American literary regionalism

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American literary regionalism or local color is a style or genre of writing in the United States that gained popularity in the mid to late 19th century into the early 20th century. In this style of writing, which includes both poetry and prose, the setting is particularly important and writers often emphasize specific features such as dialect, customs, history, and landscape, of a particular region: "Such a locale is likely to be rural and/or provincial."[1]

Literary critics argue that nineteenth-century literary regionalism helped preserve American regional identities while also contributing to domestic reunification efforts after the Civil War[2]. Richard Brodhead argues in Cultures of Letters, "Regionalism's representation of vernacular cultures as enclaves of tradition insulated from larger cultural contact is palpably a fiction . . . its public function was not just to mourn lost cultures but to purvey a certain story of contemporary cultures and of the relations among them" (121)[3]. Amy Kaplan, in contrast, debates race relations, empire, and literary regionalism in the nineteenth century, noting that, "The regions painted with 'local color' are traversed by the forgotten history of racial conflict with prior regional inhabitants, and are ultimately produced and engulfed by the centralized capitalist economy that generates the desire for retreat" (256).

Southern regional writers[edit]


  1. ^ J.A Cuddon, A Dictionary of Literary Terms. Harmondsworth: Penguin, 1984, p.560.
  2. ^ "The Anarchy of Empire in the Making of U.S. Culture — Amy Kaplan | Harvard University Press". Retrieved 2017-04-18. 
  3. ^ Cultures of Letters. 


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