998) ISBN 1-899279-55-5
- 3000AD: 2000 AD Anniversary Supplement (Mar 1997)