Anna Karina in Amsterdam, 1968
|Born||Hanne Karin Blarke Bayer
22 September 1940
|Occupation||actress, director, screenwriter|
|Spouse(s)||Jean-Luc Godard (1961–65)
Pierre Fabre (1968–74)
Daniel Duval (1978–81)
Dennis Berry (1982–present)
Anna Karina (born Hanne Karin Blarke Bayer or Beyer, sources differ; 22 September 1940) is a Danish-French film actress, director and screenwriter who has spent most of her working life in France. She is known as a muse of the director Jean-Luc Godard, one of the pioneers of the French New Wave. Her notable collaborations with Godard include The Little Soldier (1960), A Woman Is a Woman (1961), Vivre sa vie (1962), and Alphaville (1965). With A Woman Is a Woman, Karina won the Best Actress award at the Berlin Film Festival.
Karina's mother was a dress shop owner and her father was a ship's captain who left the family a year after she was born. She lived with her maternal grandparents for three years, until she was four. She spent the next four years in foster care when she returned to live with her mother. She has described her childhood as "terribly wanting to be loved", and as a child made numerous attempts to run away from home.
She began her career in Denmark, where she sang in cabarets and worked as a model playing in commercials. At age 14, she appeared in a Danish short film by Ib Schmedes, which won a prize at Cannes. She studied dance and painting in Denmark and for a while made a living selling her paintings. In 1958, after a row with her mother, she hitchhiked to Paris.
Modeling and meeting with Godard
Karina was 17 when she arrived in Paris—poor and unable to speak French. Living on the streets, she got a break while sitting at the cafe Les Deux Magots. She was approached by a woman from an advertisement agency who asked her to do some photos. She became a successful fashion model, meeting Pierre Cardin and Coco Chanel. Chanel helped her devise her professional name, Anna Karina.
Karina performed, uncredited, in a 1959 soap advertisement that was included near the end of Guy Debord's On the Passage of a Few Persons Through a Rather Brief Unity of Time. The image was accompanied by Debord's voice-over: "The advertisements during intermissions are the truest reflection of an intermission from life."
Jean-Luc Godard, then a film critic for Cahiers du cinéma, first saw Karina in a series of Palmolive ads in a bathtub covered in soapsuds. He was casting his debut feature film, Breathless. He offered her a small part in the film, but she refused when he mentioned that there would be a nude scene. When Godard questioned her refusal, mentioning the supposed nudity in the Palmolive ads, she is said to have replied, "Are you mad? I was wearing a bathing suit in those ads—the soapsuds went up to my neck. It was in your mind that I was undressed."
In the end, the character Godard reserved for Karina did not appear in the film. The next year, however, Godard offered her a role in Le Petit Soldat (1960). Karina, who was still under 21, had to persuade her estranged mother to sign the contract for her.
Karina won the Best Actress Award at the Berlin Film Festival in 1961 for her performance as Angela in A Woman Is a Woman. She also appeared in Godard's Bande à part (1964). But her acting career was not limited to Godard's films. Her role in The Nun (1966), directed by Jacques Rivette, is considered by some to be her best performance. She also acted in Luchino Visconti's The Stranger.
Karina's other notable films include George Cukor's Justine (1969), Tony Richardson's Laughter in the Dark (1969), Christian de Chalonge's L'Alliance (1970), Andre Delvaux's Rendezvous a Bray (1971), The Salzburg Connection (1972), Franco Brusati's Bread and Chocolate (1973) and Rainer Werner Fassbinder's Chinese Roulette (1976). Fassbinder wrote the film for her and her partner at the time, Ulli Lommel. In 1972, she set up a production company, Raska, for her directorial debut, Vivre Ensemble, in which she also acted and which was released in 1973. She wrote and acted in Last Song in 1987. She has since appeared in Haut, Bas, Fragile (1995) by Jacques Rivette and sung in The Truth About Charlie.
Karina has also maintained a singing career. At the end of the 1960s, she scored a major hit with "Sous le soleil exactement" and "Roller Girl" by Serge Gainsbourg. Both songs are from the TV musical comedy Anna (1967), by the film director Pierre Koralnik, in which she sings seven songs alongside Gainsbourg and Jean-Claude Brialy. She subsequently recorded an album, Une histoire d'amour, with Philippe Katerine, which was followed by a concert tour. Karina has also made several appearances on television. In 2005, she released Chansons de films, a collection of songs sung in movies.
In 2007 Karina wrote, directed and starred in Victoria, a musical road movie filmed in Montreal, Quebec and Saguenay-Lac-St-Jean. Richard Kuipers's review in Variety praised it as "a pleasant gambol through the backwoods of Quebec...Given plenty of room to work off each other, the members of this fine ensemble keep pic on track...Big plus is the music and heartfelt songs by Philippe Katerine."
Karina has written four novels: Vivre ensemble (1973), Golden City (1983), On n'achète pas le soleil (1988), and Jusqu'au bout du hasard (1998).
Karina and Godard married on 3 March 1961, during the shooting of A Woman Is a Woman, and divorced in 1965. Their relationship is said to have been rocky for most of its course, with Karina left emotionally unstimulated by Godard's obsession with work. By 1967 they were barely on speaking terms. After Godard, she was married to scriptwriter-actor Pierre Fabre (1968–1973), actor-director Daniel Duval (1978–1981) and director Dennis Berry (1982–present).
In popular culture
|1960||Little Soldier, TheThe Little Soldier||Veronica Dreyer||Jean-Luc Godard|
|Woman Is a Woman, AA Woman Is a Woman||Angela Récamier||Jean-Luc Godard|
|Tonight or Never||Valérie||Michel Deville|
|1961||Cléo from 5 to 7 (episode "Les fiancés du pont Macdonald")||The Fiancée||Agnès Varda|
|Sun in Your Eyes||Dagmar||Jacques Bourdon|
|She'll Have to Go||Toni||Robert Asher|
|1962||My Life to Live||Nana||Jean-Luc Godard|
|Three Fables of Love (episode "Le corbeau et le renard")||Colombe||Hervé Bromberger|
|1963||Sweet and Sour||Ginette||Jacques Baratier|
|Un mari à un prix fixe||Béatrice Reinhoff||Claude de Givray|
|1964||Circle of Love||Rose / The Chambermaid||Roger Vadim|
|Band of Outsiders||Odile||Jean-Luc Godard|
|All About Loving||Hélène||Jean Aurel|
|Thief of Tibidabo, TheThe Thief of Tibidabo||Maria||Maurice Ronet|
|Camp Followers, TheThe Camp Followers||Elenitza||Valerio Zurlini|
|1965||Pierrot le fou||Marianne Renoir||Jean-Luc Godard|
|Alphaville||Natascha von Braun||Jean-Luc Godard|
|1966||Nun, TheThe Nun||Suzanne Simonin||Jacques Rivette|
|Made in U.S.A.||Paula Nelson||Jean-Luc Godard|
|Oldest Profession, TheThe Oldest Profession (episode "Anticipation")||Natasha / Eleanor Romeovich, Hostess 703||Jean-Luc Godard|
|1967||Stranger, TheThe Stranger||Marie Cardona||Luchino Visconti|
|Zärtliche Haie||Elena / Costa||Michel Deville|
|1968||Magus, TheThe Magus||Anne||Guy Green|
|Before Winter Comes||Maria||J. Lee Thompson|
|Man on Horseback||Elisabeth Kohlhaas||Volker Schlöndorff|
|1969||Justine||Melissa||George Cukor and Joseph Strick|
|Laughter in the Dark||Margot||Tony Richardson|
|Time to Die, TheThe Time to Die||The Young Girl||André Farwagi|
|1970||Wedding Ring, TheThe Wedding Ring||Jeanne||Christian de Chalonge|
|1971||Rendezvous at Bray||She (The Waitress)||André Delvaux|
|Carlos||Clara||Hans W. Geißendörfer|
|1972||Salzburg Connection, TheThe Salzburg Connection||Anna Bryant||Lee H. Katzin|
|Vivre ensemble||Julie Anderson||Anna Karina|
|1973||Morel's Invention||Faustine||Emidio Greco|
|Bread and Chocolate||Elena||Franco Brusati|
|1975||Scrambled Eggs||Clara Dutilleul||Joël Santoni|
|1976||Musician Killer, TheThe Musician Killer||Louise||Benoît Jacquot|
|Chinese Roulette||Irene Cartis||Rainer Werner Fassbinder|
|1978||Surprise Sock||Nathalie||Jean-François Davy|
|Just like Home||Anna||Márta Mészáros|
|1979||Story of a Mother, TheThe Story of a Mother||Christine Olsen||Claus Weeke|
|1984||Ave Maria||Berthe Granjeux||Jacques Richard|
|1985||Treasure Island||The Mother||Raoul Ruiz|
|1987||Abyss, TheThe Abyss||Catherine||André Delvaux|
|1994||Up, Down, Fragile||Sarah||Jacques Rivette|
|2002||Truth About Charlie, TheThe Truth About Charlie||Karina||Jonathan Demme|
- "Extrait de mariage n° 4/1968". Lesgensducinema.com. Retrieved 2012-02-06.
- Joseph F. Clarke (1977). Pseudonyms. BCA. p. 94.
- Anna Karenina Variety
- Cowie, Peter (2005) Revolution!: The Explosion of World Cinema in the Sixties Macmillan, p. 62 ISBN 0-571-21135-6
- "Berlinale 1961: Prize Winners". berlinale.de. Retrieved 24 January 2010.
- Anna Karina." Encyclopædia Britannica. retrieved on 25 June 2009
- Colin MacCabe, Godard: A Portrait of the Artist at Seventy. (New York: Farrar, Straus and Giroux, 2003). p. 125.
- MacCabe, 126.
- MacCabe, 126–7.
- MacCabe, 127.
- Karina, Anna (2003). DVD extra. Band of Outsiders. DVD. "Anna Karina".
- MacCabe, 124–5.
- MacCabe, 127–8.
- Kuipers, Richard (12 November 2008). "Review: ‘Victoria’". Variety. Retrieved 1 January 2014.
- "Anna Karina biography" newwavefilm.com. retrieved Feb 2010
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