|Born||November 21, 1946|
Chicago, Illinois, U.S.
|Occupation(s)||Film director, producer, screenwriter|
Andrew Davis (born November 21, 1946) is an American film director, producer, writer, and cinematographer who is known for directing a number of successful action thrillers including Code of Silence, Above the Law, Under Siege, and The Fugitive.
Davis was born on the south side of Chicago, Illinois, and has directed several films using Chicago as a backdrop. He is the son of actor Nathan Davis and Metta Davis, and the brother of musician Richard "Richie" Peter Davis (co-founder of the cover band Chicago Catz) and Jo Ellen Friedman. Davis had his father fill out many character roles throughout the years, notably as the grandfather to Shia LaBeouf's character in the Disney film Holes.
After attending the Harand Camp of the Theater Arts summer camp program and Bowen High School, Davis went on to study journalism at the University of Illinois at Urbana-Champaign where he was issued a degree in journalism in 1968. It was not long before his interest in civil rights and anti-war issues converged with his growing interest in filmmaking. Davis was mentored by acclaimed cinematographer Haskell Wexler, with whom he worked on Medium Cool, and began his film career as a cameraman on blaxploitation films like The Hit Man, Cool Breeze and The Slams in the 1970s.
Wexler and Davis reunited in 2014 to discuss the film before a screening at the Pollock Theater on the campus of the University of California at Santa Barbara.
Davis is best known as a big-budget Hollywood filmmaker. His 1993 film The Fugitive starring Harrison Ford and Tommy Lee Jones received seven Academy Award nominations including Best Picture, while Jones won for Best Supporting Actor, which is his only Oscar win to date. The Academy ultimately gave the 1993 Best Picture award to Schindler's List. That year Davis was also honored with a Golden Globe nomination for Best Director by the Hollywood Foreign Press. The Directors Guild of America nominated him for Outstanding Directorial Achievement in Theatrical Direction.
Roger Ebert reviewed The Fugitive in 1993, he begins his review with, "Andrew Davis' The Fugitive is one of the best entertainments of the year, a tense, taut and expert thriller that becomes something more than that, an allegory about an innocent man in a world prepared to crush him." Ebert observed that "Davis paints with bold visual strokes" and that he "transcends genre and shows an ability to marry action and artistry that deserves comparison with Hitchcock, yes, and also with David Lean and Carol Reed."
His first feature film as a director was the 1978 semi-biographical picture Stony Island. The film had a theatrical release in 1978 and was eventually released on DVD on April 24, 2012. Stony Island centered on young musicians forming a band in their impoverished south side neighborhood. The film stars veteran musicians like saxophone player Gene Barge and soul singer Ronnie Barron as well as relative newcomers like Dennis Franz and Edward "Stony" Robinson. Roger Ebert describes the movie in a 2012 article, "The energy, I gather, came in large part from the performers themselves. The movie is more or less based on fact; the director and co-writer, Andy Davis, has a brother who was the last white kid on the block down on Stony Island, and actually was involved in a band something like the one in the movie."
In 1981 Davis directed a slasher film titled The Final Terror, which was released in 1983. The film was produced by Joe Roth and features several early performances from stars like Rachel Ward, Daryl Hannah, and Joe Pantoliano, among others. Davis co-wrote a screenplay for a Harry Belafonte project Beat Street which was a rap musical featuring breakdancing and the street music culture of early eighties New York City. Mike Medavoy and Orion Pictures tapped Davis to direct the Chuck Norris vehicle, Code of Silence.
Davis co-wrote, produced and directed a film titled Above the Law for Warner Brothers in 1988. This film is most notable for being the feature film debut of Steven Seagal. Davis then went back to Orion with his project The Package, working with Gene Hackman and Tommy Lee Jones.
Davis brought Jones with him to his next project, which was originally titled Dreadnaught but eventually carried the title Under Siege. In the picture Davis re-teamed with Seagal to create the top grossing fall film of 1992.
Davis continued directing big budget adventures throughout the 1990s including The Fugitive, starring Harrison Ford and Tommy Lee Jones; Steal Big Steal Little featuring Alan Arkin and Andy Garcia in a dual role playing opposite himself as twin brothers; Chain Reaction with Keanu Reeves, Morgan Freeman and Rachel Weisz, and A Perfect Murder, starring Gwyneth Paltrow, Michael Douglas, and Viggo Mortensen.
2000s to present
In the fall of 2001, Davis was set to release Warner Brother's Collateral Damage starring Arnold Schwarzenegger. However, the initial release date was pushed in an effort to be sensitive to the tragedies of 9/11, as the film's plot and content too closely echoed the tragedy. The film was finally released theatrically in 2002.
In 2003 Davis developed Holes for the Walt Disney Company starring Shia LaBeouf, Sigourney Weaver, Patricia Arquette, Tim Blake Nelson, Jon Voight. Louis Sachar and Davis developed the script based on Sachar's Newbery Medal and National Book Award-winning children's novel. A.O. Scott's review in The New York Times (written in April) called it "the best film released by an American studio so far this year".
Davis filmed the Disney/Touchstone feature film, The Guardian in 2006. The film focuses on the Rescue Swimmers of the U.S. Coast Guard and stars Kevin Costner and Ashton Kutcher. Costner plays a legendary rescue swimmer who returns to the training facility to bring up the next generation of swimmers, including a rescue swimmer played by Kutcher. Production was halted when the film's New Orleans location was ravaged by Hurricane Katrina. The real-life Coast Guard advisers on the film were immediately deployed to rescue victims of the storm.
Davis is developing several projects through his Santa Barbara based production company, Chicago Pacific Entertainment, including: Silvers Gold - A Return to Treasure Island, a modern retelling of Robert Louis Stevenson's classic, adapting the Gene Wilder novella My French Whore, Mentors – a series for worldwide television with a pilot episode examining the lives of two legendary photographers.
Davis completed his first novel, alongside writer Jeff Biggers, Disturbing the Bones, a geopolitical thriller , set for release in summer 2024.
|1983||The Final Terror||Yes||No||No|
|1985||Code of Silence||Yes||No||No|
|1988||Above the Law||Yes||Yes||Yes|
|1995||Steal Big Steal Little||Yes||Yes||Yes|
|1998||A Perfect Murder||Yes||No||No|
|TBA||Mentors - Tony & Santi||Yes||Yes||No|
|1978||At Home with Shields and Yarnell||TV short|
|2000-2001||OnStar: Batman||4 episodes|
|2005||Just Legal||Episode "Pilot"|
- Weinraub, Bernard (October 26, 1992). "The Talk of Hollywood; Director Who Blends Action With a Bit of Art". The New York Times. Retrieved December 14, 2010.
- Kagan, Jeremy (April 26, 2000). "Biography 1994". Directors Close Up. USA: Focal Press. p. 223. ISBN 0240804066 – via Internet Archive.
- Spence, D. (April 17, 2003). "An Interview with Andrew Davis" (Interview). IGN. Archived from the original on October 29, 2005. Retrieved March 24, 2007.
- Flores, Gilberto (November 27, 2013). "'Medium Cool' Revisited". The Bottom Line. Associated Students of the University of California, Santa Barbara. Retrieved February 25, 2014.
- Franklin, Garth (October 12, 2006). ""Don Quixote" Meets "Tom Jones"". Dark Horizons. Archived from the original on October 19, 2006.
- Ebert, Roger (August 6, 1993). "The Fugitive" (Review). RogerEbert.com. Retrieved March 14, 2018.
- Bey, Lee (April 4, 2012). "Revisiting 'Stony Island': Soulful 1970s Chicago cult film hits the streets again". WBEZ91.5. Archived from the original on June 5, 2013. Retrieved May 3, 2013.
- Ebert, Roger (November 24, 1978). "Stony Island". RogerEbert.com (Review). Retrieved February 25, 2014.
- Ebert, Roger (February 8, 2002). "Collateral Damage". RogerEbert.com (Review). Retrieved February 26, 2014.
- Scott, A. O. (April 18, 2003). "Holes (2003) Holes (2003) FILM REVIEW; Not Just for Children, a Suspenseful Allegory of Greed, Fate and Racism". The New York Times. Retrieved June 23, 2022.
- Mentors Poster squarespace-cdn.com