Ambient techno

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Ambient techno (also known as intelligent techno[1]) is a 1990s offshoot of techno and ambient house music that united the "soaring, layered, aquatic atmospheres" of ambient music with the melodic and rhythmic elements of techno and electro.[1] It was pioneered by electronic artists such as B12, Aphex Twin, the Black Dog, Higher Intelligence Agency, and Biosphere.[1]


Described by critic Simon Reynolds as a "post-rave genre," ambient techno departed from the communal, dance-oriented sound heard at raves and instead saw popularity as a form of "electronic listening music."[2] The release of Warp Records' Artificial Intelligence compilation in 1992 helped to establish the genre and featured artists such Aphex Twin and B12 under aliases, Autechre, and the Orb's Alex Paterson.[2] Reynolds wrote:

With its samples of bird-song and trickling water, ambient techno is a digital update of the nineteenth century programme music – the pastoral symphony that is nary, as with the aqua-mysticism and forest idylls of Claude Debussy.[2]

The cover of Artificial Intelligence (Warp Records, 1992) depicts a robot listening to records in its living room.

Artists returned to the instruments of the Detroit techno and Chicago house scenes, including analogue synthesizers, the Roland 303 bass machine, and the TR-909 drum machine, while also drawing on ambient and chillout elements.[2] According to AllMusic, the style was associated with labels such as Warp, Apollo, GPR, and Beyond.[1]

Associated artists[edit]


  1. ^ a b c d "Ambient Techno - Genre Overview". AllMusic. Retrieved 6 June 2017. 
  2. ^ a b c d Reynolds, Simon (2012). Energy Flash: A Journey Through Rave Music and Dance Culture. Soft Skull Press. pp. 156–7.