Alfred Cort Haddon

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Alfred Cort Haddon
Alfred Cort Haddon. Photograph. Wellcome V0026495.jpg
Alfred Cort Haddon
Born24 May 1855
London, England, UK
Died20 April 1940 (1940-04-21) (aged 84)
Cambridge, Cambridgeshire, England, UK
NationalityUnited Kingdom
Alma materChrist's College, Cambridge
Scientific career
FieldsAnthropology
InfluencesThomas Henry Huxley
InfluencedW. H. R. Rivers
Caroline Furness Jayne

Alfred Cort Haddon, Sc.D., FRS,[1] FRGS (24 May 1855 – 20 April 1940, Cambridge) was an influential British anthropologist and ethnologist. Initially a biologist, who achieved his most notable fieldwork, with W.H.R. Rivers, C.G. Seligman and Sidney Ray on the Torres Strait Islands. He returned to Christ's College, Cambridge, where he had been an undergraduate, and effectively founded the School of Anthropology. Haddon was a major influence on the work of the American ethnologist Caroline Furness Jayne.[citation needed]

In 2011, Haddon's 1898 The Recordings of the Cambridge Anthropological Expedition to Torres Straits were added to the National Film and Sound Archive of Australia's Sounds of Australia registry.[2] The original recordings are housed at the British Library[3] and many have been made available online.[4]

Early life[edit]

Alfred Cort Haddon was born on 24 May 1855, near London, the elder son of John Haddon, the head of a firm of typefounders and printers. He attended lectures at King's College London and taught zoology and geology at a girls' school in Dover, before entering Christ's College, Cambridge in 1875.[5]

At Cambridge he studied zoology and became the friend of John Holland Rose (afterwards Harmsworth Professor of Naval History), whose sister he married in 1883. Shortly after achieving his Master of Arts degree, he was appointed as Demonstrator in Zoology at Cambridge in 1882. For a time he studied marine biology in Naples.[6]

Career[edit]

Dublin[edit]

In 1883 he was appointed Professor of Zoology at the College of Science in Dublin. While there he founded the Dublin Field Club in 1885.[7] His first publications were "An Introduction to Embryology" in 1887, and various papers on marine biology, which led to his being invited to go to the Torres Strait Islands to study coral reefs and marine zoology, and while thus engaged he first became attracted to anthropology.[citation needed]

Torres Strait Expedition[edit]

On his return home he published many papers dealing with the indigenous people, urging the importance of securing all possible information about these and kindred peoples before they were overwhelmed by civilisation. He advocated that in Cambridge (encouraged thereto by Thomas Henry Huxley), whither he came to give lectures at the Anatomy School from 1894 to 1898, and at last funds were raised to equip an expedition to the Torres Straits Islands to make a scientific study of the people, and Dr Haddon was asked to assume the leadership.[6]

To assist him he succeeded in obtaining the help of Dr W.H.R. Rivers, and in after years he used to say that he counted it his chief claim to fame that he had diverted Dr. Rivers from psychology to anthropology.[citation needed]

In April 1898, the expedition arrived at its field of work and spent over a year in the Torres Strait Islands, and Borneo, and brought home a large collection of ethnographical specimens, some of which are now in the British Museum, but the bulk of them for one of the glories of the Museum of Archaeology and Anthropology, University of Cambridge. The University of Cambridge later passed the wax cylinder recordings to the British Library. The main results of the expedition are published in The Reports of the Cambridge Expedition to Torres Straits.[6]

Haddon was convinced that hundreds of art objects collected had to be saved from almost certain destruction by the zealous Christian missionaries intent on obliterating the religious traditions and ceremonies of the native islanders. Film footage of ceremonial dances was also collected. His findings were published in his 1901 book "Head-hunters, Black, White and Brown".[8]

Similar anthropological work, the recording of myths and legends from the Torres Strait Islands was coordinated by Margaret Lawrie during 1960–72. Her collection compliments Haddon's work and can be found at the State Library of Queensland.[citation needed]

In 1897, Haddon had obtained his Sc.D. degree in recognition of the work he had already done, some of which he had incorporated in his Decorative art of New Guinea, a large monograph published as one of the Cunningham Memoirs in 1894, and on his return home from his second expedition he was elected a fellow of his college (junior fellow in 1901, senior fellow in 1904).[citation needed]

He was appointed lecturer in ethnology in the University of Cambridge in 1900, and reader in 1909, a post from which he retired in 1926. He was appointed advisory curator to the Horniman Museum in London in 1901. Haddon paid a third visit to New Guinea in 1914, and returned during the First World War.[citation needed]

Accompanied by his daughter Kathleen Haddon (1888–1961), a zoologist, photographer and scholar of string-figures,[9] the Haddons travelled along the Papuan coast from Daru to Aroma. While less discussed then his earlier work in the Torres Straits, this trip was influential in helping shape Haddon's later work on the distribution of material culture across New Guinea.[10][11]

The war effort had largely destroyed the study of Anthropology at the University, however, and Haddon went to France to work for the Y.M.C.A.. After the war, he renewed his constant struggle to establish a sound School of Anthropology in Cambridge.[6]

Retirement[edit]

On his retirement Haddon was made honorary keeper of the rich collections from New Guinea which the Cambridge Museum possesses, and also wrote up the remaining parts of the Torres Straits Reports, which his busy teaching and administrative life had forced him to set aside. His help and counsel to younger men was then still more freely at their service, and as always he continually laid aside his own work to help them with theirs.[6]

Haddon was president of Section H (Anthropology) in the British Association meetings of 1902 and 1905. He was president of the Royal Anthropological Institute of Great Britain and Ireland, of the Folk Lore Society, and of the Cambridge Antiquarian Society was elected a Fellow of the Royal Society;[1] received from the R.A.I. the Huxley Medal in 1920; and was the first recipient of the Rivers Medal in 1924.

He was the first to recognise the ethnological importance of string figures and tricks, known in England as "cats' cradles," but found all over the world as a pastime among native peoples. He and Dr Rivers invented a nomenclature and method of describing the process of making the different figures, and one of his daughters, Mrs Rishbeth, who became an expert, has written a book on the subject.[6]

His chief publications, besides those already mentioned, were :— "Evolution in Art" (1895), "The Study of Man" (1898), "Head-hunters, Black, White and Brown" (1901), "The Races of Man" (1909) and a second edition, entirely rewritten in 1924, and "The Wanderings of People" (1911). He contributed to the Encyclopædia Britannica, Dictionary of National Biography, and several articles to Hastings's Encyclopaedia of Religion and Ethics, and a bibliography of his writings and papers runs to over 200 entries, even without his book reviews.[6]

Despite being subsequently sidelined by Bronisław Malinowski, and the new paradigm of functionalism within anthropology, Haddon was profoundly influential mentoring and supporting various anthropologists conducted then nascent fieldwork: A.R. Brown in the Andaman Islands (1906–08), Gunnar Landtman on Kiwai in now Papua New Guinea (1910–12),[12] Diamond Jenness (1911–12), R.R. Marrett's student at Oxford University,[13] as well as John Layard on Malakula, Vanuatu (1914–15),[14] and to have Bronisław Malinowski stationed in Mailu and later the Trobriand Islands during WWI.[15] Haddon actively gave advice to missionaries, government officers, traders and anthropologists; collecting in return information about New Guinea and elsewhere.[citation needed]

Haddon's photographic archive and artefact collections can be found in the Museum of Anthropology and Archaeology in Cambridge University, while his papers are in the Cambridge University's Library's Special Collections.[16]

Family[edit]

Haddon's wife died in 1937 and he left a son and two daughters.[6] His daughter Kathleen (1888–1961) was a zoologist, photographer, and scholar of string-figures. She accompanied her father on a journey along the coast of New Guinea during his Torres Straits Expedition. She married O.H. T. Rishbeth.[when?][17]

She authored the following:

  • (1911/2010). Cat's Cradles from Many Lands. London: Longmans, Green & Co.; ISBN 978-1-177-39789-6
  • (1930/1979). Artists in String, String Figures: Their Regional Distribution and Social Significance. London: Methuen & Co. Ltd.; ISBN 978-0-404-14127-1.
  • (1934/2006). String Games for Beginners;ISBN 978-1-4067-9633-9.
  • (1974). Instant String Games; ISBN 978-0-85179-640-6

References[edit]

  1. ^ a b Fleure, H.J. (1941). "Alfred Cort Haddon. 1855-1940". Obituary Notices of Fellows of the Royal Society. 3 (9): 448–65. doi:10.1098/rsbm.1941.0014.
  2. ^ National Film and Sound Archive: The Recordings of the Cambridge Anthropological Expedition to Torres Straits on the Sounds of Australia registry, nfsa.gov.au; accessed 20 December 2017.
  3. ^ "World and traditional music: wax cylinder collections". bl.uk. Retrieved 20 December 2017.
  4. ^ "Ethnographic wax cylinders". bl.uk. Retrieved 20 December 2017.
  5. ^ "Haddon, Alfred Cort (HDN875AC)". A Cambridge Alumni Database. University of Cambridge.
  6. ^ a b c d e f g h "Dr A.C. Haddon – Anthropologist and Ethnologist (transcription)". Issue 48596. London, UK: The Times. 22 April 1940. p. 3. Retrieved 20 November 2008.
  7. ^ Praeger, Robert Lloyd (1969), The Way that I Went: An Irishman in Ireland, Dublin: Allen Figgis, pp. 10–12
  8. ^ "BBC Two - Hidden Treasures of..." BBC. Retrieved 3 February 2018.
  9. ^ Haddon, K. 1911. Cat's Cradles from Many Lands. London: Longmans, Green & Co. —1915. 'In Papua with a Piece of String.’ The Chronicle of the London Missionary Society July:140. —1918. Some Australian String Figures. Melbourne: Ford & Son. —1929. 'In the Gulf of New Guinea'. Country Life 24, pp. 268–70. —1930. Artists in String. String Figures: Their Regional Distribution and Social Significance. London: Methuen & Co. Ltd
  10. ^ Haddon, A.C. 1920. 'The migrations of cultures in British New Guinea', Journal of the Royal Anthropological Institute 50, pp. 234–80. Haddon, A.C. 1946. 'Smoking Tobacco Pipes in New Guinea'. Philosophical Transactions of the Royal Society of London. pg. 232, 1–278. Haddon, A.C. & J. Hornell. 1936–38. Canoes of Oceania. Bernice P. Bishop Museum Special Publication 27–29. Honolulu: Bernice P. Bishop Museum.
  11. ^ Bell, J.A. 2009. 'For the scientific purposes a stand camera is essential: Salvaging Photographic Histories in Papua', Photography, Anthropology and History: Expanding the Frame (eds) C. Morton & E. Edwards. Farnham: Ashgate.
  12. ^ Landtman, G. 1927. The Kiwai Papuans of British New Guinea : a nature-born instance of Rousseau's ideal community (Landmarks in anthropology. London: Macmillan.
  13. ^ Jenness, D. 1920. The northern D'Entrecasteaux. Oxford: Clarendon Press.
  14. ^ Herle, A. 2010. 'John Layard's Photographs on Malakula: from observational to participant field research', Moving Images: John Layard, Fieldwork and photography on Malakula since 1914 (eds) H. Geismar & A. Herle. Honolulu: University of Hawai’i Press.
  15. ^ Young, M.W. 2004. Malinowski: Odyssey of an Anthropologists, 1884–1920. New Haven: Yale University Press.
  16. ^ "Cambridge University Library". cam.ac.uk. Retrieved 20 December 2017.
  17. ^ Haddon, K. (1934) String Games for Beginners, pg. 1. Cambridge: Heffer. 2006; ISBN 978-1-4067-9633-9

Bibliography[edit]

Further reading[edit]

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