in Easter Parade (1948)
|Born||Johnnie Lucille Collier
April 12, 1923
Houston, Texas, US
|Died||January 22, 2004
Los Angeles, California, US
|Cause of death||Lung cancer|
|Resting place||Holy Cross Cemetery, Culver City|
|Spouse(s)||Reese Milner (1946–1947)
Bill Moss (1958–1961)
Arthur Cameron (1961–1962)
Johnnie Lucille Collier (April 12, 1923 – January 22, 2004), known professionally as Ann Miller, was an American dancer, singer and actress. She is best remembered for her work in the Classical Hollywood musical films of the 1940s and 1950s.
Johnnie Lucille Collier (other sources give other names, Johnnie Lucille Ann Collier, Lucille Collier, Lucy Ann Collier, due partly to the confusion of the fake birth certificate - see below) was born in Houston, Texas,[note 1] to Clara Emma (née Birdwell) and John Alfred Collier, a criminal lawyer who represented the Barrow Gang, Machine Gun Kelly, and Baby Face Nelson, among others.
Her maternal grandmother was Cherokee. Miller's father insisted on the name Johnnie because he had wanted a boy, but she was often called Annie. She began to take dance classes at the age of 5, after suffering from a case of rickets. Her mother believed that these classes would help strengthen her young daughter's legs.
She lived in Texas until she was 9, when her parents divorced (if indeed they were married) and her mother moved with her to Los Angeles. Because Birdwell was deaf, it was hard for her to find work; however, because Miller looked much older than she was, she began to work as a dancer in nightclubs and support both of them. About this time she adopted the stage name Ann Miller, which she kept throughout her entire career.
She was considered a child dance prodigy. In an interview in a "behind the scenes" documentary on the making of the compilation film That's Entertainment! Part III (1994), she said Eleanor Powell was an early inspiration.
At age 13 in 1936, Miller became a showgirl at the Bal Tabarin. She was hired as a dancer in the "Black Cat Club" in San Francisco (she reportedly told them she was 18). It was there she was discovered by Lucille Ball and talent scout/comic Benny Rubin (although some sources say this occurred at Bal Tabarin). This led Miller to be given a contract with RKO in 1936 at the age of 13 (she had also told them she was 18, and apparently provided a fake birth certificate, procured by her father - with the name "Lucy Ann Collier") and she remained there until 1940. In 1941, she signed with Columbia Pictures, where, starting with Time Out for Rhythm, she starred in 11 B movie musicals from 1941 to 1945. In July 1945, with World War II still raging in the Pacific, she posed in a bathing suit as a Yank magazine pin-up girl. She ended her contract in 1946 with one "A" film, The Thrill of Brazil. The ad in Life magazine featured Miller's leg in a large, red, bow-tied stocking as the "T" in "Thrill". She finally hit her mark in Metro-Goldwyn-Mayer musicals such as Easter Parade (1948), On the Town (1949) and Kiss Me Kate (1953).
In later life, Miller claimed to have invented pantyhose in the 1940s as a solution to the continual problem of tearing stockings during the filming of dance production numbers. The common practice had been to sew hosiery to briefs. If torn, the entire garment had to be removed and resewn with a new pair. Miller asked a hosiery maker to produce a single combined garment.
Miller was famed for her speed in tap dancing. Studio publicists concocted press releases claiming she could tap 500 times per minute, but in truth, the sound of ultra-fast "500" taps was looped in later. Because the stage floors were waxed and too slick for regular tap shoes, she had to dance in shoes with rubber treads on the sole. Later she would loop the sound of the taps while watching the film and actually dancing on a "tap board" to match her steps in the film.
She was known, especially later in her career, for her distinctive appearance, which reflected a studio-era ideal of glamour: massive black bouffant hair, heavy makeup with a splash of crimson lipstick, and fashions that emphasized her lithe figure and long dancer's legs.
Her film career effectively ended in 1956 as the studio system lost steam to television, but she remained active in the theater and on television. She starred on Broadway in the musical Mame in 1969, in which she wowed the audience in a tap number created just for her. In 1979 she astounded audiences in the Broadway show Sugar Babies with fellow MGM veteran Mickey Rooney, which toured the United States extensively after its Broadway run. In 1983, she won the Sarah Siddons Award for her work in Chicago theatre.
She appeared in a special 1982 episode of The Love Boat, joined by fellow showbiz legends Ethel Merman, Carol Channing, Della Reese, Van Johnson and Cab Calloway in a storyline that cast them as older relatives of the show's regular characters. Her last stage performance was a 1998 production of Stephen Sondheim's Follies, in which she played hardboiled Carlotta Campion and received rave reviews for her rendition of the song "I'm Still Here".
Miller appeared as a dance instructor in Home Improvement episode "Dances with Tools" (1993). Between 1995 and 2001, Molly Shannon parodied Miller several times on Saturday Night Live in a recurring sketch titled "Leg-Up!"
Miller married three times, to Reese Llewellyn Milner in 1946, to William Moss in 1958 and to Arthur Cameron in 1961, and in between marriages dated such well-known men as Howard Hughes, Conrad Hilton and Louis B. Mayer. During her marriage to Reese Llewellyn Milner, while pregnant with daughter Mary in her last trimester, Miller fell and went into early labor. Baby Mary lived only three hours on November 12, 1946.
For her contribution to the motion picture industry, Miller has a star on the Hollywood Walk of Fame at 6914 Hollywood Blvd. In 1998, a Golden Palm Star on the Palm Springs, California, Walk of Stars was dedicated to her. To honor Miller's contribution to dance, the Smithsonian Institution displays her favorite pair of tap shoes, which she playfully nicknamed "Moe and Joe".
|1934||Anne of Green Gables||Child Extra||Uncredited|
|1935||The Good Fairy||Schoolgirl in Orphanage||Uncredited|
|1936||The Devil on Horseback||Dancer||Uncredited|
|1937||New Faces of 1937||Herself||Dance Specialty|
|1937||The Life of the Party||Betty|
|1938||Radio City Revels||Billie Shaw|
|1938||Having Wonderful Time||Camp Guest||Uncredited|
|1938||You Can't Take It with You||Essie Carmichael|
|1938||Tarnished Angel||Violet 'Vi' McMaster|
|1940||Too Many Girls||Pepe|
|1940||Hit Parade of 1941||Anabelle Potter|
|1940||Melody Ranch||Julie Shelton|
|1941||Time Out for Rhythm||Kitty Brown|
|1941||Go West, Young Lady||Lola|
|1942||True to the Army||Vicki Marlow|
|1942||Priorities on Parade||Donna D'Arcy|
|1943||Reveille with Beverly||Beverly Ross|
|1943||What's Buzzin', Cousin?||Ann Crawford|
|1944||Hey, Rookie||Winnie Clark|
|1944||Jam Session||Terry Baxter|
|1944||Carolina Blues||Julie Carver|
|1945||Eadie Was a Lady||Eadie Allen and Edithea Alden|
|1945||Eve Knew Her Apples||Eve Porter|
|1946||The Thrill of Brazil||Linda Lorens|
|1948||Easter Parade||Nadine Hale|
|1948||The Kissing Bandit||Fiesta Specialty Dancer|
|1949||On the Town||Claire Huddesen|
|1950||Watch the Birdie||Miss Lucky Vista|
|1951||Texas Carnival||Sunshine Jackson|
|1951||Two Tickets to Broadway||Joyce Campbell|
|1952||Lovely to Look At||Bubbles Cassidy|
|1953||Small Town Girl||Lisa Bellmount|
|1953||Kiss Me Kate||Lois Lane 'Bianca'|
|1954||Deep in My Heart||Dance specialty in 'Artists and Models'|
|1955||Hit the Deck||Ginger|
|1956||The Opposite Sex||Gloria|
|1956||The Great American Pastime||Mrs. Doris Patterson|
|1976||Won Ton Ton, the Dog Who Saved Hollywood||President's Girl 2|
|2001||Mulholland Drive||Catherine 'Coco' Lenoix|
- George White's Scandals of 1939 (1939)
- Can-Can (1968)
- Mame (1969)
- Hello, Dolly! (1971)
- Anything Goes (1972; 1974; 1977)
- Blithe Spirit (1973)
- Panama Hattie (1976)
- Cactus Flower (1978)
- Sugar Babies (1979–83; 1984–85; 1988)
- Follies (1998)
- U.S. Census, April 1, 1930. State of Texas, County of Harris, enumeration district 71, page 2A, family 86.
- Norman Johnson (26 July 2012). I Forgot To Remember To Forget. Xlibris Corporation. p. 177. ISBN 978-1-4771-3704-8.
- Shake A Leg. Collier's. Crowell-Collier Publishing Company. October 1939. p. 20.
- Joseph F. Clarke (1977). Pseudonyms. BCA. p. 115.
- Glenn Plaskin (1 October 1992). Turning point: pivotal moments in the lives of celebrities. Carol Pub. Group. ISBN 978-1-55972-138-7.
- Tony Thomas (1984). That's dancing!. Abrams. p. 202.
- Jim Connor (1 January 1981). Ann Miller, Tops in Taps: An Authorized Pictorial History. Watts. ISBN 978-0-531-09949-0.
- Severo, Richard (January 23, 2004). "Ann Miller, Tap-Dancer Starring in Musicals, Dies". The New York Times. Retrieved 2011-04-12.
- "Ann Miller profile at". Film Reference. Retrieved 2011-04-12.
- "Ann Miller profile". Retrieved October 31, 2014.
- "Obituaries – Ann Miller – Dancing Star and 'Queen of the Bs'". The Independent. January 24, 2004. Retrieved 2011-04-12.
- "Ann Miller profile". Reel Classics. March 10, 2011. Retrieved 2011-04-12.
- "Private Screenings: Ann Miller". tcm.com. 1997. Retrieved 2011-04-12.
- Profile, newsvote.bbc.co.uk; accessed October 31, 2014.
- Brantley, Ben (May 8, 1998). "Beguiled by the Past". The New York Times. Retrieved 2011-04-12.
- "Home Improvement-Dances with Tools". IMDb.com. Retrieved 2011-04-22.
- BBC obituary, bbc.co.uk; accessed October 31, 2014.
- Photographs and literature, virtual-history.com; accessed October 31, 2014.
- Ann Miller at Find a Grave
- Palm Springs Walk of Stars by date dedicated[permanent dead link], palmspringswalkofstars.com; accessed October 31, 2014.
- "Ann Miller profile". notablebiographies.com. Retrieved May 22, 2013.
- Miller, Ann, Miller's High Life. Doubleday, 1972. ISBN 0-385-03440-7.
- Oderman, Stuart, Talking to the Piano Player 2. BearManor Media, 2009. ISBN 1-59393-320-7.
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