Analog photography

From Wikipedia, the free encyclopedia
Jump to navigation Jump to search
photographic film, 1980s–1990s.
A wet plate camera made in 1866.
Using a view camera in 2014

Analog photography, also called Film Photography, was originally known as photography. After the rise of digital photography people started referring to photography made with non digital sensors as analog or film photography. Analog photography uses a physical, non-electronic recording medium (e.g., photographic film or plate), where light is captured by sensitive silver particles, and the image will remain printed when processed chemically. This method was traditionally used for more than a century, prior to more recent Digital Photography based on electronic sensors.

In a film camera that uses photographic emulsions, light falling upon silver halides is recorded as a latent image, which is then subjected to photographic processing, making it visible and insensitive to light.

Contrary to the belief that digital photography gave a death blow to Film, film photography not only survived, but actually expanded across the globe.[1] With the renewed interest in traditional photography, new organizations (like Film Is Not Dead, Lomography) were established and new lines of products helped to perpetuate film photography. In 2017, BH Photo & Video, an e-commerce site for photographic equipment, stated that film sales were increasing by 5% each year in the recent past.[2]. Japan Times claimed that though Film Photography is a "dying art", the country could be the starting point of a movement led by young photographers to keep film alive.[3] First Post claimed that a vast majority of photographers are slowly coming back to film.[4]

Decline and revival[edit]

As digital photography took over, Kodak, the major photographic film and cameras producer announced in 2004 that it is would stop selling and making traditional film cameras in North America and Europe.[5] .[6] In 2006, Nikon, the Japanese Camera maker announced that it would stop making most of its film cameras.[7] Incurring losses in analog camera line, Konica-Minolta too announced its discontinuation of cameras and film.[8] In 2008 the first instant film maker Polaroid announced it would stop making instant film.[9]

Interest in all types of film photography have been in the process of a revival. The Lomography movement started in 1992, which, BBC claimed, has saved film from disappearing [10] Lomography started manufacturing updated versions of Toy cameras like Lomo LC-A (as Lomo LC-A+), Diana (as Diana F+), Holga, Smena and Lubitel.

Film photographers started experimenting with old alternative photographic processes such as cyanotypes, double exposures, pinholes, and redscales. Worldwide Pinhole Photography Day is observed on the last Sunday of April, every year.[11] Organizations such as Roll4Roll spread the artistic movement of double exposures.[12]

Film Photography Project, a web-site dedicated to film photography, announced in 2007 the comeback of large-format camera by a new startup called The Intrepid Camera Co.[13]

Material[edit]

Film Photography does not just mean Photographic Film and its processing with Photo Chemicals. An example is Tintypes. A tintype, also called ferrotype, is a positive photograph produced by applying a collodion-nitrocellulose solution to a thin, black-enameled metal plate immediately before exposure. The tintype, introduced in the mid-19th century, was essentially a variation on the ambrotype, which was a unique image made on glass, instead of metal. Just as the ambrotype was a negative whose silver images appeared grayish white and whose dark backing made the clear areas of shadows appear dark, so the tintype, actually negative in its chemical formation, was made to appear positive by the black plate.[14]

On the other hand, there is Instant film which develops the image instantly as soon as it is ejected from an Instant camera (without any processing by the photographer or in Photographic Labs). Photographic paper, however should be processed after exposure in a dark room or Photographic Labs.

Format[edit]

Photographic Film[edit]

Silver-based Film supports come in various formats, of which the following are still in use:

  • 110 film (mono-perforated roll in plastic cassette)
  • 135 film 35mm (bi-perforated roll in metal can)
  • 120 film 60mm (non-perforated roll in paper sleeve)
  • Large format 4x5" 5x8" 8x10" etc. (gelatin sheets).
  • Super-8 (mono-perforated roll in plastic cassette)
  • Cinema 16mm / 35mm (bi-perforated roll on metal spool)

Types[edit]

Films can be any of the following types:

Processes[edit]

Black and White negative film may be processed using a variety of different solutions as well as processing time control, depending on the film type, targeted contrast or grain structure. While many B&W processing developers are no longer made commercially, (Dektol, D-76 and T-Max developers are still made) other solutions may be mixed using original formulas. Color negative film uses C-41 process, while color reversible film uses E-6 process for color slides. Kodachrome used to have its own process with one developer bath per each film color layer.

Meanwhile alternative photographers experiment different processes such as Cross processing which yields unnatural colors and high contrasts. This basically means processing a reversal film using a negative developer bath, or the contrary.

For a more Sustainable Photography, black and white negative film may be processes in plant based chemicals at home.

Film processing does not use analog technology, since information is not translated into electric pulses of varying amplitude.

Popularity[edit]

Analog photography is frequently misused as a title for those who are keen to work with, or do work with more traditional types of photography; dedicated online communities have been established in which like-minded individuals together share and explore historic photographic practices.[15] Analog photography has become much more popular with younger generations who have become increasingly interested in the traditional photographic practice; sales in film-based cameras began to soar, and youth were seen to embrace some 19th-century technology[16] Urban Outfitters, a clothing retail chain, has joined the trend and offers more than 60 product combinations relating to cameras, most of which are film-based.

Polaroid was once a power in analog instant photography. Facing the digital revolution, Polaroid stopped production of instant film in 2008. A company called Impossible Project (now Polaroid Originals) acquired Polaroid's production machines in order to produce new instant films for vintage Polaroid cameras and to revive the Polaroid photography technique.

Black-and-white films still produced as of 2013 include:

  • ADOX CHS 100 II
  • ADOX CMS 20
  • ADOX Silvermax
  • ADOX HR-50
  • Film Washi "W" 25
  • FOMA FOMAPAN 100 Classic[17]
  • FOMA FOMAPAN 200 Creative
  • FOMA FOMAPAN 400 Action
  • FOMA FOMAPAN R 100
  • FOMA RETROPAN 320 soft
  • FujiFilm Neopan Acros 100
  • Ilford Pan F Plus 50
  • Ilford HP5 Plus 400
  • Ilford FP4 Plus 125
  • Ilford Delta 100
  • Ilford Delta 400
  • Ilford Delta 3200
  • Ilford XP2 Super
  • Ilford SFX 200
  • Kentmere 400
  • Kodak T-MAX 100
  • Kodak TMY-2 400
  • Kodak TRI-X 400
  • ORWO UN 54[18]
  • ORWO N 74 plus
  • Rollei also markets a line of black and white films


Color films (mostly 135 and 120 formats) sold on the market in 2020 are:

  • Fujichrome Velvia 50
  • Fujichrome Velvia 100
  • Fujuchrome Provia 100F
  • Kodak Ektachrome 100
  • Kodak Ektar 100 Professional
  • Kodak Portra 160 Professional
  • Kodak Color Plus 200
  • Kodacolor Gold 200
  • Kodak Vision-3 250 Daylight
  • Kodak Ultramax 400
  • Kodak Portra 400 Professional
  • Kodak Vision-3 500 Tungsten
  • Fujicolor Superia 100 R
  • Fujifilm Industrial 100
  • Fujicolor Superia 200
  • Fujifilm Pro 400 H
  • Fuji Superia X-tra 400
  • Fuji Superia premium 400
  • Fuji Superia Venus 800
  • Cinestill Daylight 50
  • Cinestill Tungsten 800
  • Hillvale Sunny 400
  • Yashica Color 400
  • Yashica Golden 400


Reasons for growing popularity[edit]

  • Lomography says analog photographers love the thrill of waiting to see their photographs only after the film roll is processed, scanned and printed. (Film Cameras have no screen to preview the photograph which is about to be captured and the outcome is not immediate.) Of course, Lomography is misusing the term analog by definition.
  • Though modern-day applications and software have the options to emulate the effects that are achieved with photographs on film, the creative opportunities film photography provides are much way ahead.
  • The photographer feels the ownership of the photograph when they know what settings have been done and how the photograph has been developed than that when it is printed just by altering it with an application or software.
  • The colors on film photographs are rich, their saturation is dramatic and they give a nostalgic feeling.
  • More scope for experiments and the thrill of returning to the unknown.
  • Young photographers say film has more 'soul' than digital.[19]
  • Film Photography yields physical end products.

Pros and cons[edit]

Pros[edit]

  • The time and expense of film photography instills craft and patience.[20]
  • Depending on the film sensitivity you can obtain a wide dynamic range.
  • A film-printed (non-editable) image can help as a legal evidence of the subject pictured,
  • In optimal processing and storage conditions, a film can have a lifetime duration.
  • Film equipment and lenses are much cheaper to acquire than their digital equivalent.

Cons[edit]

  • Film photography needs more time and skill than digital does.
  • Film is delicate and needs careful handling, refrigeration, protection from sun, etc.
  • Pictures may suffer film grain and fogging, and also visible dust if not removed.
  • Film processing has a cost, if a lab can be found, and needs enlarging or scanning.
  • Reciprocity failure may occur during long time exposures.

See also[edit]

References[edit]

  1. ^ The photographers who refuse to abandon traditional film cameras (BBC.com - 18-April-2015)
  2. ^ BH Photo & Video reports increase of sales of film by 5% every year (The Great Film Renaissance of 2017)
  3. ^ Japan could be the starting point of the Analog Photography movement (Japan Times 07-July-2019)
  4. ^ Starting with the niche world of Film Photography in the era of Digital Photography (First Post 07-January-2019)
  5. ^ Kodak embraces digital revolution (BBC.com 13-January-2004)
  6. ^ Kodak to stop making 35mm cameras (The Guardian - 14-Jan-2018)
  7. ^ Nikon stops film cameras (NBC news - 13-Jan-2016)
  8. ^ Konica Minolta to stop making cameras and film amid big losses (The Guardian - 20-Jan-2016)
  9. ^ Fans bid farewell to Polaroid film (CNN News - 08-Dec-2008)
  10. ^ Did the Lomo camera save film photography? (BBC.com 22-Nov-2012)
  11. ^ Website of Worldwide Pinhole Photography Day is organized on the last Sunday of April every year.
  12. ^ Roll4Roll, a web-site that promotes film-swap movement
  13. ^ The Intrepid Camera Co., a start up firm designing Large Format Cameras (14-Jun-2017)
  14. ^ https://www.britannica.com/technology/tintype
  15. ^ "Archived copy". Archived from the original on 2006-10-02. Retrieved 2006-11-04.CS1 maint: archived copy as title (link)
  16. ^ "Teen hipsters discover joys of analog photography". cnet.com. 16 May 2011. Retrieved 9 April 2018.
  17. ^ "FOMA - Films". FOMA. Retrieved 2016-10-30.
  18. ^ "ORWO FilmoTec - Camera Films". ORWO FilmoTec GmbH. Retrieved 2016-10-30.
  19. ^ Young photographers find film having more 'soul' than digital (The Guardian - 28-Jan-2018)
  20. ^ Just When You Got Digital Technology, Film Is Back (The New York Times - 30-May-2012)

Further reading[edit]

  • Glenn D. Considine, Van Nostrand's Scientific Encyclopedia, Two-Volume Set, 9th Edition (Hoboken, NJ: Wiley, 2002)
  • Peter M.B. Walker, Chambers Technical Dictionary (Edinburgh: Chambers 1999)
  • William J. Mitchell, The reconfigured eye: visual truth in the post-photographic era (MIT Press, 1994)