Aniara (film)
| Aniara | |
|---|---|
| Directed by | Pella Kagerman Hugo Lilja |
| Produced by | Annika Rogell |
| Screenplay by | Pella Kagerman Hugo Lilja |
| Based on | Aniara by Harry Martinson |
Release date |
|
Running time | 106 minutes |
| Country | Sweden Denmark |
| Language | Swedish |
Aniara is a 2018 Swedish-Danish co-production co-directed by Pella Kågerman and Hugo Lilja. The film is an adaptation of the 1956 Swedish poem of the same name by Harry Martinson. The film is set in a dystopian future where climate change ravages Earth, prompting large-scale emigration from Earth to Mars. When such a routine trip veers off course the passengers of the Aniara struggle to cope with their new lives.
The film premiered at the 2018 Toronto International Film Festival and was given a theatrical release in 2019 by Magnolia Pictures.[1]
Contents
Plot[edit]
A woman (Emelie Jonsson) works onboard the Aniara, a luxurious spaceship that takes passengers from Earth to Mars in three weeks. The woman's job involves working as a "Mimarobe" within the Mima, a machine designed to evoke viewers' personal memories of Earth in a way that is indistinguishable from reality.
In the first week of Aniara's voyage the ship suddenly veers off course due to a collision with space debris. The maneuver also means that the Aniara loses all of its available fuel though the captain promises the passengers and crew they will be able to turn around in no more than two years. The woman's roommate, the ship's astronomer, later reveals to her that this is a lie and that there is no possibility of reverting their course.
On board the woman finds her usually unimportant job becoming more popular and necessary than ever as passengers crave the Mima to soothe them from claustrophobia and panic attacks.
After three years the Mima has become one of the most important functions necessary to keep calm on board the ship. However the many people bringing their own memories of Earth's destruction cause the Mima to become overworked. Overwhelmed by the horror the Mima decides to self-destruct. Though the Mimarobe had asked the captain for a month of rest for the Mima she is blamed for the machine's malfunction and imprisoned.
By the fourth year, cults have developed and a rash of suicides means that the Mimarobe and Isagel, a former pilot who is now the Mimarobe's lover, are granted releases and reassigned to work. The Mimarobe and Isagel join a fertility cult dedicated to Mima which leaves Isagel pregnant after an orgy. She suffers heavily from depression during her pregnancy. The Mimarobe wants to build a 'beam-screen', a projection device acting as a mimic of Mima to alleviate Isagel's depression, while the Captain forbids her from doing so and orders her to focus on educating children in the hopes that one or more of them might be able to discover a way to return them to Mars.
In the fifth year, Isagel discovers that a probe large enough to possibly contain fuel is travelling towards the Aniara, meaning that rescue is possible. The probe takes over a year to reach the Aniara and upon being brought onto the ship in the sixth year, the crew quickly realize that they are unable to identify it, its origins, or if it contains fuel. While the captain orders the crew to keep working on the probe they eventually lose hope on it being a means of rescue. The Astronomer laments that their ship is a sarcophagus, defying the captain's orders for the crew to keep a united front to prevent the passengers from losing hope [2]
The Mimarobe begins work on her projection device, eventually succeeding in projecting a waterfall onto the dark windows of the spaceship. Having succeeded she learns that Isagel has committed suicide and has also killed the child they were raising together, believing there is no future for them onboard the spacecraft.
On the tenth year of their voyage the remaining crew celebrate the 10th anniversary of their voyage into space. The Mimarobe is awarded an honorary medal for her creation of the beam-screen but while accepting the award she notices that the captain has recently attempted suicide unsuccessfully.
In year 24 of the voyage, as a dark and ostensibly powerless Aniara drifts through space, a small group of passengers sits cross-legged in a dimly lit room. As an unidentified woman in the group rhapsodizes about the divine power of sunlight on Earth, the Mimarobe blinks in weakened semi-consciousness.
Close to 6 million years later the Aniara, now devoid of all human life, reaches the Lyra constellation, heading toward a planet as verdant and as welcoming as Earth formerly was.[3]
Cast[edit]
- Emelie Jonsson as the Mimarobe
- Bianca Cruzeiro as Isagel
- Arvin Kananian as the Captain
- Anneli Martini as the Astronomer
Reception[edit]
Aniara received generally favorable reviews. On review aggregator Rotten Tomatoes it holds a score of 70%.[4] On Metacritic it holds a score of 61%.[5]
Norman Wilner at NOW Toronto considers Aniara to "embrace[] the existential possibilities of sci-fi cinema".[6] The Guardian, in two separate reviews, gave the film four stars, calling it a "stunning sci-fi eco parable" and an "eerily mesmerising outer-space odyssey" respectively. Flickering Myth characterizes Jonsson’s performance as "complex and sensitive".[7] Teo Bugbee at The New York Times characterized Aniara as "depressing", but also said "the commitment to bleakness feels artistically admirable."[8] Hollywood Reporter, on the other hand, said "But while the themes are clear, drama is perilously missing."[9]
References[edit]
- ^ Fleming Jr., Mike. "Magnolia Pictures Lands Swedish Sci-Fi Thriller 'Aniara' – Toronto". Retrieved 14 July 2019.
- ^ [1]
- ^ [2]
- ^ "ANIARA". Retrieved 12 November 2019.
- ^ "Aniara". Retrieved 12 November 2019.
- ^ [3]
- ^ https://www.flickeringmyth.com/2019/08/movie-review-aniara-2018/
- ^ https://www.nytimes.com/2019/05/16/movies/aniara-review.html
- ^ https://www.hollywoodreporter.com/review/aniara-review-1141053
