Andrew Lauder (music executive)
Hartlepool, County Durham, England
|Genres||Pop, Hard Rock
Krautrock, Pub Rock,
|Years active||1967–to date|
|Associated acts||Bonzo Dog Doo-Dah Band, Can, Hawkwind, The Idle Race, Family, The Groundhogs|
Andrew Lauder (born 1948, Hartlepool, County Durham, England) is a record company executive and former A&R manager. Initially noted for his adventurous signings of bands as diverse as Bonzo Dog Doo-Dah Band, Can, Hawkwind and Brinsley Schwarz to Liberty Records and United Artists Records in the 1960s and 70s, he went on to form numerous independent labels including Radar Records, F-Beat Records and Demon Music Group.
Lauder was born in Hartlepool, County Durham, England in 1948, the son of a timber yard owner, he attended Wellingborough School, Northamptonshire. He moved to London around 1965 to look for a job. He joined Southern Music, as an accounts clerk.
Liberty and United Artists Records
In 1967 a friend introduced Lauder to Bob Reisdorf, who was launching Liberty Records in the UK. Lauder was initially "label manager" and oversaw the reissuing of back catalogues including Eddie Cochran and Fats Domino, before making himself Liberty’s Artists and Repertoire (A&R) manager and quickly signing The Idle Race, Family and the Bonzo Dog Doo-Dah Band. Also, in 1968 Tony McPhee & The Groundhogs for £50. On the Liberty sampler Gutbucket (1969) Lauder placed The Bonzo's spoof 'Can Blue Men Sing The Whites' directly after Tony McPhee's 'No More Doggin'. In 1971 The Groundhog's 'Split' LP was the best selling record on the Liberty / UA label.
Under Lauder’s direction, Liberty primarily signed hippy or underground "album bands", and also licensed a number of US acts such as Captain Beefheart. Lauder largely ignored the pop market, although Liberty had a few UK hit singles such as Creedence Clearwater Revival’s "Proud Mary".
In 1968, Liberty was bought by Transamerica Corporation and then absorbed by their existing label United Artists Records, Lauder becoming head of A&R for United Artists in the UK. In 1969 United Artists rebuffed Chrysalis Records’ attempt to poach Lauder, and gave him greater control. During Lauder's tenure at Liberty Records (based in Mortimer Street, London) he organised the Liberty Records Football team made up of various young industry luminaries and occasional guests who played regular friendly matches at Colliers Wood, South London. Among the players were Leapy Lee, Dave Margerrison, Dick Leahy and Daily Mirror editor Richard Stott.
Lauder's personal music preferences were West Coast hippy bands such as Quicksilver Messenger Service and the Grateful Dead, which was reflected in his signing bands like Man and Help Yourself; but Lauder became known for releasing an extremely diverse range of bands; from Krautrock:- Can, Amon Düül II and Neu! via Underground music:- Hawkwind and Motörhead to Pub rock:- Brinsley Schwarz, Dr Feelgood and The Inmates  and then Punk rock, signing The Stranglers and Buzzcocks shortly before leaving United Artists.
Lauder commissioned a number of notable artists, including Barney Bubbles, Rick Griffin and Hapshash and the Coloured Coat and used a wide variety of promotional techniques: coloured vinyl, elaborate album covers, limited edition budget albums and charity concerts.
Lauder trusted his own intuition – bringing The Flamin' Groovies to Britain, even though they had been turned down by United Artists in the US. He would also stick with artists who left bands in his roster, e.g. signing Motorhead, Michael Moorcock and Robert Calvert from Hawkwind, and Deke Leonard, Clive John and The Neutrons when they left Man. His personal interests were reflected in events such as the "United Artists 'Save Hartlepool Football Club' weekend" 
Independent Record Companies
In 1977, Lauder was offered major role at Arista Records, but instead, he co-founded Radar Records with Martin Davis. Radar took on several Stiff Records acts, including Nick Lowe, Elvis Costello and the Attractions and Yachts.
In 1979 Lauder and Jake Riviera opened F-Beat Records, and several acts, notably Elvis Costello and the Attractions and Nick Lowe, transferred from Radar Records. Lauder and Riviera also started Demon Music Group in 1980, to concentrate on the singles market, early signings including Department S and Bananarama.
In 1988, Andrew Lauder formed the UK based Silvertone Records under the Zomba Group of Companies. Initially focusing on rock music such as The Stone Roses, Lauder soon expanded their roster to include Peter "Sonic Boom" Kember John Lee Hooker, J.J. Cale and The Men They Couldn't Hang.
By 2002 Lauder was living in Knowstone, Devon where he ran Acadia and Evangeline (not to be confused with the US Evangeline Records label) releasing albums by Ronnie Lane, Spirit, Gov’t Mule, Loudon Wainwright III and The Steepwater Band and employed local schoolgirl Joss Stone on work experience. These labels later became part of Floating World Records.
Having officially retired, Andrew Lauder intends to release an autobiography and undertake a lecture tour in 2010.
- Interview by Max Bell for The Independent on Sunday 19 September 2004 Retrieved 9 June 2010
- Sleeve notes to All Good Clean Fun – A Journey through the Underground of Liberty/United Artists Records 1969–1975
- Blues in Britain on Bill Hurley and the Inmates Retrieved 9 June 2010
- Chris Wilson’s profile on Flamin-groovy.com Retrieved 9 June 2010
- Alex Gitlin on The Neutrons Retrieved 9 June 2010
- Phil Mc Mullen on Senzatempo Retrieved 9 June 2010
- "List of Radar Records Artists". Archived from the original on 22 October 2006. Retrieved 2006-10-22. Retrieved 9 June 2010
- Discogs Discography of F-Beat Retrieved 9 June 2010
- Discogs Discography of Demon Records Retrieved 9 June 2010
- Stone Roses signed to Silvertone Retrieved 9 June 2010
- Spacemen 3 article written for Record Collector Archived 26 April 2009 at the Wayback Machine. Retrieved 9 June 2010
- Ian McNabb.com Ian McNabb Biography[permanent dead link] Retrieved 9 June 2010
- Floating World Records home page with links to Evangeline and Acadia Retrieved 9 June 2010
- Allied Sound and Music Production Retrieved 9 June 2010