AMC (TV channel)
|Launched||October 1, 1984|
|Owned by||AMC Networks|
|Picture format||1080i (HDTV)
|Broadcast area||United States
Canada /> UK
|Headquarters||New York City, New York, United States|
|Formerly called||American Movie Classics (1984–2003)|
|Dish Network||131 (HD/SD)|
|Bell TV||1281 (HD)
|Shaw Direct||281 or 364 (HD)
293 or 609 (SD)
|Available on most U.S. and Canadian cable systems||Consult your local cable provider for channel availability|
|Verizon FiOS||731 (HD)
|AT&T U-verse||1119 (HD)
|Bell Fibe TV||1339 (HD)
|Optik TV||411 (HD)
|Sling TV||Internet Protocol television|
AMC is an American basic cable and satellite television channel that is owned by AMC Networks. The channel primarily airs theatrically released movies, along with a limited amount of original programming. The channel's name originally stood for "American Movie Classics", but since 2003 the full name has been de-emphasized as a result of a major shift in its programming.
As of February 2015, AMC was received by approximately 94,832,000 households in the United States that subscribe to a pay television service (81.5% of U.S. households with at least one television set). In March 2015, Dish Network's Sling TV announced it would soon begin making AMC channels available to cord cutters, including AMC, BBC America, IFC, SundanceTV, and WE tv.
- 1 History
- 2 Programming
- 3 References
- 4 External links
Focus on classic films (1984–2003)
American Movie Classics, as AMC was originally known, debuted on October 1, 1984 as a premium channel. Its original format focused on classic movies – largely those made prior to the 1950s – that aired during the afternoon and early evening hours in a commercial-free, generally unedited, uncut and uncolorized format. AMC was originally operated as a joint venture between Rainbow Media and cable television provider Tele-Communications Inc. (John Malone, who owned TCI and its parent Liberty Media, would launch another premium service Encore – which also originally focused on older films, mainly from the 1960s to the 1980s – seven years later in April 1991). During its early years, it was not uncommon for AMC to host a marathon of Marx Brothers films, or show classics such as the original 1925 release of The Phantom of the Opera. In 1987, the channel began to be carried on the basic cable tiers of many cable providers. By 1989, AMC was available to 39 million subscribers in the U.S.
On December 1, 1990, AMC began operating on a 24-hour-a-day schedule. Beginning in 1993, AMC presented an annual Film Preservation Festival to raise awareness of and funding for film preservation. Coordinated with The Film Foundation, an industry group that was founded by acclaimed director Martin Scorsese, the festival was originally conceived as a multi-day marathon presenting rare and previously lost films, many airing for the first time on television, along with behind-the-scenes reports on the technical and monetary issues faced by those engaged in archival restoration. Portions of the festival were often dedicated to all-day marathons focusing on a single performer. During its fifth anniversary year in 1998, Scorsese credited the Festival for creating "not only a greater awareness, but [...] more of an expectation now to see restored films." In 1996, curator of the Museum of Modern Art Mary Lee Bandy called the Festival "the most important public event in support of film preservation." By its tenth anniversary in 2003, the Festival had raised $2 million from the general public, which The Film Foundation divided among its five-member archives.
In 1993, Cablevision's Rainbow Media division became the majority owner of the channel, when it bought out Liberty Media's 50% stake in AMC; incidentally in August of that year, Liberty announced its intent to purchase the 25% stake in the channel that Cablevision held at the time, with the Turner Broadcasting System helping to finance the buyout that included an option for TBS to eventually acquire AMC outright. The following year, Time Warner (which would later purchase rival Turner Classic Movies following the company's 1996 acquisition of the Turner Broadcasting System) also attempted to acquire at least part of Liberty Media's stake in AMC.
In June 1995, AMC filed a $550 million breach of contract lawsuit against Turner Entertainment, which alleged that the company violated AMC's exclusive cable television rights to the pre-1950 Warner Bros. Pictures film library to broadcast approximately 30 times between July 1994 and April 1995, charging that Turner's objective in violating the contract was "to gain unfair advantage for the Turner Classic Movies cable network (which debuted in April 1994) at the expense of AMC."; Turner owns rights to the RKO Radio Pictures film library and licensed RKO's films to AMC in an output deal that was slated to last through 2004. Under the terms of the deal, AMC would obtain the RKO titles in exclusive windows.
Around this time, General Electric/NBC owned a stake in AMC – which it divested in the early 2000s. From 1996 to 1998, AMC aired its first original series, Remember WENN, a half-hour scripted series about a radio station during the peak of radio's influence in the 1930s. The show was well received by both critics and its enthusiastic fans, but was abruptly cancelled after its fourth season following management changes at the channel (WENN was followed up by The Lot, which lasted for only 16 episodes). Despite a well publicized write-in campaign to save the series, the show was not renewed for its originally scheduled fifth season.
One popular AMC program was American Pop! (originally intended as a preview of a new 24-hour cable channel), which ran from 1998 to 2003 and featured movies from the 1950s and 1960s aimed at baby boomers (such as Beach Blanket Bingo and Ski Party). Of particular interest to movie completists were the segments that AMC played to fill out the timeslot (Saturday nights from 10:00 p.m. to 12:00 a.m. Eastern Time): classic movie trailers, drive-in movie ads and snipes (bits extolling viewers to visit the snack bar, etc.), along with music videos cribbed from movie musicals from the period.
The majority of the films presented on AMC during the 1990s had originally been released by Paramount Pictures, 20th Century Fox, Columbia Pictures, and Universal Studios. The channel also occasionally showed classic silent films. The regular hosts of the telecasts were Bob Dorian and later, Nick Clooney, as well as New York City radio personality Gene Klavan from WNEW (1130 AM, now WBBR). Another WNEW-AM alum, Al "Jazzbo" Collins, provided his voice for the "Jazzbo's Swingin' Soundies" series of interstitials.
For most of its first 18 years in existence, AMC provided uncut and uncolorized films without commercial interruption. Its revenue came from carriage fees provided by the cable providers that maintained carriage agreements with the channel. However, in 1998, AMC began accepting traditional advertising, incorporating limited commercial interruptions between films (its sister movie channel Romance Classics, which had launched only one year earlier, became an entirely ad-supported channel at that point). By 2001, AMC had also incorporated commercial breaks during its movie telecasts. As a result of this move, Turner Classic Movies became the only one of the two classic film-focused networks to present their films commercial-free.
Format change and expansion into original programming (2003–2009)
On September 30, 2002, AMC underwent a significant rebranding, changing its format from a classic movie channel, broadening to a more general focus on movies from all eras – as well as shortening its name to just the "AMC" abbreviation, and introducing a new logo (a rectangular outline with a lower-case "amc" text). Kate McEnroe, then-president of Rainbow Media, cited lack of subsidies from cable providers as the reason for the addition of advertising, and cited ad agencies who insist on programming relevant to their products' consumers as the reason for the shift to recent movies instead of just classics. At the time of the format switchover, the company also attempted to launch a spin-off digital cable channel, AMC's Hollywood Classics, which would have required viewers to pay an extra fee to receive the channel. This commercial-free channel would have aired black-and-white classics from the 1930s through the 1950s that American Movie Classics had been airing up until its format changeover; however, the new channel never debuted.
The network also gradually brought back original programming. In 2004, AMC aired its first reality series, FilmFakers; the show featured out-of-work actors who believed they were auditioning for a major role in a real movie, only to be told that they were the subject of a prank and no film actually existed. A New York Times article on the show said that "FilmFakers may go down as one of the meanest reality series yet." From 2002 to 2007, AMC had showed classic films and documentaries about film history such as Backstory and Movies that Shook the World.
Mad Men and Breaking Bad
In late 2007 the network debuted its first original drama series Mad Men, a period piece about Madison Avenue advertising executives in the 1960s. The show was immediately lauded by critics, and has won 15 Emmy Awards and a Peabody Award. Breaking Bad, a drama about a cancer-stricken chemistry teacher involved in making and dealing methamphetamine (played by Bryan Cranston, who had been known primarily for comedic roles in series such as Malcolm in the Middle prior to the series), premiered in 2008; also garnering critical acclaim, it is regarded as one of the greatest television series of all time. Breaking Bad and Mad Men ended their runs in 2013 and 2015, respectively, with the former receiving a spinoff in the form of Better Call Saul.
"Story Matters Here" (2009–2013)
On May 31, 2009, during the second season finale of Breaking Bad, AMC rebranded with the introduction of a new slogan, "Story Matters Here". Later that year, the network premiered its second miniseries, The Prisoner. On January 4, 2010, AMC began airing infomercials on Monday through Saturday mornings from 6:00 to 9:00 a.m. Eastern Time; the Saturday morning infomercial block was eliminated after its March 25, 2011, airing as AMC added a Saturday block of western series and films the following week. 2010 also saw the premieres of Rubicon and The Walking Dead. While Rubicon was cancelled, The Walking Dead became an enormous success and has become the most watched scripted program in basic cable history.
In 2011, Cablevision spun off Rainbow Media into a separate company, which was renamed AMC Networks, after its flagship cable network. Cablevision founder Charles Dolan and his family continue to retain a controlling interest in the company. Also during this year, the network introduced two new dramas (The Killing and Hell on Wheels), two original web series (The Trivial Pursuits of Arthur Banks and The Walking Dead: Torn Apart), and the Walking Dead discussion series Talking Dead. In 2012, AMC premiered three original reality series: The Pitch, Comic Book Men and Small Town Security; along with a second web series spun off from The Walking Dead, The Walking Dead: Cold Storage.
2012 Dish Network carriage dispute
"Something More" (2013–present)
On March 31, 2013, during the third-season finale of The Walking Dead, AMC unveiled a rebranding campaign with the new slogan "Something More", and inverted the logo from a rectangular outlined box to a solid gold block with the network's acronymic name retained in the center. 2013 saw the channel's unscripted slate double with the additions of the unscripted series Freakshow, Immortalized, Owner's Manual and Showville, and the Breaking Bad discussion series Talking Bad.
Also in April, Rectify, which was originally developed for AMC, premiered on AMC's sister channel Sundance Channel to jump-start that network's emerging slate of original scripted programming. It was then followed by the July announcement that fellow sister channel WE tv had picked up another series originally developed for AMC for the 2012-13 development slate, The Divide, to series. During this timeframe, AMC had started to run marathons of certain shows and cross-promote programs from its co-owned sister channels.
In July 2013, the network announced that it had given series orders for two dramas: Turn: Washington's Spies (which premiered on April 6, 2014) and Halt and Catch Fire (which premiered on June 1, 2014). This marked the first time that AMC had four pilot orders picked up to series in the same cycle, the other two being The Divide and Low Winter Sun (the latter premiered on August 11, 2013, after the season premiere of the final season of Breaking Bad). The former two would both be renewed for second seasons while the latter two were cancelled after their first seasons. AMC would then pick up Into the Badlands up for a six episode first season and Breaking Bad spinoff Better Call Saul for two seasons.
Shift away from unscripted programming
On October 9, 2014, it was announced that AMC would scrap its entire current and future unscripted slate outside of The Talking Dead and Comic Book Men. This announcement came shortly after AMC took over the United States co-production of the sci-fi drama Humans from Xbox Entertainment Studios. AMC Media recently bought the European media giant Chello Media from Liberty Global. At the end of October, it was announced that AMC had won the bidding war to air the miniseries The Night Manager. In November, AMC Networks renamed the European MGM Channel to AMC. In January 2015, the Asian MGM channel also became AMC as well. Also in January 2015, AMC announced that they would be airing the eight part miniseries The Making of the Mob: New York.
AMC maintains movie licensing rights agreements with Warner Bros. Entertainment, Metro-Goldwyn-Mayer (including films from United Artists and library content from The Samuel Goldwyn Company, Orion Pictures, and Cannon Group), Universal Studios, Paramount Pictures, 20th Century Fox, Walt Disney Studios Motion Pictures (primarily film content from Touchstone Pictures) and Sony Pictures Entertainment (including Columbia Pictures, TriStar Pictures, Sony Pictures Classics, Screen Gems, and Triumph Films). Since the 2003 format change, the network's film telecasts usually are "television" cuts meant for basic cable, which feature content edits, dubbing of profanities and some time edits by removing some superfluous plotting or toning down scenes with adult content inappropriate for basic cable broadcast to fit within a set timeslot with commercials added.
In 1997, AMC launched Monsterfest, a popular week-long marathon of horror movies and thrillers that aired in late October. In the mid-2000s, AMC started a Monsterfest blog on its website, which chronicled news on horror-related film and television productions. In addition, AMC presented "Fear Friday," a horror movie double feature on late Friday evenings. On September 26, 2008, AMC announced the launch of a new horror-themed movie marathon for its October schedule called "Fearfest" (which replaced Monsterfest); coinciding with this, the "Monsterfest" blog was renamed as the "Horror Hacker" blog.
Although movies remain an integral part of AMC's schedule, the network has garnered attention in recent years for its original series. The channel's first original series was The Movie Masters, which ran from 1989 to 1990; outside of Remember WENN and Filmfakers, most of AMC's original programming prior to September 2007 consisted of film history-related documentary and review programs. The establishment of Mad Men in 2007, followed by that of Breaking Bad in 2008, has given AMC a reputation on par with premium cable networks HBO and Showtime, both of which rejected Mad Men before it came to AMC. The channel also airs some acquired programs such as CSI: Miami and The Rifleman and shorts from The Three Stooges. Series programming, however, continues to occupy a limited portion of AMC's schedule.
- The Walking Dead (2010–present)
- Hell on Wheels (2011–present)
- TURИ: Washington's Spies (2014–present)
- Halt and Catch Fire (2014–present)
- Better Call Saul (2015–present)
- Humans (2015–present)
- Fear the Walking Dead (2015–present)
- The Three Stooges (1998–2004; 2009–present)
- The Rifleman (2011–present)
- CSI: Miami (2012–present)
- Rawhide (2012–present)
||This article may lend undue weight to certain ideas, incidents, or controversies. (August 2015)|
Writer's Room stage
- Remember WENN (1996–1998)
- The Lot (1999–2001)
- Mad Men (2007–2015)
- Breaking Bad (2008–2013)
- Rubicon (2010)
- The Killing (2011–2013)
- Low Winter Sun (2013)
- 4th and Loud (2014)
- Cinema Secrets (2001–2003)
- DVD TV (2003–2008)
- FilmFakers (2004)
- Freakshow (2013–2014)
- Game of Arms (2014)
- Immortalized (2013)
- The Movie Masters (1989–1990)
- Movies That Shook the World (2005)
- Owner's Manual (2013)
- Talking Bad (2013)
- The Pitch (2012–2013)
- Shootout (2003–2008)
- Showville (2013)
- Small Town Security (2012–2014)
- Gildemeister, Christopher (October 16, 2006). "What Your Kids are Discovering on Discovery Channel". Parents Television Council. Retrieved January 22, 2008.
- "When TV network changes name, look close". CNN.com. Associated Press. March 3, 2003. Archived from the original on April 17, 2008. Retrieved May 31, 2008.
- Seidman, Robert (February 22, 2015). "List of how many homes each cable network is in as of February 2015". TV by the Numbers. Zap2it. Retrieved February 24, 2015.
- Newman, Jared (March 4, 2015). "Sling TV bulks up base package with AMC and IFC". TechHive.
- Newman, Jared (January 30, 2015). "Sling TV brings back the linear video element that other cord-cutting services lack, but could use some polish and a few more features". TechHive.
- Paul, Ian Paul (February 9, 2015). "Sling TV's web-based live television opens to all cord cutters, adds AMC to lineup".
- Gildemeister, Christopher. The Fine Arts Are Hard To Find. Parents Television Council, October 2, 2006.
- Gomery, Douglas. American Movie Classics. Museum of Broadcast Communications
- King, Susan (October 2, 1997), "Save That Movie! – After a slow start, AMC's Film Preservation Festival has raised $1.3 million", Los Angeles Times. Retrieved September 20, 2008.
- Van Gelder, Lawrence, (June 30, 1996) "Restoring Films to a Former Glory", The New York Times. Retrieved September 20, 2008.
- "Elber, Lynn (2002-08-30), "Even 1970s Rock Fests Need Film Preservation"". Articles.latimes.com. August 29, 2003. Retrieved June 4, 2011.
- Higgins, John M., "Cablevision makes moves on AMC", Multichannel News, September 20, 1993. Retrieved February 28, 2011 from HighBeam Research.
- Higgins, John M., "Liberty eyes Cablevision's share of AMC", Multichannel News, August 23, 1993. Retrieved February 28, 2011 from HighBeam Research.
- Higgins, John M., "Warner seeks AMC stake", Multichannel News, June 13, 1994. Retrieved February 28, 2011 from HighBeam Research.
- Katz, Richard. "AMC sues TBS for $250M over RKO films rights", Multichannel News, June 26, 1995. Retrieved February 28, 2011 from HighBeam Research.
- ""AMC Ushering In Nostalgic American Pop" (1998-06-20), Hollywood Reporter. Retrieved on 2008-9-20 via". Allbusiness.com. Retrieved June 4, 2011.
- AMC on sponsorships: 'roll 'em!', Multichannel News (via HighBeam Research), March 24, 1997.
- Battaglio, Stephen. It now has enough commercials to make movie watching almost as intolerable as any other commercial channel."Old-Movie Channels Nearing Showdown". Daily News. June 27, 2003.
- Why did AMC change its format? From the AMCtv.com FAQ
- Dempsey, John. "AMC Unveils More Contemporary Slate, Extra Ads". Variety. May 12, 2003.
- Battaglio, Stephen. "Old-Movie Channels Nearing Showdown". Daily News. June 28, 2002.
- Ogunnaike, Lola (October 26, 2004). "Quiet on the Fake Set; Cue the Unsuspecting Actor". The New York Times. Retrieved April 23, 2010.
- Stanley, Alessandra (July 18, 2006). "Smoking, Drinking, Cheating and Selling". The New York Times. Retrieved December 16, 2010.
- "Mad Men - Television Academy". Television Academy. Retrieved May 28, 2014.
- 67th Annual Peabody Awards, May 2008.
- Wyatt, Daisy (18 May 2014). "TV Baftas 2014: Breaking Bad wins Best International series". The Independent. Retrieved 28 May 2014.
- "AMC Introduces Story Matters Here". The Futon Critic. Retrieved 15 August 2013.
- AMC Networks Goes Public With Hot Shows, And Analysts Looking For A Sale Deadline New York July 1, 2011
- AMC Launches AMC Digital Studios With The Trivial Pursuits of Arthur Banks on Aug. 22
- AMC Greenlights Two Unscripted Series Multichannel News September 1, 2011,
- Goldberg, Lesley (1 April 2013). "AMC Rebrands With New Logo, Tagline". The Hollywood Reporter. Retrieved 1 April 2013.
- Goldberg, Lesley (July 11, 2014). "AMC Orders Martial Arts Drama 'Badlands' Straight to Series". Retrieved July 12, 2014.
- Andreeva, Nellie. "AMC Abandons Unscripted Programming To Focus On Scripted Series, ‘Talking Dead’ & ‘Comic Book Men’ To Continue". Deadline. Deadline. Retrieved 10 October 2014.
- Andreeva, Nellie. "It’s Official: AMC Picks Up Channel 4 Series ‘Humans’". Deadline. Retrieved 10 October 2014.
- Goldberg, Lesley. "AMC Lands Hugh Laurie, Tom Hiddleston Limited Series 'Night Manager'". The Hollywood Reporter. The Hollywood Reporter. Retrieved 29 December 2014.
- The Hollywood Reporter (September 20, 2014). "AMC set for November launch in Europe". Broadband TV News. Retrieved October 6, 2014.
- Andreeva, Nellie. "AMC Sets Premiere Date For ‘Mad Men’ Final Episodes, Sets Mob Miniseries, Confirms Pickup Of ‘Night Manager’ Mini". Deadline. Deadline. Retrieved 10 January 2015.
- AMCtv.com on Apr 6, 2010 (April 6, 2010). "AMC TV: Monsterfest". Amctv.typepad.com. Retrieved June 4, 2011.
- Andreeva, Nellie. "AMC Network Narrows Field Of Drama Pilot Contenders With Producer Meetings". Retrieved 18 October 2014.
- Andreeva, Nellie. "AMC Takes Straight-To-Series Approach, Sets Up Writers Rooms For 3 Dramas". Deadline. Deadline. Retrieved 20 May 2015.
- "AMC Presents Three New Episodes of 'Cinema Secrets' in November". Full Imaging. November 2, 2001.
- FilmFakers at the Internet Movie Database
- "Immortalized: Season 1". MetaCritic.
- McNamara, Mary, Los Angeles Times Television Critic (May 23, 2013). "AMC's new reality series 'Showville' should be better than it is". Los Angeles Times.
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