Alexander R. Galloway

From Wikipedia, the free encyclopedia
Jump to navigation Jump to search
Alexander Galloway
Era Contemporary Philosophy
Region Western Philosophy
School Media Studies, Continental Philosophy, Film Studies, Game Studies
Main interests
Speculative Realism, Materialism, aesthetics, computer network, digital media, Networked Art, Software art, Conceptual art

Alexander R. Galloway (1974) is an author and associate professor in the Department of Media, Culture, and Communication at New York University. He has a bachelor's degree in Modern Culture and Media from Brown University, and a Ph.D. in Literature from Duke University in 2001. Galloway is known for his writings on philosophy, media theory, contemporary art, film, and video games.

Work[edit]

Galloway's first book, Protocol: How Control Exists After Decentralization, is a study of information networks and their political and computational effects. His other published writings examine film noir, video games, software art, hacktivism, and digital aesthetics. Galloway has conducted several seminars through The Public School NYC, including "French Theory Today"[1] and he has translated the work of philosopher François Laruelle and the Tiqqun collective.[2] Galloway is also a programmer and artist. He is a founding member of the Radical Software Group (RSG), and his art projects include Carnivore (awarded a Golden Nica at Ars Electronica 2002), and Kriegspiel (based on a war game originally designed by Guy Debord). Galloway was an Eyebeam Honorary Resident, and later became a member of their Advisory Council.[3][4]

In 2013 Galloway, along with Eugene Thacker and McKenzie Wark, published the book Excommunication: Three Inquiries in Media and Mediation. In the opening of the book the authors ask "Does everything that exists, exist to me presented and represented, to be mediated and remediated, to be communicated and translated? There are mediative situations in which heresy, exile, or banishment carry the day, not repetition, communion, or integration. There are certain kinds of messages that state 'there will be no more messages'. Hence for every communication there is a correlative excommunication."[5] This approach has been referred to as the "New York School of Media Theory."[6]

Bibliography[edit]

See also[edit]

References[edit]

  1. ^ See "French Theory Today - An Introduction to Possible Futures"
  2. ^ Galloway and Jason Smith co-translated Tiqqun's Introduction to Civil War, published by Semiotext(e) in 2010.
  3. ^ "Alexander Galloway | eyebeam.org". eyebeam.org. Retrieved 2016-01-28. 
  4. ^ "Alexander R. Galloway". V2_Institute for the Unstable Media. Retrieved 2016-02-01. 
  5. ^ Excommunication: Three Inquiries in Media and Mediation, Alexander R. Galloway, Eugene Thacker, and McKenzie Wark (University of Chicago Press, 2013), p. 10.
  6. ^ Geert Lovnik, "Hermes on the Hudson: Notes on Media Theory after Snowden", e-flux #54 (2014).

External links[edit]