Anna Cora Mowatt
Anna Cora Ogden was born in Bordeaux, France, March 5, 1819. She was the tenth of fourteen children. Her father was Samuel Gouveneur Ogden (1779–1860), an American merchant. Her mother was Eliza Lewis Ogden (1785–1836), granddaughter of Francis Lewis, a signatory to the United States Declaration of Independence. In 1826, when Anna was six years old, the Ogden family returned to the United States. She attended private schools but was primarily educated at home. From a young age she was encouraged to read and showed a passion for writing and acting.
On October 6, 1834, at age 15, Anna Cora Ogden eloped with James Mowatt (1805–1849), a prominent and wealthy New York lawyer. They moved to an estate in Flatbush, New York, where her husband encouraged her to continue her education and to write. She wrote of her elopement:
What could a girl of fifteen know of the sacred duties of a wife? With what eyes could she comprehend the new and important life she was entering? She had known nothing but childhood–had scarcely commenced her girlhood. What could she comprehend of the trials, the cares, the hopes, the responsibilities of womanhood? I thought of none of these things. I had always been lighthearted to the point of frivolity. I usually made a jest of everything–yet I did not look on this matter as a frolic. I only remembered I was keeping a promise. I had perfect faith in the tenderness of him to whom I confided myself. I did not in the least realize the novelty of my situation.
Anna Cora Mowatt's first book, Pelayo, or The Cavern of Covadonga, was published in 1836, then Reviewers Reviewed in 1837 using the pseudonym "Isabel".  She wrote articles which were published in Graham's Magazine and Godey's Lady's Book and other periodicals. She wrote a six-act play, Gulzara, which was published in New World. Under the pseudonym Henry C. Browning, she wrote a biography of Goethe. Using the pseudonym "Helen Berkley", she wrote two novels: The Fortune Hunter and Evelyn. Evelyn is written in the epistolary style. In 1841, due to financial problems, Anna became a public reader. Her first performance was attended by Edgar Allan Poe, who wrote of her, "A more radiantly beautiful smile is quite impossible to conceive." Her readings were popular and well attended, but her career as a reader was short lived due to respiratory problems. While recovering from her illness, she returned to her writing.
In 1845, her best-known work, the play Fashion was published. It received rave reviews and opened at the Park Theatre, New York, on March 24, 1845. On June 13, 1845, she made another career move to acting, she debuted at the Park Theatre as Pauline in The Lady of Lyons with great success. Although her next play, Armand, the Child of the People was published in 1847, and also received good reviews, she continued in her acting career. She performed leading roles in Shakespeare (for instance, in a production of Cymbeline in London, 1843), melodramas, and her own plays. She toured the United States and Europe for the next eight years.
On February 15, 1851, her husband, James Mowatt died. After a short break she resumed her acting career. In December 1853, her book Autobiography of an Actress was published. Anna Cora Mowatt's last appearance on the public stage was June 3, 1854.
On June 7, 1853, Anna married William Foushee Ritchie (? – 1868), son of Thomas Ritchie. Their wedding was a lavish affair, attended by President of the United States, Franklin Pierce and his Cabinet. During the next few years she wrote two more novels, Mimic Life, published in 1855 and Twin Roses, published in 1857. She was also involved in the preservation of George Washington's home, Mount Vernon. Anna left her husband in 1860 and moved to Europe. She wrote the novel Mute Singer, published in 1861. She wrote Fairy Fingers, published in 1865. In 1865, she moved to England, where she wrote The Clergyman's Wife, and Other Sketches in 1867. Anna Cora Ogden Mowatt Ritchie died in Twickenham, England, on July 21, 1870. She is buried in Kensal Green Cemetery in London, beside her first husband, James Mowatt.
- "Anna Cora Mowatt". History of Performance Studies/Uni. of North Texas. Archived from the original on 3 February 2007. Retrieved February 2, 2007.
- Rodríguez & Carrión 2004, p. 85.
- "Anna Cora Mowatt". Perspectives in American Literature. Archived from the original on February 4, 2007. Retrieved February 2, 2007.
- "Portraits of American Women Writers". Anna Cora Mowatt. Retrieved February 2, 2007.
- "Fashion". American Literature. Archived from the original on 13 February 2007. Retrieved February 2, 2007.
- "Anna Cora Mowatt". A Glimpse of Theater History. Archived from the original on 7 February 2007. Retrieved February 2, 2007.
- Rodríguez, Miriam López; Carrión, María Dolores Narbona (2004). Women's Contribution to Nineteenth-century American Theatre. Universitat de València. ISBN 978-84-370-5870-2.
- Kelly S. Taylor, "The Creation of a Public Persona in the Poetry of Anna Cora Mowatt," American Periodicals, vol. 11 (2001), pp. 65–80. In JSTOR
|Wikisource has original text related to this article:|
- Works by Anna Cora Ogden Mowatt Ritchie at Project Gutenberg
- Works by or about Anna Cora Ogden Mowatt Ritchie at Internet Archive
- The Lady Actress: The Life and Career of Anna Cora Mowatt -an up-to-date summary by a Mowatt scholar, including a historical timeline for context and a digital bibliography of online Mowatt resources
- Complete text of her play, Fashion