Life and work
Diepenbrock was not a musician by training. Brought up in a prosperous Catholic family, although he showed musical ability as a child, the expectation was that he would enter a university rather than a conservatory. And so he studied classics at the University of Amsterdam, gaining his doctorate cum laude in 1888 with a dissertation in Latin on the life of Seneca. The same year he became a teacher, a job which he held until 1894, and his decision to devote himself to music. As a composer, he had been completely self-taught from an early age.
He created a musical idiom which, in a highly personal manner, combined 16th-century polyphony with Wagnerian chromaticism, to which in later years was added the impressionistic refinement that he encountered in Debussy's music.
His predominantly vocal output is distinguished by the high quality of the texts used. Apart from the Ancient Greek dramatists and Latin liturgy, he was inspired by, among others, Goethe, Novalis, Vondel, Brentano, Hölderlin, Heine, Nietzsche, Baudelaire and Verlaine.
Throughout his life, Diepenbrock continued his interests in the wider cultural sphere, remaining a classics tutor and publishing works on literature, painting, politics, philosophy and religion. Indeed, during his lifetime his musical skills were often overlooked. Nonetheless, Diepenbrock was very much a respected figure within musical circles. He counted amongst his friends Mahler, Richard Strauss and Arnold Schoenberg.
Alphons Diepenbrock is related to Cardinal Melchior von Diepenbrock, who was his great uncle, as well as to a branch of the family that immigrated to America in 1879.
- Missa in die festo 1891
- Te Deum 1897
- Ik ben in eenzaamheid niet meer alleen 1898
- Hymne an die Nacht 1899
- Vondels vaart naar Agrippine 1903
- Im Grossen Schweigen 1906
- Die Nacht 1911
- Marsyas 1910
- Gijsbreght van Aemstel 1912
- Lydische Nacht 1913
- De Vogels 1917
- Elektra 1920
- (in Dutch) Biography
|Wikimedia Commons has media related to Alphons Diepenbrock.|