Ann Pennington (actress)
December 23, 1893|
November 4, 1971 (aged 77)|
New York City, New York
|Other names||"Penny", "Tiny" "Pipsy" "Duchess"|
|Height||4 ft 10 in (147 cm)|
She became famous for what was, at the time, called a "Shake and Quiver Dancer", and was noted for her variation of the "Black Bottom". She was also noted as an accomplished tap dancer. Ray Henderson wrote the extant version of "Black Bottom" for Ann – she had already been performing the popular version of the dance for some time. Some years prior to this, she had also topped the bill on Broadway in her performance of the musically similar "Charleston".
Pennington also achieved fame as a star of both silent and sound motion pictures.
Pennington was born in Wilmington, Delaware on December 23, 1893, and reputedly moved with her family to Camden, New Jersey around 1900. Her father worked for the Victor music company, they were Quakers, and she had at least one sibling, Nellie.
She learned to dance with the Professor Wroe dance school, and her first performances in New York were as part of "Wroe's Buds". She wanted to be a classical actress, but her diminutive stature and talent as a dancer conspired against this ambition.
She began her career on Broadway as a member of the chorus in The Red Widow (1911) starring Raymond Hitchcock. Her debut in the Ziegfeld Follies was in 1913, where she quickly established herself as one Ziegfeld's top attractions.
With dimpled knees and long dark red hair, the petite, pretty, charming, and often scantly-clad Pennington stood a mere 4' 10" tall and wore only a size 1½ shoe. Because of her diminutive stature, she was referred to as "Penny" by her friends and colleagues. Her nickname for herself was "Tiny".
During her years in the Ziegfeld Follies she appeared alongside the likes of Bert Williams, Eddie Cantor, Will Rogers, Fanny Brice (who became her closest friend), Marilyn Miller, and W. C. Fields. She switched back and forth between George White's Scandals and the Follies more than once, earning a salary of $1000 per week well before the 1920s, and continued to moonlight in the early New York film industry. She also frequented Harlem in its jazz heyday.
In the 1926 edition of George White's Scandals, Pennington introduced the African American-influenced Black Bottom dance to America at large with her partner, the eccentric dancer Tom Patricola. First popularized in New York by the African American show Dinaah that had been staged in Harlem in 1924, after Pennington performed the Black Bottom on Broadway, the dance became was a national phenomenon, overtaking The Charleston in popularity.
George Gershwin was her rehearsal pianist and wrote several songs for her. Cole Porter, Ray Henderson, Joe Burke, Oscar Levant and Edward Ward all wrote for her shows, The New Yorkers (1931) being her last great show for Porter. She could sing as well as dance, as evinced by her recording of "Believe Me" (1930).
No films of her signature dance routines have been preserved, with the possible exception of the "Snake-Hips" number which occurs in Happy Days (1929). Her key dances in Gold Diggers on Broadway (1929) remain lost. Some of her scenes from Tanned Legs still survive, but her role in The Great Ziegfeld, while still listed in some inventories, was in fact cut before release. She was also listed as a star in the 1929 Warner Brothers showcase movie "Show of Shows" but her routines were never filmed, perhaps because her main song and dance number "Believe Me" was commandeered by one of Warners' rising stars Irene Bordoni. Ann did however get to perform "Believe Me" in the 1930 movie "Hello Baby!", which is still in print, and sang and danced "You're responsible" in "Tanned Legs" (for which movie she features in uncredited cartoon form on the posters and sheet music).
The New York Times (November 5, 1971) noted:
She liked practical jokes. Once, when a man she didn't particularly like, telephoned, asking, "Is this Miss Pennington?" she replied, "This ain't me." Her dressing room door bore a sign, "For Men Only."
She was until the late 1920s chaperoned at performances by her mother. She was noted for a quick and witty personality, but was said to be shy off stage and easily embarrassed, and in her latter years was loath to discuss her early life.
Pennington was romantically linked to several men during her lifetime, and at one time or another was allegedly engaged to boxer Jack Dempsey, theatrical producer and early dance partner George White, actor Buster West, and musician Brooke Johns. None of these romances lasted and Pennington never married. She never spoke on record about any of her engagements, whether to confirm or deny them.
Ann Pennington never settled in one place for very long. She lived mostly in hotels in New York apart from some years in California as the constant companion of Fanny Brice, whom she had helped out at least once with loans and gifts of jewelry. Ann was noted for her generosity and many of her loans were never repaid; however most of her huge earnings were wiped out over the years by betting at the racetrack, decades of hotel bills, and gifts to charities and churches.
After her years on stage and screen ended, Pennington toured in vaudeville. She retired from performing in the 1940s. She last appeared on stage in a benefit show for the armed forces in 1946. She had a committed work ethic, and worked wherever the opportunity arose, although as she aged and tastes changed, she ended her stage days in shabby theaters with low ranked dance companies. Home movie footage of her "Snake Hips" dance at the 1939 World's Fair survive, but is more memorable for her enthusiasm than her star quality in her fading years.
Ann Pennington died of a stroke in New York City on November 4, 1971, aged 77. She had lived alone on welfare for many years in New York hotels overlooking 42nd Street. She was badly affected by arthritis. She was sometimes recognised shuffling along Broadway as a faded superstar of a world long past – but she was also mugged in her old age on one of her daily walks to a diner. She is buried in the Valhallia Cemetery in New York. No family were known to have attended her funeral, which was paid for by the Actors Benevolent guild.
A few years before her death, she was asked what had been the greatest reward from her years of stardom, and her reply was "in living, honey".
Many of those who went to the Broadway yesterday for the first showing of Susie Snowflake will be inclined to endorse this particular nomination. Miss Pennington is obviously put forth as a diminutive star of the Marguerite Clark variety, a style enormously in vogue at the moment. She is little and cunning on Mr. Ziegfeld's stage and little and cunning on the screen. She has youth, a Mary Pickford like harum-scarum way with her and, except in the trying close-ups when her expression is somewhat adenoidal, she is pretty.
Of course she dances. As her frisky little dance is her sole claim to fame at the moment, it could no more be omitted from her first scenario than the "pump and washing tubs" in Mr. Crummles's theater. So as a child of the music halls adapted into a staid, old New England community, Susie Snowflake disrupts a church sociable by doing her Follies dance there in her terse Follies costume.
The following list includes Ann Pennington's major stage credits:
|1||The Red Widow||Musical||Member of the Chorus||June 22, 1911-Feb 24, 1912|
|2||Ziegfeld Follies of 1913||Musical Revue||Herself||Jun 16, 1913 - Sep 6, 1913|
|3||Ziegfeld Follies of 1914||Musical Revue||Herself||Jun 1, 1914 - Sep 5, 1914||Appeared in the "Tango Palace" scene.|
|4||Ziegfeld Follies of 1915||Musical Revue||Herself||Jun 21, 1915 - Sep 18, 1915||Performed the "Flirtation Melody Dance" with George White.|
|5||Ziegfeld Follies of 1916||Musical Revue||Herself||Jun 12, 1916 - Sep 16, 1916|
|6||Miss 1917||Musical Revue||Herself||Nov 5, 1917 - Jan 5, 1918|
|7||Ziegfeld Follies of 1918||Musical Revue||Herself||Jun 18, 1918 - Sep 11, 1918|
|8||George White's Scandals (1919)||Musical Revue||Herself||Jun 2, 1919 - Sep 1919|
|9||Midnight Frolic||Musical Revue||Herself||April 24, 1918- May 12, 1918||Performed "A Syncopated Frolic".|
|10||George White's Scandals (1920)||Musical Revue||Herself||Jun 7, 1920 - Oct 2, 1920|
|11||George White's Scandals (1921)||Musical Revue||Herself||Jul 11, 1921 - Oct 1, 1921|
|12||Jack and Jill||Musical Comedy||Gloria Wayne||Mar 22, 1923 - Jun 9, 1923|
|13||Ziegfeld Follies of 1924||Musical Revue||Herself||Jun 24, 1924 - Mar 7, 1925|
|14||George White's Scandals (1926)||Musical Revue||Herself||Jun 14, 1926 - Jun 1927||Performed "The Black Bottom".|
|15||George White's Scandals (1928)||Musical Revue||Herself||Jul 2, 1928 - Jan 1929|
|16||The New Yorkers||Musical Revue (Satire)||Lola McGee||Dec 8, 1930 - May 2, 1931|
|17||Everybody's Welcome||Musical Comedy||Louella Carroll||Oct 13, 1931 - Feb 13, 1932|
|18||The Student Prince||Operetta (revival)||Gretchen||Jun 8, 1943 - Oct 2, 1943|
Motion picture credits
The following list contains all of Ann Pennington's known motion picture appearances.
|1||[untitled film]||1916||Herself||A short film of Ann Pennington that was incorporated into her stage act in The Ziegfeld Follies of 1916.|
|2||Susie Snowflake||1916||Susie||Ann Pennington's official film debut. She plays an itinerant stage actress forced to live with her stern aunt.|
|3||The Rainbow Princess||1916||Hope||Ann Pennington as a circus performer who is pawned off as the long-lost granddaughter of a wealthy judge. In this film she performs a Hula dance.|
|4||The Antics of Ann||1917||Ann Wharton||Ann Pennington as a hoydenish young lady trying to crash society.|
|5||The Little Boy Scout||1917||Justina Howland||Ann Pennington as a young woman who inherits a fortune. Co-stars Owen Moore (who was married to Mary Pickford at the time).|
|6||Sunshine Nan||1918||Nance Molloy||Ann Pennington as a reform school parolee working as a stenographer in a shoe store. Co-stars Richard Barthelmess.|
|7||Manhandled||1924||Herself||Stars Gloria Swanson with Ann Pennington in a cameo.|
|8||The Golden Strain||1925||Lucy Sulter||A Western with Pennington in a supporting role.|
|9||The Lucky Horseshoe||1925||Dancer||A Tom Mix Western with Ann Pennington in a cameo.|
|10||A Kiss in the Dark||1925||Dancer||A comedy starring Adolphe Menjou. Pennington has a cameo appearance.|
|11||The Mad Dancer||1925||Mimi||Pennington stars as a Latin dancer and model. Reputedly she appeared nude in this film.|
|12||Madame Behave||1925||Gwen Townley||A starring film for fermale impersonator Julian Eltinge. Ann Pennington plays his girlfriend.|
|13||Pretty Ladies||1925||Herself||A comedy about a dowdy comedian (ZaSu Pitts) in the Ziegfeld Follies. Pennington has a cameo.|
|14||Tanned Legs||1929||Tootie||Ann Pennington performs the title song and "You're Responsible".|
|15||Night Parade||1929||Herself||A boxing melodrama.|
|16||Is Everybody Happy?||1929||Lena Schmitt||Co-stars Ted Lewis. Ann Pennington performs "Samoa".|
|17||Gold Diggers of Broadway||1929||Ann Collins||Filmed in Technicolor. One of the big hits of 1929. Pennington dances to "Painting the Clouds With Sunshine" and "The Song of the Gold Diggers (Dig, You Little Diggers, Dig)".|
|18||Night Club||1929||Herself||A three-reel short in which Ann Pennington appears with Fanny Brice.|
|19||Hello Baby!||1930||Herself||A two-reel Technicolor short. Songs include "Hello Baby", "Believe Me", "I Gotta Have You", "Dance of the Wooden Shoes" and "Huddlin'".|
|20||Happy Days||1930||Herself||An all-star extravaganza filmed in 70mm "Grandeur Process". Pennington performs "Snake Hips (Do the Wiggle Waggle Woo)".|
|21||Texas Terrors||1940||Dancer||A Western starring Don "Red" Barry. Pennington performs "Listen to the Rhythm of the Range".|
|22||Unholy Partners||1941||Telephone operator||Stars Edward G. Robinson.|
|23||China Girl||1942||Sugar Fingers||Stars Gene Tierney and George Montgomery.|
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