Ann Marie DeAngelo

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Ann Marie DeAngelo is an American choreographer, director, producer, teacher, and former dancer. She was leading ballerina with the Joffrey Ballet, where she later served as associate director[1] at the time of the company's move to Chicago, Illinois in 1995. DeAngelo was the founding artistic director of Mexico's Ballet de Monterrey, and served as artistic director of Ballet Omaha during the 1990s. She founded of her own experimental troupe in the late 1980s called Ballet D’Angelo, creating several full-evening productions, which toured extensively in Europe.

She is currently the Director of DeAngelo Productions, an umbrella company for creating and producing dance related projects. She also works as nationally and internationally as a director, choreographer, and teacher.

Early life and education[edit]

DeAngelo was born in Pennsylvania and grew up in Glendale, California. Her mother took her to ballet class at age 3½ to overcome her fear of people before she started kindergarten.



After years of training in Burbank, California with Frederika Mohr and later at San Francisco Ballet School she landed her first job with the San Francisco Opera Ballet. She was an apprentice before joining the Joffrey Ballet in 1973. She worked with the Joffrey for 10 years, performing in works such as Viva Vivaldi, The Taming of the Shrew by John Cranko;[2] the cowgirl in Pas des Deesses by Robert Joffrey; a reconstruction of La Vivandiere by Arthur Saint-Léon;[3] As Time Goes By, Deuce Coupe II and Cacklin’ Hen by Twyla Tharp; and works by Frederick Ashton, George Balanchine, Agnes DeMille, William Forsythe, Kurt Josse, Antony Tudor, and others.

Throughout her performing career she worked internationally as a guest artist with various dance companies, festivals and independent tours. She competed in the International Ballet Competition in Varna, Bulgaria (1976) where she received a special award for technical excellence, and was the featured dancer in a TV special on CBS about the competition. At the competition, she met the legendary ballerina Alicia Alonso, and was invited to perform at her International Ballet Festival in Havanna, Cuba. She later created works on the company. In 1980 she was featured in a dance film about Anna Pavlova called Pavlova: A Tribute to the Legendary Ballerina (1982).[4] In 1989 she performed on Sesame Street with Sketer Rabbit in a duet created by Toni Basil called Stop – Dance.


DeAngelo has choreographed nearly 75 ballets and other works in dance. She created her first work in 1980, called La Grande Faux Pas. In 1984 she received a Jerome Robbins Foundation grant to create a piece for the Joffrey II called In Kazmidity with music by Léo Delibes (later staged for Ballet Trocadero in 1990). She soon began to explore her choreographic aesthetic of mixing dance styles and blending forms. She choreographed Autumn Baachanal for the film Pavlova: A Tribute to the Legendary Ballerina, performing with Ron Reagan, Jr.[5]

In 1990 DeAngelo created Out of Silence with music by Yanni for the National Ballet of Cuba; and also a pas de trois called Lilith featuring Lorena Feijoo. Both these works later were integrated into a piece for Ballet de Monterrey called Paradiso (1991). Hip Hop pioneer Mr. Wiggles was featured in that work in a leading role, the first time a street dancer had been integrated into a traditional ballet.

DeAngelo created several works for Ballet de Monterrey, including Mademoiselle de M, a 35-minute work based on Theophile's Mademoiselle de Maupin with music by Franz Liszt and Enigma; Le Papillon, to music of Jacques Offenbach; and a re-staging of The Nutcracker.

In 2003, DeAngelo collaborated with composer Conni Ellisor to bring the Bell Witch legend to life in The Bell Witch for Nashville Ballet, with an original score by Ellisor and 3-D scenic design by Gerald Marks.[6]

In 2007 DeAngelo began a work-in-development called "IN THE MIX!" The piece included ballet dancers, hip hop and tap dance artists, Cirque du Soleil veterans, gymnastics, and cheerleading in a cross-genre exploration of movement in many forms. This work was performed and evolved into AMERICA DANCES, her 2012 production in development under her non-profit DeAngelo Productions. The how is a variety show of dance, an amalgamation of all forms of American dance and dancers.

In 2010 DeAngelo choreographed THE PROMISE, a new musical created for the Shanghai Expo 2010.

DeAngelo's choreography was seen at City Center in New York, and the Bolshoi Theater in Moscow (May 2013).[7]

Artistic director[edit]

Ballet D'Angelo – Under DeAngelo's direction, Ballet D'Angelo toured extensively in Europe and Cuba from 1984 to 1988. Works included Zeitgiest I and II, The Last of the Best, and Gypsie Band.

Ballet de Monterrey – As founding Artistic Director of Ballet de Monterrey, DeAngelo worked with mentor Alicia Alonso who allowed her to use several Cuban dancers, teachers and ballet masters. DeAngelo also used American dancers and imported unique talent such as US Olympic team rhythmic gymnast Charlene Edwards and "Mr. Wiggles" - introducing a cross-pollination of work to Mexico. DeAngelo created a classical yet innovative "company of the Americas". She received the Margot Fonteyn Award for special artistic achievement for her contributions.

Ballet Omaha – During her season as Artistic Director of Ballet Omaha she produced works by George Balanchine, Ann Carlson, Lew Christensen, Laura Dean, Charles Moulton, and others.

Joffrey Ballet of Chicago  – In 1995 as Associate Artistic Director, DeAngelo created a vision for the Joffrey's relocation from New York, and along with Artistic Director Gerald Arpino, a successful vision for its artistic future.

In the 2000s DeAngelo was Co-Artistic Director of the Hamptons Dance Festival[which?] with Cynthia Gregory.

Producer, director and other work[edit]

DeAngelo has created and staged many special shows and events, including Shall We Dance, a dance tribute to composer Richard Rodgers as part of the Rodgers Centenary celebration in 2002.[8]

Since 2002 DeAngelo has staged the annual gala for Career Transition For Dancers. Those shows include: Dancing on Air, That's Entertainment, One World, Dance Rocks!, America Dances!, 25th Anniversary, and A Halloween Thriller, and "Jump for Joy" in 2012. In 2010 she commissioned Marvin Hamlisch to write a new song called "I'm Really Dancing" with lyrics by Rupert Holmes for that year's gala.[9] In these evenings, DeAngelo's 'amalgamations of dance', she has presented and commissioned over 200 works by a variety of dance companies and choreographers from different disciplines. She has worked with theater artists and Tony Award winners such as Christine Ebersole, James Earl Jones, Sutton Foster, Jane Krakowski, Angela Lansbury, Liza Minnelli, Bebe Neuwirth, Billy Porter, Ann Reinking, Chita Rivera, Tommy Tune, Ben Vereen, and Karen Ziemba, as well as producer Nigel Lythgoe.

In 2001 she created and directed "The Variety Show – Jugglin' Styles" which premiered at the Annenberg Center in Philadelphia.

In 2009 she was director of the show "Thank You, Gregory – A Tribute to Legends of Tap" that opened at the Annenberg Center for the Performing Arts in Philadelphia, featuring Maurice Hines and Jason Samuels Smith.[10]

Also in 2009 she directed GHETTOMADE, a work created by Mr. Wiggles that premiered at Sadlers Wells in London. Currently the show is expanding to include Rock Steady Crew.

In 2012 she conceived, produced, and directed the 125th anniversary gala for Capezio at City Center in New York City.[11]

She has taught for numerous dance companies and universities, as well as workshops to non-dancers called "Bringing Performance to Life" at resorts and spas. She has taught personalities such as Bette Midler.


  • 2013 Last Time I Cry, Bolshoi Theatre, Moscow
  • 2012 The Cobbler Rap/The Cobbler & The Ballerina,(Capezio 125th Anniversary Gala)
  • 2012 Blackberry Winter, American Repertory Ballet
  • 2011 She Remembers?, Career Transition for Dancers (CTFD) Gala, City Center NYC
  • 2010 The Promise (a musical), Shanghai Expo 2010
  • 2010 I’m Really Dancing, Final CTFD Gala (new song by Marvin Hamlisch)
  • 2010 The Process: Discovery & Integration, National Choreography Initiative
  • 2009 A Tribute to Broadway, Ballet de Monterrey
  • 2009 Ghettomade: A Journey Thru Time, Sadler's Wells Theatre, London
  • 2008 La Noche Ballet de Monterrey, Joyce Theater
  • 2008 In The Mix!, Workshop, New York City
  • 2007 P.E.A.C.E., Rosie's Theater Kids
  • 2007 Jugglin’ Styles II (creator/contributing)
  • 2007 Dance Rocks, CTFD Gala Opening number
  • 2006 The Guy in the White Shirt, Marymount Manhattan College
  • 2006 Dance Break NYC (Mystical Undines; Personals)
  • 2005 Paradise Re-visited, Ballet de Monterrey, Mexico
  • 2004 The Guy in the White Shirt (workshop) National Choreography Initiative
  • 2004 A Glimpse2, re-created for BalletNY
  • 2004 Mega 21, Goucher College
  • 2003 The Bell Witch (one-act ghost story, original music), Nashville Ballet
  • 2003 Walk On starring Mr. Wiggles, Nevada Ballet Theater
  • 2002 Ghost Town, Ohio Ballet
  • 2002 The Empty Cup, Martine van Hamel
  • 2001 A Glimpse, Oregon Ballet Theatre
  • 2001 Successful Worry, Ballet Pacifica
  • 2000 Nike Nana, Pittsburgh Ballet Theater
  • 1999 Blackberry Winter, Ballet Pacifica (2000 Ohio Ballet, ABT II)
  • 1999 Crisis, Connecticut Ballet (Zig Zag)
  • 1998 Duet, Hamptons Dance Festival
  • 1998 Strings, solo for Rasta Thomas
  • 1998 Kali Ma, Joffrey Ballet of Chicago
  • 1997 Legends, Joffrey Ballet of Chicago
  • 1995 Lilith, Ballet Omaha
  • 1994 MAYA (mini-opera), Ballet de Monterrey
  • 1993 - 1991 PARAISO Ballet de Monterrey
  • 1992 Mademoiselle de Maupin, Ballet de Monterrey
  • 1991 The Gift (Alicia Alonso - National Ballet of Cuba)
  • 1991 Don’t Look Back (Martine VanHamel/Kevin McKenzie - Jacob's Pillow Dance)
  • 1991 La Traviata, Mexico City Opera
  • 1990 The Nutcracker, Ballet de Monterrey
  • 1990 Out of Silence, National Ballet of Cuba
  • 1988 Concerto for Elvis, Long Beach Ballet
  • 1988 Gypsie Band, Ballet D’Angelo
  • 1987 What’s Real, Iowa Ballet
  • 1986 Zeitgeist II, Ballet D’Angelo
  • 1986 The Last of the Best, Ballet D’Angelo
  • 1986 Zeitgiest 1, Ballet D’Angelo
  • 1984 Next Time, New Amsterdam Ballet
  • 1984 In Kazmidity, Joffrey II Dancers, Les Ballets Trockadero de Monte Carlo
  • 1984 Midler Medley, Ballet D’Angelo
  • 1983 Stay With Me, tour with Maya Plisetskaya
  • 1982 Pavlova, CBC film; Tribute to Pavlova (stage, 1982)


  1. ^ "Joffrey Ballet of Chicago". Chicago Reader. Retrieved 10 July 2015. 
  2. ^ Kisselgoff, Anna (1981-11-10). "Ballet - Ann Marie De Angelo". Retrieved 2016-12-01. 
  3. ^ Anderson, Jack (1981-11-03). "Ballet - Joffrey Takes A Look At Youth". Retrieved 2016-12-01. 
  4. ^ "Pavlova: A Tribute to the Legendary Ballerina (TV Movie 1982)". 20 December 1982. Retrieved 2016-12-01. 
  5. ^ "Pavlova: A Tribute to the Legendary Ballerina (1982 TV Movie) : Full Cast & Crew". Retrieved 2016-12-01. 
  6. ^ "Dance Magazine – If it's happening in the world of dance, it's happening in Dance Magazine.". Dance Magazine. Retrieved 10 July 2015. 
  7. ^ "*****". Retrieved 10 July 2015. 
  8. ^ ANNA KISSELGOFF (2002-10-23). "DANCE REVIEW; Rodgers As Ideal Dance Partner". The New York Times. Retrieved 2016-12-01. 
  9. ^ "Dance Magazine – If it's happening in the world of dance, it's happening in Dance Magazine.". Retrieved 10 July 2015. 
  10. ^ "Maurice Hines Brings THANK YOU GREGORY to Annenberg Center!". Retrieved 10 July 2015. 
  11. ^ Wendy Perron (24 April 2012). "Dance Magazine – If it's happening in the world of dance, it's happening in Dance Magazine.". Retrieved 10 July 2015. 

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