The Phantom of the Opera (1986 musical)

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The Phantom of the Opera
Music Andrew Lloyd Webber
  • Andrew Lloyd Webber
  • Richard Stilgoe
Basis Le Fantôme de l'Opéra
by Gaston Leroux
Premiere 9 October 1986: Her Majesty's Theatre, London

The Phantom of the Opera is a musical with music by Andrew Lloyd Webber and lyrics by Charles Hart with additions from Richard Stilgoe. Lloyd Webber and Stilgoe also wrote the musical's book together.[1] Based on the French novel Le Fantôme de l'Opéra by Gaston Leroux, its central plot revolves around a beautiful soprano, Christine Daaé, who becomes the obsession of a mysterious, disfigured musical genius living in the subterranean labyrinth beneath the Palais Garnier.[2]

The musical opened in London's West End in 1986, and on Broadway in 1988. It won the 1986 Olivier Award and the 1988 Tony Award for Best Musical, and Michael Crawford (in the title role) won the Olivier and Tony Awards for Best Actor in a Musical.[3] It is the longest running show in Broadway history by a wide margin, and celebrated its 10,000th Broadway performance on 11 February 2012, the first production ever to do so.[4] It is the second longest-running West End musical, after Les Misérables, and the third longest-running West End show overall, after The Mousetrap.[5][6][7]

With total estimated worldwide gross receipts of over $5.6 billion and total Broadway gross of $845 million,[8] Phantom was the most financially successful entertainment event until The Lion King passed it in 2014.[9][10][11] By 2011, it had been seen by over 130 million people in 145 cities across 27 countries, and continues to play in London and New York.[9]



In 1984, Lloyd Webber contacted Cameron Mackintosh, the co-producer of Cats and Song and Dance, to propose a new musical. He was aiming for a romantic piece, and suggested Gaston Leroux's book The Phantom of the Opera as a basis. They screened both the 1925 Lon Chaney and the 1943 Claude Rains motion picture versions, but neither saw an effective way to make the leap from film to stage. Later, in New York, Lloyd Webber found a second-hand copy of the original, long-out-of-print Leroux novel, which supplied the necessary inspiration to develop a musical: "I was actually writing something else at the time, and I realized that the reason I was hung up was because I was trying to write a major romantic story, and I had been trying to do that ever since I started my career. Then with the Phantom, it was there!"[12]


Lloyd Webber first approached Jim Steinman to write the lyrics because of his "dark obsessive side", but he declined in order to fulfill his commitments on a Bonnie Tyler album.[13] Alan Jay Lerner was then recruited, but he became seriously ill after joining the project and was forced to withdraw; none of his contributions (mostly involving the song "Masquerade") are credited in the show.[14][15] Richard Stilgoe, the lyricist for Starlight Express, wrote most of the original lyrics for the production. Charles Hart, a young and then-relatively unknown lyricist, later rewrote many of the lyrics, along with original lyrics for "Think of Me". Some of Stilgoe's original contributions are still present in the final version, however.[16]


Inspired in part by an earlier musical version of the same story by Ken Hill,[17] Lloyd Webber's score is sometimes operatic in style but maintains the form and structure of a musical throughout. The full-fledged operatic passages are reserved principally for subsidiary characters such as Andre and Firmin, Carlotta, and Piangi. They are also used to provide the content of the fictional "operas" that are taking place within the show itself, viz., Hannibal, Il Muto, and the Phantom's masterwork, Don Juan Triumphant. "Here, Lloyd Webber pastiched various styles from the grand operas of Meyerbeer through to Mozart and even Gilbert and Sullivan."[18] These pieces are often presented as musical fragments, interrupted by dialogue or action sequences in order to clearly define the musical's "show within a show" format. The musical extracts from the Phantom's opera, "Don Juan Triumphant", during the latter stages of the show, are dissonant and modern—"suggesting, perhaps, that the Phantom is ahead of his time artistically".[19]

Design, direction, and choreography[edit]

Maria Björnson designed the sets and over 200 costumes, including the elaborate gowns in the "Masquerade" sequence. Her set designs, including the chandelier, subterranean gondola, and sweeping staircase, earned her multiple awards.[20][21] Hal Prince, director of Cabaret, Candide, Follies, and Lloyd Webber's Evita, directed the production, while Gillian Lynne, associate director and choreographer of Cats, provided the integral musical staging and choreography.

First preview at Sydmonton[edit]

A preview of the first act was staged at Sydmonton (Lloyd Webber's home) in 1985, starring Colm Wilkinson (later the star of the Toronto production) as the Phantom, Sarah Brightman as Kristin (later Christine), and Clive Carter (later a member of the London cast) as Raoul. This very preliminary production used Richard Stilgoe's original unaltered lyrics, and many songs sported names that were later changed, such as "What Has Time Done to Me" ("Think of Me"), and "Papers" ("Notes"). The Phantom's original mask covered the entire face and remained in place throughout the performance, obscuring the actor's vision and muffling his voice. Björnson designed the now-iconic half-mask to replace it, and the unmasking sequence was added.[16] Clips of this preview performance were included on the DVD of the 2004 film production.[22]

West End[edit]

Phantom began previews at Her Majesty's Theatre in London's West End on 27 September 1986 under the direction of Hal Prince, then opened on 9 October. It was choreographed by Gillian Lynne and the sets were designed by Maria Björnson, with lighting by Andrew Bridge.[23] Michael Crawford starred in the title role with Sarah Brightman as Christine and Steve Barton as Raoul. The production, still playing at Her Majesty's, celebrated its 10,000th performance on 23 October 2010, with Lloyd Webber and the original Phantom, Michael Crawford, in attendance. It is the second longest-running musical in West End (and world) history behind Les Misérables, and third overall behind The Mousetrap.[24][25]

A 25th-anniversary stage performance was held in London on 1 and 2 October 2011 at the Royal Albert Hall and was screened live in cinemas worldwide.[26] The production was produced by Cameron Mackintosh, directed by Laurence Connor, musical staging & choreography by Gillian Lynne, set design by Matt Kinley, costume design by Maria Björnson, lighting design by Patrick Woodroffe, and sound design by Mick Potter. The cast included Ramin Karimloo as the Phantom, Sierra Boggess as Christine, Hadley Fraser as Raoul, Wynne Evans as Piangi, Wendy Ferguson as Carlotta, Barry James as Monsieur Firmin, Gareth Snook as Monsieur Andre, Liz Robertson as Madame Giry, and Daisy Maywood as Meg Giry. Lloyd Webber and several original cast members, including Crawford and Brightman, were in attendance. A DVD and Blu-ray of the performance was released in February 2012,[27] and it began airing in March 2012 on PBS's "Great Performances" television series.[26]

In March 2012, a new production directed by Laurence Connor began a UK and Ireland tour to commemorate the 25th anniversary of the show, beginning at the Theatre Royal Plymouth and travelled to Manchester, Bristol, Dublin, Leeds, Edinburgh, Milton Keynes, Cardiff, and Southampton. John Owen-Jones and Earl Carpenter alternated as the Phantom with Katie Hall and Olivia Brereton as Christine and Simon Bailey as Raoul.[28]


Phantom began Broadway previews at the Majestic Theatre on 9 January 1988 and opened on 26 January.[10][29] Crawford, Brightman, and Barton reprised their respective roles from the West End. The production continues to play at the Majestic, where it became the first Broadway musical in history to surpass 10,000 performances on 11 February 2012.[30] On 26 January 2013, the production celebrated its 25th anniversary with its 10,400th performance.[31] It is, by over 3,500 performances, the longest-running show in Broadway history.[23] By November 2016, Phantom had been staged over 12,000 times over 28 years.[32]

Amateur productions[edit]

In 2013, the rights to perform "Phantom" were released to non-professional groups.[33] CLOC musical theatre staged the world amateur premier in May 2013 at the National Theatre in Melbourne, Australia. In June 2013, Windmill Theatre Company staged the production at the Drum Theatre in Dandenong. Also in June 2013, Wellington Musical Theatre debuted the New Zealand premiere starring Chris Crowe and Barbara Graham.



In 1905, during an auction at the Opéra Populaire, the elderly Vicomte de Chagny purchases a papier-mâché music box and eyes it sadly.[34][35] The auctioneer presents a shattered chandelier as the next item up for bid, mentioning its connection to a figure known as "the Phantom of the Opera". The auctioneer unveils the chandelier, causing it to flicker to life and ascend to the rafters as the auditorium's former grandeur is restored ("Overture").

Act I[edit]

It is now 1881.[36] As Carlotta, the Opéra's resident soprano prima donna, rehearses for the evening's performance, a backdrop collapses without warning. "The Phantom! He's here!" whisper anxious cast members. The Opera's new owners, Firmin and André, try to downplay the incident, but Carlotta refuses to continue and storms offstage. Madame Giry, the Opéra's ballet mistress, tells Firmin and André that Christine Daaé, a Swedish chorus girl and orphaned daughter of a prominent violinist, has been "well taught" and could sing Carlotta's role. With the performance's cancellation their only alternative, the owners reluctantly audition Christine, and to their surprise, she is equal to the challenge. ("Think of Me")

Michael Crawford and Sarah Brightman performing the title song

Backstage after her triumphant début, Christine confesses to her best friend Meg (Madame Giry's daughter) that she knows her mysterious teacher only as an invisible "Angel of Music" ("Angel of Music"). The Opera's new patron, Raoul, the Vicomte de Chagny, finds Christine, his old childhood playmate, in her dressing room. ("Little Lotte") Christine reminisces with Raoul about the "Angel of Music" stories that her late father used to tell them and confides that the Angel has visited her and taught her to sing. Raoul laughs at her "fantasies" and invites her to dinner. He exits and a jealous Phantom appears in Christine's mirror in the guise of The Angel of Music. ("The Mirror/Angel of Music (Reprise)") Christine begs him to reveal himself and The Phantom obliges, pulling her through the mirror and into his underground realm. ("The Phantom of the Opera") They cross a subterranean lake to his secret lair beneath the opéra house. The Phantom explains that he has chosen Christine to sing his music and enchants her with his own sublime voice. ("The Music of the Night") Christine sees a mannequin resembling herself in a wedding dress, and when the mannequin suddenly moves, she faints. The Phantom picks her up and places her gently on a bed.

As the Phantom composes music at his organ, Christine awakens to the sound of the monkey music box. ("I Remember") She slips behind the Phantom, lifts his mask, and beholds his real face. The Phantom rails at her curiosity, then ruefully expresses his longing to look normal—and to be loved by her ("Stranger Than You Dreamt It").

Meanwhile, Joseph Buquet, the Opéra's chief stagehand—who, like Madame Giry, inexplicably knows much about the Phantom—regales everyone with tales of the "Opéra Ghost" and his terrible Punjab lasso. ("Magical Lasso") Madame Giry warns Buquet to exercise restraint. In the managers' office, Madame Giry delivers a note from the Phantom: He demands that Christine replace Carlotta in the new opera, Il Muto, or there will be a terrible disaster "beyond imagination". ("Notes") Firmin and André assure an enraged Carlotta that she will remain the star; ("Prima Donna") but during her performance, ("Poor Fool, He Makes Me Laugh") the Phantom reduces her voice to a frog-like croak, forcing her to withdraw. A ballet interlude ensues to keep the audience entertained as Christine prepares to replace Carlotta. Suddenly the corpse of Buquet, hanging from the Punjab lasso, drops from the rafters. Firmin and André plead for calm as the Phantom's diabolical laughter is heard.

In the midst of the chaos, Christine escapes with Raoul to the roof and tells him about her encounter with the Phantom ("Why Have You Brought Me Here?/Raoul, I've Been There"). A skeptical Raoul swears to love and protect her as Christine reciprocates his vow. ("All I Ask of You"). The heartbroken Phantom, having overheard the entire conversation, angrily vows revenge before returning to the auditorium and sending the chandelier crashing to the stage during the curtain call.

Act II[edit]

Steve Barton and Sarah Brightman in the final scene

Six months later, in the midst of the gala masquerade ball, the Phantom, costumed as the Red Death, makes his first appearance since the chandelier disaster. ("Masquerade/Why So Silent?") He announces to the stunned guests that he has written an opera entitled Don Juan Triumphant. He demands that it be produced immediately, with Christine (who is now engaged to Raoul) in the lead role, and warns of dire consequences if it is not. He seizes Christine's engagement ring and vanishes in a flash of fire and smoke. Raoul demands that Madame Giry tell him about the Phantom. She reluctantly replies that he is a brilliant musician and magician born with a terrifyingly deformed face, who escaped from captivity in a travelling freak show and disappeared.

During rehearsals, Raoul hatches a plan to use Don Juan Triumphant as a trap to capture the Phantom, knowing the Phantom will be sure to attend its première. ("Notes/Twisted Every Way") Christine, torn between her love for Raoul and her gratitude for the Phantom's teaching, visits her father's grave, longing for his guidance. ("Wishing You Were Somehow Here Again") The Phantom appears, again under the guise of the Angel of Music. ("Wandering Child") Christine nearly falls under his spell, but Raoul arrives to rescue her. The Phantom taunts Raoul, launching fiery missiles at him, ("Bravo Monsieur") until Christine begs Raoul to leave with her. Furious, the Phantom sets fire to the cemetery.

Don Juan Triumphant opens with Christine and Ubaldo Piangi, the Opéra's principal tenor, singing the lead roles. ("Don Juan") During their duet, Christine realises that she is singing not with Piangi, but with the Phantom himself. ("The Point of No Return") When he expresses his love for her and gives her his ring, Christine rips off his mask, exposing his deformed face to the shocked audience. As Piangi is found strangled to death backstage, the Phantom seizes Christine and flees the theatre. An angry mob led by Meg searches the theatre for the Phantom, while Madame Giry directs Raoul to the Phantom's subterranean lair, and warns him to beware his Punjab lasso.

When Raoul arrives at the lair, Christine is wearing the mannequin's wedding dress. ("Down Once More/Track Down This Murderer") The Phantom ambushes Raoul and binds him with his lasso. He tells Christine that he will free Raoul if she agrees to stay with him forever; if she refuses, Raoul will die. ("Final Lair") Christine responds that it is the Phantom's soul that people fear, not his face, and kisses him. The Phantom, at last, understands that he cannot compel Christine to love him, and releases them both. Christine returns the Phantom's ring, bids him farewell, and exits with Raoul. The Phantom, weeping, huddles on his throne and covers himself with his cape. The mob storms the lair and Meg pulls away the cape—but the Phantom has vanished; only his mask remains.[37]


Original casts[edit]

The original casts of the major productions of The Phantom of the Opera:[38][39]

Character Original West End Cast Original Broadway Cast Original Las Vegas Cast
The Phantom of the Opera Michael Crawford Brent Barrett
Anthony Crivello
Christine Daaé Sarah Brightman
Claire Moore
Sarah Brightman
Patti Cohenour
Sierra Boggess
Elizabeth Loyacano‡
Raoul, Vicomte de Chagny Steve Barton Tim Martin Gleason
Carlotta Giudicelli Rosemary Ashe Judy Kaye Elena Jeanne Batman
Geena Jeffries Mattox‡
Madame Giry Mary Millar Leila Martin Rebecca Spencer
Meg Giry Janet Devenish Elisa Heinsohn Brianne Kelly Morgan
Monsieur Richard Firmin John Savident Nick Wyman Lawson Skala
Monsieur Gilles André David Firth Cris Groenendaal John Leslie Wolfe
Ubaldo Piangi John Aron David Romano Larry Wayne Morbitt

† The role of Christine Daaé is double-cast in most professional productions. The secondary actress performs the role twice a week (on Broadway, Thursday evening and Saturday matinée).[40]

‡ Three roles (The Phantom, Christine, and Carlotta) were double-cast in the original Las Vegas production, with the two actors in each pair singing alternate performances.[41] Later, Las Vegas casting became identical to that in the Broadway production, with single casting for all characters except Christine.[42]

Musical numbers[edit]

  • Prologue (Monkey Music Box) – Old Raoul
  • Overture – Orchestra
Act I
  • A Rehearsal for Hannibal – Carlotta, Piangi, Chorus and Ballet Girls
  • Think of Me (Introduction) – Carlotta, Meg, Ballet Girls and Buquet
  • Think of Me – Christine and Raoul
  • Angel of Music – Meg and Christine
  • Little Lotte – Raoul and Christine
  • The Mirror (Angel of Music) – The Phantom, Christine and Raoul
  • The Phantom of the Opera – The Phantom and Christine
  • Intro to The Music of the Night – The Phantom
  • The Music of the Night – The Phantom
  • I Remember/Stranger Than You Dreamt It – Christine and The Phantom
  • Magical Lasso – Buquet and Madame Giry
  • Notes – Firmin, André, Raoul, Carlotta, Mme. Giry, Meg, Piangi, and The Phantom
  • Prima Donna – Firmin, André, Raoul, Carlotta, Mme. Giry, Meg, and Piangi
  • Il Muto (Poor Fool, He Makes Me Laugh) – Carlotta, Piangi, Ensemble and Meg
  • Il Muto – Ballet – Orchestra
  • Why Have You Brought Us Here?/Raoul, I've Been There – Raoul and Christine
  • All I Ask of You – Raoul and Christine
  • All I Ask of You (Reprise) – Raoul, Christine, and The Phantom
Act II
  • Entr’acte – Orchestra
  • Intro to the Masquerade – Firmin and André
  • Masquerade – Full Company
  • Why So Silent? – The Phantom
  • Notes II – Firmin, André, Carlotta, Piangi, Raoul, Christine, Mme. Giry, and The Phantom
  • We Have All Been Blind – Raoul, Firmin, André, Mme. Giry, Carlotta, Piangi
  • Twisted Every Way – Christine, Raoul
  • A Rehearsal for Don Juan Triumphant – Piangi, Carlotta, Reyer, Christine and Chorus
  • Wishing You Were Somehow Here Again – Christine
  • Wandering Child (Angel of Music) – Phantom, Christine, and Raoul
  • Don Juan Triumphant – Piangi, Carlotta, Christine and Ensemble
  • The Point of No Return – The Phantom and Christine
  • Down Once More.../Track Down This Murderer – The Phantom, Christine, Raoul, and Company


There are several orchestrations:

  • 29 piece orchestra (original score, used in London),
  • 27 piece orchestra (current Broadway score)
  • 13 piece orchestra (Reduced score for tour),
  • 45 piece orchestra (25th Anniversary score).

The current Broadway orchestration is what is licensed by R&H Theatricals for amateur and professional productions. The only difference between the 29- and 27-piece orchestras is the lack of Violins VII & VIII in the 27-piece orchestra.

The Broadway production originally used a 29-piece pit orchestra:

  • Reed I: Flute/Piccolo
  • Reed II: Flute/Clarinet
  • Reed III: Oboe/English Horn
  • Reed IV: B-flat Clarinet/Bass Clarinet/E-flat Clarinet
  • Reed V: Bassoon
  • Horns I–III
  • Trumpets I–II
  • Trombone
  • Percussion I-II (see below)
  • Keyboards I–II: Piano, Synthesizer
  • Violins I-VIII (currently only six violins)
  • Violas I–II
  • Cellos I–II
  • String Bass
  • Harp

Percussion is split between two books - regular percussion and mallets

  • 2 Timpani, Suspended cymbals, Crash Cymbals, Snare drum, Triangle, Tambourine, Bass Drum
  • Glockenspiel, Xylophone, Vibes, Marimba, Tubular Bells, Bell Tree, Woodblock, Gong, Guiro, Finger Cymbals


Cast recordings have been made of the London,[43] Austrian,[44] Dutch, German, Japanese, Swedish, Korean, Hungarian, Mexican, Polish, Russian and Canadian productions.[45]

The recording of the 1986 original London cast, released by Polydor Records in 1987, was released in both a single CD Highlights From The Phantom of the Opera and a two CD Phantom of the Opera, both of which have been certified 4× Platinum in the US and sold 4.97 million copies as of January 2017. "The Complete Recordings" edition has sold 507,000 copies since 1991.[46][47] Phantom was also certified 3× Platinum in the UK.[48] The Canadian cast recording went 2× Platinum in Canada.[49] In Switzerland, Phantom was certified 3× Platinum and Highlights was certified 2× Platinum.[50] Recordings of the Vienna cast and the Hamburg cast produced by Jimmy Bowien were certified Gold and triple Platinum, respectively, in Germany.[51] The original album recording has sold an alleged 24 million copies worldwide.[52]

A live recording of The Phantom of the Opera at the Royal Albert Hall was released in the UK on 15 November 2011 and subsequently in the US and Canada on 7 February 2012,[53] along with Blu-ray and DVD videos, and a collectors' box set of the Royal Albert concert, the original cast recording, and the sequel, Love Never Dies.[53][54]


Sales and certifications[edit]

Allegations of plagiarism[edit]

In 1987 the heirs of Giacomo Puccini charged in a lawsuit that the climactic phrase in "Music of the Night" closely resembled a similar phrase in the sequence "Quello che tacete" from Puccini's opera Girl of the Golden West.[70][71] The litigation was settled out of court for an undisclosed amount.[72][73]

In 1990 a Baltimore songwriter named Ray Repp filed a lawsuit alleging that the title song from Phantom was based on a song that he wrote in 1978 called "Till You".[74] After eight years of litigation – including an unsuccessful countersuit by Lloyd Webber claiming that "Till You" was itself a plagiarism of "Close Every Door" from Joseph and the Amazing Technicolor Dreamcoat[75] — the jury found in Lloyd Webber's favour.[76]

Roger Waters has repeatedly claimed in interviews that the signature descending/ascending half-tone chord progression from Phantom's title song was plagiarised from the bass line of a track on the 1971 Pink Floyd album Meddle called "Echoes". He has never taken any legal action. "Life's too long to bother with suing Andrew fucking Lloyd Webber," he said. "I think that might make me really gloomy."[77]

Other productions[edit]

Phantom has been translated into several languages and produced in over 28 countries on 6 continents. With only the exception of Czech Republic, Estonia, Finland, Hungary, New Zealand, Panama, Poland, Romania, and the 25th Anniversary UK and US Tours, these productions have all been "clones", using the original staging, direction, sets, and costume concepts.[78][79] Notable international productions include the following:

  • Australia: 1990–1998: Melbourne, Sydney, Brisbane, Adelaide, and Perth; 2007–2009: Melbourne, Brisbane, Sydney, Auckland, Perth and Adelaide, both starring Anthony Warlow. Marina Prior starred as Christine in the original production. In the original Australian production, Rob Guest later took over the title role.[80] The final leg of the recent tour was staged in Adelaide in an arena format featuring giant screens on either side of the stage that presented footage shot simultaneously with the performance. 2013: Canberra starring Michael Cormick as The Phantom and with Julie Lea Goodwin starring as Christine from 9 to 23 August 2013. Goodwin had previously played the role, as the "Alternate Christine", in the 2007 to 2009 national tour.[81]
  • Austria: The German language production premiered at the Theater an der Wien in December 1988.[82]
  • Canada: The Canadian production of Phantom ran from 20 September 1989 to 31 October 1999 in Toronto at the Pantages Theatre. The Canadian International Touring Company toured the musical in Canada, Hawaii, Alaska, Hong Kong, and Singapore from 11 March 1991 to October 1995. The Music Box Tour (Third US National Tour) played dates across Canada in 2006–2007 including Calgary, Vancouver, Edmonton, Winnipeg, Toronto, Saskatoon and Ottawa.[83]
  • China: The Shanghai production played 97 performances at the Shanghai Grand Theatre. The World Tour had their sixth season at the Culture Plaza Theatre at Shanghai Culture Square from 3 December 2013 to 26 January 2014.[84] The World Tour returned to China at the Guangzhou Opera House in Guangzhou from 26 September to 10 October 2015[85] and performed its final season at the Tianqiao Performing Arts Center in Beijing from 17 November 2015 to 10 January 2016.[86]
  • Estonia: Production in Estonian language (but with English and Finnish subtitles) featuring original sets, costumes, and direction premiered on 4 October 2014 at Theatre Vanemuine in Tartu. In first season 2014/2015 there were 24 performances in total, eight of which took place in capital Tallinn at Nordea Concert Hall (premiered there on 30 October 2014). In spring 2017 there will be further 12 performances (two of which in Tallinn).[79]
  • Finland: A Finnish production premiered in Helsinki in 2015 at the Finnish National Opera in English.[87]
  • Germany: "Das Phantom der Oper" opened at the Stage Neue Flora Theatre, Hamburg from 1990 to 2001, the Palladium Theatre in Stuttgart from 2002 to 2004, and at the Colosseum Theatre in Essen from 2005 to 2007. A second Hamburg production ran from December 2013 until September 2015 at the Stage Theatre Neue Flora. A production in Oberhausen is currently running at the Metronom Theater from 17 November 2015.[88]
  • Hungary: Madách Theatre, Budapest. This production, which began in 2003, was the first to modify the original staging with new sets, costumes and direction. The five hundredth performance on 20 September 2007 featured four successive sets of casts.[78]
  • New Zealand: Opened at the Aotea Centre in Auckland in 1997 and at The Civic, The Edge-Auckland in 2008. A local production (with new designs)[89] opened on 13 June at the St. James Theatre in Wellington[90] and closed on 16 July 2013.
  • Panama: For the first time in Central America, "El Fantasma de la Opera" played in Spanish at the Teatro Anayansi of the Atlapa Convention Center from 23 to 25 September 2016, directed by Aaron Zebede. Randy Dominguez starred in the role of The Phantom, with Maria Fernanda Achurra as Christine and Leo Almengor as Raoul.[91]
  • Romania: The Romanian premiere was in January 2015 produced by the Romanian National Opereta. This new non-replica production was performed in Romanian with a local cast led by a British creative team.[92]
  • Russia: Moscow production cooproduced by Stage Entertainment and Really Useful Group premiered on 4 October 2014 in the MDM-theatre starring Ivan Ozhogin and Dmitri Ermak as The Phantom. The stalls and the stage were modernised specially for the production. The premiere was attended by Richard Stilgoe and Charles Hart.[93][94]
  • Singapore: First tour at the Kallang Theatre from 26 February 1995 to 20 May 1995, second tour at the Esplanade - Theatres on the Bay from 23 March 2007 to 20 May 2007.[95]
  • Turkey: The World Tour played in Istanbul at the Zorlu Center PSM from 7 April to 17 May 2015.[96]
  • United States: Los Angeles (1989–1993), San Francisco (1993–1999). A US National tour commenced in 1991 in Los Angeles, and closed on 31 October 2010 at the Pantages Theatre in Hollywood, California, after nearly two decades. The closing night performance was attended by many former cast and crew members, including Andrew Lloyd Webber and Sarah Brightman.[97]

Feature film version[edit]

A film version, directed by Joel Schumacher and starring Gerard Butler as the Phantom, Emmy Rossum as Christine, Patrick Wilson as Raoul, Minnie Driver as Carlotta, and Miranda Richardson as Madame Giry, opened on 22 December 2004 in the US.[98]

Phantom: The Las Vegas Spectacular[edit]

An edited production renamed Phantom: The Las Vegas Spectacular opened 24 June 2006 at The Venetian in Las Vegas, Nevada, in a theatre built specifically for the show to resemble the Opéra Garnier in Paris.[99] The production ran 95 minutes with no intermission, and was directed and choreographed by Harold Prince and Gillian Lynne, with scenic designs by David Rockwell. The show featured updated technology and effects, including a re-engineered chandelier capable of reassembling in midair during the overture while the entire interior of the venue (not merely the stage) returned to its 1880s halcyon days.[41] Almost 45 minutes' worth of material was eliminated, such as the Don Juan Triumphant rehearsal. "Poor Fool, He Makes Me Laugh" and "The Point of No Return" were significantly shortened.[41] Other changes resembled those in the 2004 film, such as staging the chandelier crash at the plot's climax (during performance of "The Point of No Return") rather than mid-story.[42][100] The Las Vegas production closed on 2 September 2012.

Copyright release[edit]

In 2011 The Really Useful Group (copyright owners of Phantom) released certain rights to the play in celebration of its 25th anniversary. In March 2011 Reed-Custer High School in Braidwood, Illinois, became the first school to perform Phantom under the new rights.[101] In 2012, the first school in the UK to perform the show was Blenheim High School, Epsom.[102]

Awards and nominations[edit]

Original London production[edit]

Year Award Ceremony Category Nominee Result
1986 Laurence Olivier Award[103][104] Best New Musical Won
Best Actor in a Musical Michael Crawford Won
Designer of the Year Maria Björnson Nominated
2002 Most Popular Show Won

Original Broadway production[edit]

Year Award Ceremony Category Nominee Result
1988 Drama Desk Award Outstanding Musical Nominated
Outstanding Actor in a Musical Michael Crawford Won
Outstanding Actress in a Musical Sarah Brightman Nominated
Outstanding Director of a Musical Harold Prince Won
Outstanding Music Andrew Lloyd Webber Won
Outstanding Orchestrations David Cullen and Andrew Lloyd Webber Won
Outstanding Set Design Maria Björnson Won
Outstanding Costume Design Won
Outstanding Lighting Design Andrew Bridge Won
Tony Award[105] Best Musical Won
Best Performance by a Leading Actor in a Musical Michael Crawford Won
Best Performance by a Featured Actress in a Musical Judy Kaye Won
Best Direction of a Musical Harold Prince Won
Best Book of a Musical Richard Stilgoe and Andrew Lloyd Webber Nominated
Best Original Score Andrew Lloyd Webber, Charles Hart and Richard Stilgoe Nominated
Best Scenic Design Maria Björnson Won
Best Costume Design Won
Best Lighting Design Andrew Bridge Won
Best Choreography Gillian Lynne Nominated


The sequel to Phantom, written by Lloyd Webber, Ben Elton, Frederick Forsyth and Glenn Slater, is called Love Never Dies.[106] It was loosely adapted from the 1999 novel The Phantom of Manhattan, by Forsyth. Set in 1907 (a decade after the conclusion of Phantom according to the production's announcement,[107] but actually 26 years later, as the original show was set in 1881[36]), Christine is invited to perform at Phantasma, a new attraction at Coney Island, by an anonymous impresario. With her husband, Raoul, and son, Gustave, in tow she journeys to Brooklyn, unaware that it is the Phantom who has arranged her appearance at the popular beach resort.[107][108]

The original production was directed by Jack O'Brien and choreographed by Jerry Mitchell with set and costume designs by Bob Crowley,[106] and opened at the Adelphi Theatre in the West End on 9 March 2010.[109] Though it ran for over 17 months and closed on 27 August 2011, the production received mixed reviews.[110][111][112] A scheduled Broadway opening in November 2010 was postponed until Spring 2011[113] and later cancelled.[114] A revamped Australian production, starring Ben Lewis and Anna O'Byrne, opened 21 May 2011 at the Regent Theatre in Melbourne to more favourable notices.[115][116][117][118] After the Melbourne run ended on 12 December 2011 the production moved to the Capitol Theatre in Sydney where it played from January to April 2012.[119][120]

See also[edit]


  1. ^ "The Phantom of the Opera: The most commercially successful stage musical ever". Really Useful Licensing. Retrieved 26 April 2012. 
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External links[edit]

Preceded by
Longest-running Broadway show
Succeeded by