Andrew Blauvelt (born West Point, NY in 1964) is a Japanese-American curator, designer, educator, and writer. Since 2015 he has served as Director of the Cranbrook Art Museum in Bloomfield Hills, Michigan.
He is a trained graphic designer and served as Senior Curator, Design, Research, and Publishing at the Walker Art Center in Minneapolis, Minnesota from 2013 to 2015. Blauvelt's earlier positions at the Walker are Curator of Architecture and Design and Chief of Communications and Audience Engagement, Design Director from 1998 to 2010, and Design Director and Curator since 2005.
According to London's Design Museum, "Blauvelt is one of the most influential figures in US graphic design both as a practising designer and as a creative director commissioning other designers' work." The Walker Art Center received a National Design Award from the Cooper-Hewitt National Design Museum of the Smithsonian Institution in 2009 for Institutional and Corporate Achievement.
Blauvelt was formerly the Director of Graduate Studies and Chair of the Graphic Design Department at the College of Design, North Carolina State University. He is a contributor to Design Observer. He also appeared in Gary Hustwit's 2009 film Objectified.
In 2005, Blauvelt and his team collaborated with Eric Olson of Process Type Foundry to create Walker Expanded, a novel graphic identity system for the Walker Art Center, which is a set of fonts that sets entire words and textures instead of individual letterforms and characters. The identity builds upon a history of experimental identity systems at the Walker, such as the one created in 1995 by type designer Matthew Carter, "whose Walker typeface, created specially for the Walker Art Center, is not only renowned for its pleasing appearance and legibility but is seen as one of the most innovative typefaces of the 1990s."
In 2011, Blauvelt co-curated the exhibition Graphic Design: Now in Production. This exhibition explored graphic design work from 2000 to 2010. In 2015, he curated the exhibition, Hippie Modernism: The Struggle for Utopia that surveyed the art, architecture, and design of the countercultural period (1964-1974) and edited its accompanying catalogue.
In 2019, Blauvelt was named Curator-at-Large for design at the Museum of Arts and Design (MAD). One of his first exhibits at MAD was Too Fast to Live, Too Young to Die, focusing on punk graphics created between 1976 and 1986.
- Blauvelt, Andrew. "In and Around: Cultures of Design and the Design of Cultures". Emigre 32 (1994): 2-23.
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- Sharp, Sarah Rose (2015-10-01). "Experimental Mindset: An Interview with Andrew Blauvelt". Art in America. Retrieved 2019-06-08.
- "Archived copy". Archived from the original on 2012-01-30. Retrieved 2012-02-14.CS1 maint: archived copy as title (link)
- "Walker Art Center Recipient of National Design Award". walkerart.org. Retrieved 2018-03-07.
- "Graphic Design: Now in Production". Walker Art Center. Walker Art Center. Retrieved 29 May 2015.
- "Hippie Modernism: The Struggle for Utopia". walkerart.org. Retrieved 2019-06-06.
- Selvin, Claire (2019-01-17). "Museum of Arts and Design Appoints Andrew Blauvelt and John Underkoffler as Curators at Large". ARTnews. Retrieved 2019-06-07.
- "Andrew Blauvelt & John Underkoffler Appointed to Curator-at-Large Posts at the Museum of Arts and Design". madmuseum.org. Retrieved 2019-06-07.
- "Too Fast to Live, Too Young to Die: How Punk is Still Impacting Graphic Design". Eye on Design. 2019-04-09. Retrieved 2019-06-07.
- "Too Fast to Live, Too Young to Die: Punk Graphics, 1976–1986". madmuseum.org. Retrieved 2019-06-07.