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An all-pass filter is a signal processing filter that passes all frequencies equally in gain, but changes the phase relationship among various frequencies. Most types of filter reduce the amplitude (i.e. the magnitude) of the signal applied to it for some values of frequency, whereas the all-pass filter allows all frequencies through without changes in level.
A common application in electronic music production is in the design of an effects unit known as a "phaser", where a number of all-pass filters are connected in sequence and the output mixed with the raw signal.
It does this by varying its phase shift as a function of frequency. Generally, the filter is described by the frequency at which the phase shift crosses 90° (i.e., when the input and output signals go into quadrature – when there is a quarter wavelength of delay between them).
They are generally used to compensate for other undesired phase shifts that arise in the system, or for mixing with an unshifted version of the original to implement a notch comb filter.
They may also be used to convert a mixed phase filter into a minimum phase filter with an equivalent magnitude response or an unstable filter into a stable filter with an equivalent magnitude response.
- 1 Active analog implementation
- 2 Passive analog implementation
- 3 Digital Implementation
- 4 See also
- 5 External links
Active analog implementation
which has one pole at -1/RC and one zero at 1/RC (i.e., they are reflections of each other across the imaginary axis of the complex plane). The magnitude and phase of H(iω) for some angular frequency ω are
As expected, the filter has unity-gain magnitude for all ω. The filter introduces a different delay at each frequency and reaches input-to-output quadrature at ω=1/RC (i.e., phase shift is 90 degrees).
- At high frequencies, the capacitor is a short circuit, thereby creating a unity-gain voltage buffer (i.e., no phase shift).
- At low frequencies and DC, the capacitor is an open circuit and the circuit is an inverting amplifier (i.e., +180 degree phase shift) with unity gain.
- At the corner frequency ω=1/RC of the high-pass filter (i.e., when input frequency is 1/(2πRC)), the circuit introduces a +90 degree shift (i.e., output is in quadrature with input; it is delayed by a quarter wavelength).
In fact, the phase shift of the all-pass filter is double the phase shift of the high-pass filter at its non-inverting input.
Interpretation as a Padé approximation to a pure delay
The Laplace transform of a pure delay is given by
where is the delay (in seconds) and is complex frequency. This can be approximated using a Padé approximant, as follows:
where the last step was achieved via a first-order Taylor series expansion of the numerator and denominator. By setting we recover from above.
Implementation using low-pass filter
A similar all-pass filter can be implemented by interchanging the position of the resistor and capacitor, which turns the high-pass filter into a low-pass filter. The result is a phase shifter with the same quadrature frequency but a −180 degree shift at high frequencies and no shift at low frequencies. In other words, the transfer function is negated, and so it has the same pole at −1/RC and reflected zero at 1/RC. Again, the phase shift of the all-pass filter is double the phase shift of the first-order filter at its non-inverting input.
Voltage controlled implementation
The resistor can be replaced with a FET in its ohmic mode to implement a voltage-controlled phase shifter; the voltage on the gate adjusts the phase shift. In electronic music, a phaser typically consists of two, four or six of these phase-shifting sections connected in tandem and summed with the original. A low-frequency oscillator (LFO) ramps the control voltage to produce the characteristic swooshing sound.
These circuits are used as phase shifters and in systems of phase shaping and time delay. Filters such as the above can be cascaded with unstable or mixed-phase filters to create a stable or minimum-phase filter without changing the magnitude response of the system. For example, by proper choice of pole (and therefore zero), a pole of an unstable system that is in the right-hand plane can be canceled and reflected on the left-hand plane.
Passive analog implementation
The benefit to implementing all-pass filters with active components like operational amplifiers is that they do not require inductors, which are bulky and costly in integrated circuit designs. In other applications where inductors are readily available, all-pass filters can be implemented entirely without active components. There are a number of circuit topologies that can be used for this. The following are the most commonly used circuits.
The lattice phase equaliser, or filter, is a filter composed of lattice, or X-sections. With single element branches it can produce a phase shift up to 180°, and with resonant branches it can produce phase shifts up to 360°. The filter is an example of a constant-resistance network (i.e., its image impedance is constant over all frequencies).
The phase equaliser based on T topology is the unbalanced equivalent of the lattice filter and has the same phase response. While the circuit diagram may look like a low pass filter it is different in that the two inductor branches are mutually coupled. This results in transformer action between the two inductors and an all-pass response even at high frequency.
Bridged T-section filter
The bridged T topology is used for delay equalisation, particularly the differential delay between two landlines being used for stereophonic sound broadcasts. This application requires that the filter has a linear phase response with frequency (i.e., constant group delay) over a wide bandwidth and is the reason for choosing this topology.
A Z-transform implementation of an all-pass filter with a complex pole at is
which has a zero at , where denotes the complex conjugate. The pole and zero sit at the same angle but have reciprocal magnitudes (i.e., they are reflections of each other across the boundary of the complex unit circle). The placement of this pole-zero pair for a given can be rotated in the complex plane by any angle and retain its all-pass magnitude characteristic. Complex pole-zero pairs in all-pass filters help control the frequency where phase shifts occur.
To create an all-pass implementation with real coefficients, the complex all-pass filter can be cascaded with an all-pass that substitutes for , leading to the Z-transform implementation
which is equivalent to the difference equation
where is the output and is the input at discrete time step .
Filters such as the above can be cascaded with unstable or mixed-phase filters to create a stable or minimum-phase filter without changing the magnitude response of the system. For example, by proper choice of , a pole of an unstable system that is outside of the unit circle can be canceled and reflected inside the unit circle.
- Bridged T delay equaliser
- Lattice phase equaliser
- Minimum phase
- Hilbert transform
- High-pass filter
- Low-pass filter
- Band-stop filter
- Band-pass filter
- Lattice delay network