|Born||22 August 1930
Khartoum, Anglo-Egyptian Sudan
|Died||8 June 2010
|Occupation||Actor, theatre director|
Andréas Voutsinas (Greek: Ανδρέας Βουτσινάς; 22 August 1932 – 8 June 2010) was a Greek actor and theater director. In the English-speaking world, he was best known for his roles in three Mel Brooks films, The Producers (1968), The Twelve Chairs (1970) and History of the World, Part I (1981).
Life and career
Voutsinas was born in Khartoum, Sudan on 22 August 1932. His father was from Skinea, Kefalonia, Greece and his mother also from Kefalonia, Greece. Voutsinas studied acting and costume design at the Old Vic School and drama and song at the Webber Douglas Academy in New York, and, in 1957, joined The Actors Studio.
Voutsinas directed more than 130 performances of classical and contemporary repertoire in London, Paris, New York, Canada and Greece. He worked as an actor and director on Broadway and acted in films by Jules Dassin and Luc Besson.
Voutsinas, a life member of The Actor's Studio since 1957, spent many years working in summer stock theater and as an assistant to Studio co-founder Elia Kazan, before he met Jane Fonda, with whom he got involved and whom he cast in the leading part in Fun Couple, his Broadway directorial debut in 1960.
Voutsinas later followed Fonda to Hollywood where he coached her in a number of movies. He then started working as a coach for many others, including Faye Dunaway and Warren Beatty. Following Fonda to Paris to coach her in Roger Vadim's Barbarella (the two were not a couple anymore), he decided to found Le Theatre Des Cinquante, an acting workshop based on the principles of Lee Strasberg. Many famous French actors and actresses started attending his classes, and at the same time he successfully began directing plays for the French theater.
In 1968, Voutsinas became the original Carmen Ghia after befriending Mel Brooks's wife, Anne Bancroft. She recommended him to Brooks and said Voutsinas would be perfect for the part. Voutsinas had a role in another Brooks feature, History of the World, Part I, playing the role of "Bernaise" in the French Revolution scenes.
It was not until the early 1980s that he eventually moved to his ancestral Greece, where he continued his career directing a wide range of repertoire from Tennessee Williams to Euripides, mainly for the State Theater of Northern Greece in Thessaloniki. His productions were also staged during summer in the Athens Festival in Herodion, as well as in the Epidaurus Festival. He continued working between the two countries while he appeared in many French and Greek films, including Le Grand bleu (1988) and Safe Sex (1999).
Andreas Voutsinas taught acting at the State Theatre of Northern Greece from 2002 to 2009.
After a stroke he founded his own drama school in Thessaloniki, Superior Drama School Andreas Voutsinas.
- The Producers (1968)
- Histoires extraordinaires (1968) (uncredited)
- Fräulein Doktor (1969)
- The Twelve Chairs (1970)
- Un peu, beaucoup, passionnément... (1971)
- Boulevard du Rhum (1971)
- Bel ordure (1973)
- Lily, aime-moi (1975)
- Monsieur Balboss (1975)
- A Dream of Passion (1978)
- Les Charlots contre Dracula (1980)
- History of the World, Part I (1981)
- Les Voleurs de la nuit (1984)
- Les Nouveaux tricheurs (1987)
- Le Grand bleu (1988)
- Gynaikes dilitirio (1993)
- La Patite apocalypse (1993)
- Safe Sex (1999)
- The Defenders episode the bagman (1963)
- Le Pain noir (1974)
- Solitudes (1977)
- Sam et Sally episode Lili (1978)
- Madame Sourdis (1979)
- Prova nifikou (1995)
- Mademoiselle Julie (1984 TV show)
- "Beatty's Greek Acting Mentor Voutsinas Dies". contactmusic.com. 2010-06-08. Retrieved 2012-12-09.
- Garfield, David (1980). "Appendix: Life Members of The Actors Studio as of January 1980". A Player's Place: The Story of The Actors Studio. New York: MacMillan Publishing Co., Inc. p. 278. ISBN 0-02-542650-8.
- Eberson, Sharon. "Mel Brooks Still Bubbles With Comedy at 83". The Pittsburgh Post-Gazette. 2012-03-29. "... his name was Andreas Voutsinas. He was very smart, he was at the Actors Studio, he was a big friend of Anne Bancroft and that's how I got to know him. I knew right away he was Carmen Ghia, he was so incredibly amusing and delicious."