And in the End...

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"And In The End..."
ER episode
Episode no. Season 15
Episode 22
Directed by Rod Holcomb[1]
Written by John Wells[1]
Original air date April 2, 2009
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ER (season 15)
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"And in the End..." is the 331st and final episode of the American television series ER. The two-hour episode aired on April 2, 2009 and was preceded by a one-hour retrospective special.


The episode was structured "very much like the show's pilot. Like that first episode, it took place over the course of 24 hours, featured a dizzying number of cases — some comical, and some that were dead serious — and showed the life of the ER through eyes both inexperienced ... and jaded."[1] It featured several direct references to the pilot and other early episodes, including: Dr. Archie Morris is woken by veteran nurse Lydia Wright, who had done the same to Dr. Mark Greene in the pilot (the shot is used in several early episodes); Dr. John Carter demonstrating how to start an IV to Rachel Greene exactly as Dr. Peter Benton showed him in the pilot; a comedic scene dealing with a child who had swallowed a rosary, as in the pilot, when a child swallowed a key; and the day marked by cutscenes showing the time at the start of each act as was done in the series' fifth episode, "Into That Good Night", with both episodes starting and ending at 4:00 AM. A portion of the storyline was inspired by the death of producer John Wells' 17-year-old niece, who died of alcohol poisoning in December 2008.[2]

The episode featured full-length opening credits from the first season (albeit with shots and credits added for both the final regular cast, and five of the past stars that appeared) with music by James Newton Howard, the show's original composer.[1] That theme music also played as the camera pulled out and faded at the end of the last scene of the episode, which showed the entire exterior of County General Hospital for the first and only time in the history of the series.


Guest starring[edit]





  • Loui Liberti as Paramedic Bardelli
  • Monte Russell as Paramedic Zadro White
  • Emily Wagner as Paramedic Doris Pickman
  • Brian Lester as Paramedic Brian Dumar
  • Lyn Alicia Henderson as Paramedic Pamela Olbes
  • Demitrius Navarro as Paramedic Morales
  • Michele C. Bonilla as Paramedic Harms
  • Brendan Patrick Connor as Paramedic Reidy


Dr. Tony Gates (John Stamos) treats a teenage girl in a coma with alcohol poisoning after she played drinking games with her friends. Gates calls the police when he discovers that the parents of the girl's friend supplied the alcohol, and has the friend's father arrested. Later, the girl's parents arrive and request she be transferred to Mercy Hospital. Before she can be transferred, the girl finally awakens but just thrashes around and is sent for a new CT to diagnose possible brain damage.

Dr. Julia Wise (Alexis Bledel), new to County General, treats a homosexual HIV-positive patient who has severe breathing difficulties. It is discovered he has terminal cancer. With the support of his partner, he decides not to seek treatment, as he has already outlived most of his friends who died at the height of the AIDS epidemic in the 1980s.

An elderly patient named Beverly (Jeanette Miller) is brought in by a fire engine with a broken wrist, and comments on Dr. Archie Morris' (Scott Grimes) "soft and strong" hands. She is later claimed by her daughter, as she had wandered off before her accident. She returns later, having wandered off again but otherwise not further injured.

A married couple comes in with the woman going into labor with twins, and John Carter (Noah Wyle) and Simon Brenner (David Lyons) handle the delivery. During the delivery of the second baby, complications set in. It is discovered that the mother has an inverted uterus, and requires an emergency caesarean section. The second baby requires intensive care, and the mother ultimately dies as surgeons attempt to fix the complications.

Mark Greene's daughter Rachel (Hallee Hirsh) is visiting the hospital as a prospective medical student, and is interviewing for a spot in the teaching program. She is interviewed primarily by Catherine Banfield (Angela Bassett), who confides to Carter afterward that she made it through the first cut. Carter shows her around after her interview, giving her a few pointers she will need when she is accepted into a medical school.

Carter opens his clinic for the underprivileged, with Peter Benton (Eriq La Salle) and his son Reese (Matthew Watkins), Kerry Weaver (Laura Innes) and Susan Lewis (Sherry Stringfield) among the guests. He named the facility after his late son, Joshua. After the event, he has an awkward reunion with Joshua's mother Kem (Thandie Newton), who is briefly in town. He also has drinks with his old friends plus Elizabeth Corday (Alex Kingston), who brought Rachel to Chicago for her med school interview. Benton and Corday linger together after everyone else go their separate ways.

Marjorie Manning (Beverly Polcyn), a previous elderly multiple sclerosis patient, comes in with her husband (Ernest Borgnine), suffering sepsis and pulmonary oedema. Mr. Manning is initially unwilling to let Marjorie go, but with guidance from Dr. Gates, he finally accepts the inevitable. Before Marjorie dies, her daughter arrives, and confides in Samantha Taggart (Linda Cardellini) her regrets over her relationship with her mother. This leads Samantha to call her own mother.

It turns out it is Samantha's birthday. Her son Alex (Dominic Janes) reveals her present: a vintage Ford Mustang restored by Alex and Tony, who both decided upon bright red as its color over cobalt blue.

A young woman and her new mother-in-law (Marilu Henner) both come in, in separate ambulances, with minor injuries sustained in a drunken brawl at their wedding reception, and continue arguing all the way into the treatment rooms. The groom later arrives, and is promptly torn between tending to his mother and his new bride.

The episode ends with the beginning of a disaster protocol: an industrial explosion, with a minimum of eight casualties. Dr. Carter is again pressed into service to assist. Dr. Morris is ordered by Dr. Banfield to triage patients as they arrive. The first patient was thrown 20 feet, and is diagnosed as a possible lacerated spleen or liver, to be sent straight to the OR. The second patient has a compound leg fracture with no circulatory impairment, which Dr. Banfield takes herself for an orthopedic consult. The third patient was electrocuted, and fell into asystole on the way in, declared DOA. The fourth patient has smoke inhalation, relatively minor burns and a pneumothorax, and is set up for a chest tube. The fifth patient had his left arm blown off below the elbow, with nothing left to save; Dr. Gates takes him in to repair the damage. Dr. Morris gives the sixth patient to Dr. Carter: third-degree burns over 90% coverage. As he runs the patient in, Dr. Carter asks Rachel to tag along saying "Dr. Greene, you comin'?", which she does enthusiastically. As Morris continues to triage patients, the original theme music plays and the point of view pulls back, revealing the entire hospital for the first and only time.

Critical reception[edit]

In his review in the then-St. Petersburg Times, Eric Deggans called the final episode "a welcome reminder of why the show has lasted 15 years on network television — and proof of why it's now time for the show to go." He continued, "Thanks to cameo appearances by most key actors whose characters remain alive... the episode had the feel of a friendly class reunion... Once upon a time, the cases that filled Thursday's episode would have felt groundbreaking and fresh... But on Thursday, these contrivances felt like shadows echoing other, better episodes long past... Wells echoed the series most consistent theme by showing old and new doctors uniting to handle yet another emergency at the finale's end. But Thursday's episode also proved that NBC's ER called it quits at just the right time, because TV series — unlike medical institutions — should never go on forever."[3]

Ken Tucker of Entertainment Weekly said he "liked the fact that the surprises were small but effective," while Alan Sepinwall of the Star-Ledger stated, "It wasn't an all-time great finale, but it did what it set out to do." In the Baltimore Sun, David Zurawik said, "I especially liked the final scene with the ER team suiting up and standing ready to respond in the courtyard to the arriving fleet of emergency vehicles loaded with victims of an industrial explosion. Perhaps, it was one last tweak at the critics who said the pilot looked more like a feature film and would never make it as a TV series — because it was definitely a movie ending."[4] The episode received an A- from The A.V. Club.[5]

In 2010, Time magazine ranked the episode as #10 on its list of the most anticipated TV finales.[6]

TV ratings[edit]

According to Nielsen ratings, the finale gave NBC "its best ratings on the night in a long time." The first hour received a 9.6 rating and a 15 share, numbers which improved to an 11.1 rating and 19 share in the final hour.[7] Overall the finale attracted an average of 16.2 million viewers.[8][9]

The series finale of ER scored the highest 18-49 rating for a drama series finale since The X-Files wrapped with a 6.3 on May 19, 2002. In total viewers, ER assembled the biggest overall audience for a drama series finale since Murder, She Wrote concluded with 16.5 million on May 19, 1996.

In Canada, the finale fared even better on a percentage basis with 2.768 million viewers. With ten times less the population, this equates to roughly 27.68 million American viewers.[10]

Timeslot 18–49/share 18–34/share viewers (millions)


  • 8:00–8:30 NBC ER (Retrospective) 3.3/10 2.2/8 10.23
  • 8–8:15 NBC ER (Retrospective) 9.57
  • 8:15–8:30 NBC ER (Retrospective) 10.89
  • 8:30–9 NBC ER (Retrospective) 3.7/10 2.5/8 10.88
  • 8:30–8:45 NBC ER (Retrospective) 10.32
  • 8:45–9 NBC ER (Retrospective) 11.44


  • 9:00–9:30 NBC ER Finale 5.3/14 3.5/10 14.79
  • 9–9:15: NBC ER Finale 14.38
  • 9:15–9:30 NBC ER Finale 15.20
  • 9:30–10 NBC ER Finale 5.6/14 3.7/11 15.35
  • 9:30–9:45 NBC ER Finale 14.75
  • 9:45–10 NBC ER Finale 15.95


  • 10:00–10:30 NBC ER Finale 6.7/18 4.5/13 17.77
  • 10–10:15 NBC ER Finale 17.48
  • 10:15–10:30 NBC ER Finale 18.06
  • 10:30–11 NBC ER Finale 6.4/18 4.3/13 17.02
  • 10:30–10:45 NBC ER Finale 16.06
  • 10:45–11 NBC ER Finale 17.98
  • 10:55–11 NBC ER Finale 18.58


At the 2009 Primetime Emmy Awards Rod Holcomb won the Emmy for Outstanding Directing for a Drama Series for his work on this episode.


  1. ^ a b c d "'ER': The series finale, but life goes on". Zap2it. April 2, 2009. Archived from the original on 5 April 2009. Retrieved 2009-04-04. 
  2. ^ "'E.R.' Finale Based on Death of Producer's 17-Year-Old Niece". FOX News. April 2, 2009. Archived from the original on 5 April 2009. Retrieved April 2, 2009. 
  3. ^ ""ER' pulls the plug in style". Tampa Bay Times. 
  4. ^ Nick McMaster. "ER Finale Did What Show Did Best: Critics". Newser. 
  5. ^ Noel Murray (2009-04-02). "ER". The A.V. Club. Archived from the original on 6 April 2009. Retrieved 2009-04-03. 
  6. ^ Fitzpatrick, Laura (May 23, 2010). "The Lost Finale: Top 10 Most Anticipated TV Endings". Retrieved January 9, 2012. 
  7. ^ a b c d "TV ratings: 'ER' finale goes out on top". Zap2it. April 3, 2009. Archived from the original on 6 April 2009. Retrieved 2009-04-04. 
  8. ^ "Ratings: 'ER' finale dominates Thursday". Entertainment Weekly. April 3, 2009. Archived from the original on 5 April 2009. Retrieved 2009-04-05. 
  9. ^ "Updated Thursday Ratings: ER finale draws 16.2 million viewers". April 3, 2009. Archived from the original on 5 April 2009. Retrieved 2009-04-05. 
  10. ^