Alexina Louie

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Alexina Diane Louie, OC OOnt FRSC (born July 30, 1949) is a Canadian composer of contemporary art music.[1] She has composed for various instrumental and vocal combinations in a variety of genres. Her works have been performed internationally and have earned her a number of awards, including the Order of Canada and a Juno Award.

Early life and education[edit]

Louie was born in Vancouver, British Columbia. She earned an ARCT in Piano Performance diploma from the Royal Conservatory of Music at the age of seventeen while under the tutelage of Jean Lyons—of the Jean Lyons School of Music in Vancouver. Shortly thereafter, Louie received a Bachelor of Music in Music History from the University of British Columbia in 1970. In 1974, she completed her M.A. degree in Composition from the University of California, San Diego.[2]


While studying in the Greater Los Angeles Area, Louie was a member of an ensemble, and later she taught piano, theory and electronic composition at Pasadena College and Los Angeles City College. One of her earliest compositions, completed in 1972, is an electronic piece for 4-channel tape entitled, Molly. The object in this composition, based on the last segment of James Joyce's novel Ulysses, was to make an electronic composition sound "human." [3]

She created a number of piano compositions, including Scenes from a Jade Terrace, Distant Memories (dedicated to Jean Lyons) and I Leap Through the Sky With Stars for solo piano, Dragon Bells for prepared piano and pre-recorded prepared piano, and Concerto for Piano and Orchestra -- , which was commissioned by the Canadian Broadcasting Corporation (CBC).

Louie moved from Los Angeles to Toronto in 1980. Soon after, in 1982, she composed her well-known piece O Magnum Mysterium: In Memoriam Glenn Gould.[4] She composed the opening music ("The Ringing Earth") for Expo 86 in Vancouver, and that year she was named Composer of the Year by Canadian Music Council.

Her 1984 orchestral composition, Songs of Paradise, earned her a 1988 Juno Award for Best Classical Composition; her concerto "Winter Music", for viola and chamber orchestra, was nominated for a Juno Award in 1988.

Orchestral scores include The Eternal Earth (commissioned by the Toronto Symphony), Music for a Thousand Autumns (commissioned by the Ensemble SMCQ) and Music for Heaven and Earth (commissioned by the Esprit Orchestra).

Louie's works of chamber music include The Distant Shore for piano trio, Edges for string quartet, Music from Night's Edge for piano quintet, Riffs for oboe, clarinet and bassoon, and Gallery Fanfares, Arias and Interludes (commissioned by the Art Gallery of Ontario in 1993).

In 1990, 1992,[5] and later in 2003, Louie received the SOCAN Concert Music Award for the most performed Classical composer of the year.[3]

Louie and her husband Alex Pauk, conductor of the Esprit Orchestra, collaborated on several film scores including Don McKellar's Last Night, which received a Genie nomination for Best Original Score in 1998, and The Five Senses, a film by Jeremy Podeswa that was premiered at the Cannes Film Festival the following year. In conjunction with David Henry Hwang, Louie composed a full-length opera, The Scarlet Princess (1996-2002).

In 1996 Louie received an honorary doctorate from the University of Calgary. That year she was composer-in-residence at the Canadian Opera Company.[6] In 1999 she won the Jules Léger Prize for New Chamber Music for Nightfall, a work for 14 strings written for I Musici de Montreal.

The Scarlet Princess, which was premiered by the Canadian Opera Company in 2002, is an erotic ghost story based on a 17th-century Japanese Kabuki play. Her eight-minute comic mini-opera entitled, Toothpaste (1995), based on a libretto by Dan Redican, has been broadcast in more than a dozen countries.

With Redican, Louie completed Burnt Toast, which consists of eight comic mini-operas for television, in 2005. She draws upon the music for the Queen of the Night aria -- "Der Hölle Rache"—from Mozart's The Magic Flute, as well as music from Wagner's Tristan und Isolde.

Songs of Paradise was re-recorded by the Thunder Bay Symphony Orchestra and Music Director Geoffrey Moull in 2004, and subsequently released on the album, Variations on a Memory. It became the best-selling disc of the Canadian Music Centre in 2005.[7]

Louie's composition Three Fanfares from the Ringing Earth, was performed at the opening of the new National Gallery of Canada in Ottawa, and Scenes from a Jade Terrace, opened the new Canadian Embassy in Tokyo. Her Infinite Sky With Birds, a National Arts Centre commission, debuted on February 22, 2006. That year she was made a Fellow of the Royal Society of Canada.[8]

Louie's composition Mulroney: The Opera, a musical satire of Brian Mulroney's life, was released by Alliance Films in April 2011. In 2013 her composition "Bringing the Tiger Down From the Mountain." was performed by the National Arts Centre Orchestra during their tour of China.[9]



See also[edit]


  1. ^ "BWW Review: Escape to Serenity with Toronto Symphony's BRAHMS GERMAN REQUIEM". Broadway World, by Taylor Long Sep. 29, 2017
  2. ^ Robb, Peter. "Alex Louie's musical journey". Ottawa Citizen, Sep 21, 2013
  3. ^ a b James R. Briscoe (1997). Contemporary Anthology of Music by Women. Indiana University Press. pp. 164–. ISBN 0-253-21102-6. 
  4. ^ Pamela Jones (2007). Alcides Lanza: Portrait of a Composer. McGill-Queen's Press - MQUP. pp. 170–. ISBN 978-0-7735-6048-2. 
  5. ^ a b Larry LeBlanc (14 November 1992). "'Do it for you' does it at the SOCAN Awards". Billboard. Nielsen Business Media, Inc.: 48–. ISSN 0006-2510. 
  6. ^ Karin Pendle (2001). Women & Music: A History. Indiana University Press. pp. 375–. ISBN 0-253-33819-0. 
  7. ^ "Archived copy". Archived from the original on 2009-06-20. Retrieved 2009-07-06. 
  8. ^ Royal Society of Canada website Archived July 18, 2011, at the Wayback Machine.
  9. ^ "NAC Orchestra kicks off seven-city tour of China". Toronto Star, Oct. 8, 2013, Martin Knelman.

Further reading[edit]

External links[edit]