Anne-Kathrin Dern

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Anne-Kathrin Dern
AD Portrait by Dillon Padgette.jpg
Anne-Kathrin, 2017
Background information
Born(1987-07-30)July 30, 1987
Eutin, Germany
GenresFilm Score
Occupation(s)Music arranger, Composer
Years active2013-present

Anne-Kathrin Dern (born July 30, 1987) is a German film composer and CEO of e-Quality Music Productions LLC, currently residing in Los Angeles, California. She is mostly known for her scores to "The Jade Pendant" (2017), " Lilly's Bewitched Christmas" (2017), and "Help I Shrunk My Parents" (2018), as well as her collaborations with Klaus Badelt, most notably on "Leap!" (2016).

Early life and education[edit]

Anne-Kathrin Dern was born in Eutin (Eastern Holstein), Germany, to Kathrin Dern (née Paskarb) and Uwe Dern. She later grew up in Hildesheim (Lower Saxony), Oebisfelde (Saxony-Anhalt), and Peine (Lower Saxony). After graduating from the Ratsgymnasium Peine in 2007, she went on to study at a private film scoring academy called musicube. Once she had obtained her Basic Film Music Composer certification, she moved to the Netherlands to further her studies in the newly developed film scoring program at the ArtEZ Conservatory. After receiving her Bachelor's degree in 2012, Dern moved to Los Angeles to attend the UCLA Film Scoring program where she concluded her studies..[1]

Sample library development[edit]

While still at UCLA, Dern was hired by sample developer Cinesamples[2] in early 2013. As part of their in-house team she helped develop new virtual instruments as well as updates to existing libraries. Products Dern worked on include

  • CinePerc Core / Pro / Epic / Aux v1.1[3]
  • CineWinds Core / Pro v1.1[4]
  • CineBells v1.1[5]
  • CineSymphony Lite[6]
  • World Series: Dulcimer & Zither[7]
  • CineStrings Core v1.0[8]
  • CineStrings Runs v1.0[9]
  • Artist Series: Tina Guo[10]
  • Deep Percussion Beds 2[11]
  • Tina Guo Acoustic Legato[12]

After resigning from her full-time position at Cinesamples in late 2014, Dern continued to sporadically work for other sample developers, including SonicSmiths (The Foundry)[13] and VIR2 / Big Fish Audio (Aeris Hybrid Choir Designer[14], Apollo Cinematic Guitars[15], Mojo Horns Vol. 2). She also programmed a private percussion library for the music production and publishing company Ninja Tracks[16]

Film composition[edit]

Cinesamples' sister company Hollywood Scoring[17] hired Dern in 2014 as a mockup artist and staff composer. As part of the team she worked on productions like Riot Games' League of Legends, Microsoft's HALO V: Guardians, Disney's The Pirate Fairy, Fox's Gracepoint, and many more. A mockup she created for Alan Menken ultimately led to her being brought onto the Galavant composing team. Being located at Christopher Lennertz' Sonic Fuel Studios she transitioned into being an arranger for his score on the first season of ABC's medieval musical show in late 2014 / early 2015. At the same time she also worked as an orchestrator and technical assistant at William Ross' studio Momentum.

Throughout most of 2015, Dern worked with Pinar Toprak on the Warner Bros. / Skydance production Geostorm, starring Gerard Butler. She also collaborated with composer Ryan Shore on his animated series Penn Zero: Part-time Hero and his Universal movie Monsterville: Cabinet of Souls. Later in 2015, Dern also worked as a temporary assistant at Steve Jablonsky's studio Arata Music, lending a hand on The Last Witch Hunter starring Vin Diesel. In fall 2015, Dern resumed her work for Christopher Lennertz and Alan Menken on the second season of Galavant.

In early 2016, Dern went back into a learning environment by accepting an internship position at Hans Zimmer's Remote Control Productions. Shortly after the internship, composer Klaus Badelt took notice of her and invited her onto his team for the animated movie Ballerina starring Elle Fanning. It was later picked up by the Weinstein Company and released in U.S. territories the following year under the title Leap!. While working on several theme park rides with Badelt, Dern was also selected as one of the 12 composers out of over 300 applicants for the annual ASCAP Film Scoring Workshop by Richard Bellis.[18][19]

In early 2017, Dern collaborated with composer Emir Isilay on the Pakistani drama Saawan. Their score was nominated for Best Original Score at the Madrid International Film Festival and later won the Best Soundtrack Award at the Salento International Film Festival. This production was quickly followed by the Chinese-American drama The Jade Pendant based on the novel by L.P. Leung, and the German fantasy movie Lilly's Bewitched Christmas (aka Hexe Lilli rettet Weihnachten) based on the popular children's books by Knister. Both scores led to several positive nods by critics[20][21] and most notably garnered her a coveted IFMCA nomination for Breakthrough Film Composer Of The Year. In spring 2017, Dern was chosen as one of the 10 female composers for the first installment of the now annual Future Is Female concert series[22], produced by composer and singer Tori Letzler. Dern conducted the Hollywood Chamber Orchestra throughout the entire second half of the concert and contributed her suite from The Jade Pendant.[23] The suite was performed again later in fall of the same year by the Alhambra Orchestra in Florida during the Silver Screen Concert. Several other feature film productions followed, including the indie drama Captain Black by Jeffrey Johnson, a German kid's comedy called Help I Shrunk My Parents (aka Hilfe, ich hab meine Eltern geschrumpft), and - resuming her work with Klaus Badelt - the Chinese drama Legend Of The Demon Cat by Chen Kaige. Dern also collaborated with British composer Daniel James on a Mongolian play and worked on iGot Games' Lords Mobile, once again with Badelt.

Next to collaborating with other composers, Dern frequently works with several directors and producers, such as Blue Eyes Fiction, Julien Kerknawi, Galaxy Studios, Straw Weisman, and Enrico Natale (More Productions). Her international catalogue ranges from the US to Canada, China, Mongolia, Japan, Belgium, the Netherlands, Italy, Pakistan, Germany, and France. Her scores are frequently recorded at AIR Lyndhurst and Abbey Road Studios in London by the LSO and LMO. As part of her initiative to promote the visibility of ethnic and gender minorities in film scoring, Dern was featured on the official AVID blog[24] and was invited to a roundtable at Output[25]. Dern is a member of the performing rights organizations ASCAP and GEMA.

Reviews[edit]

Dern has received very favorable reviews of her works, most notably Lilly's Bewitched Christmas and The Jade Pendant. Jonathan Broxton, president of the IFMCA, particularly points out the very traditional melodic writing in his review for The Jade Pendant: "The score is built around a stunning – and I do mean stunning – main theme. Rich, classical, lush, emotional, written for the full orchestra, with the main melody carried by different instruments depending on the situation, it’s one of the best new main themes of the year. Think of all the great Chinese-style themes played by a western orchestra: John Williams’s Memoirs of a Geisha, Rachel Portman’s Joy Luck Club, Conrad Pope’s Pavilion of Women, Klaus Badelt’s The Promise [...]. This is up there with them."[26] About Lilly's Bewitched Christmas he says "...it shows her to have a fluid orchestral style filled with easy thematic ideas, lovely harmonies, and – on this score, specifically, a wonderful whimsical way of conveying the magic of Christmas. [...] The score has quite a bit in common with other seasonal efforts like John Williams’s Home Alone, Danny Elfman’s Edward Scissorhands, John Debney’s Elf, Bruce Broughton’s Miracle on 34th Street, Alan Silvestri’s The Polar Express, and others of that type, in the way it blends a full and lush orchestra with seasonal orchestrations – chimes, sleigh bells, glockenspiels, and even an occasional choir. [...] There’s also more than a hint of Williams’s music for the first two Harry Potter scores in the way it conveys the mood of magic and witchcraft – the string phrasing, the woodwind counterpoint, the frisky and mischievous tempos, the frequent use of a celesta." He further describes "Anne Kathrin Dern as a serious talent to watch".[27]

Filmography[edit]

Year Title Notes
2009 Verder by Gloed (Album) Arranger
2010 Slaapmonsters (Documentary) Composer
2012 Born, Not Raised (Documentary Short) Composer
2013 Stolepark (Feature Film) Composer
Paperplane (Video Short) Composer
League of Legends - The Freljord (Video Game) Arranger, Score Coordinator
2014 The Pirate Fairy (Feature Film, Video Game) Additional Score Programmer
Gracepoint (TV Series) Arranger, Vocalist
One Christmas Eve (Feature Film) Orchestrator
2015 James (Short) Composer
A Broken Man (Short) Composer
Penn Zero: Part-time Hero (TV Series) Score Programmer (4 Episodes)
In Utero (Documentary) Technical Score Advisor
R.L. Stine's Monsterville: Cabinet of Souls (Feature Film) Arranger, Score Programmer
The Last Witch Hunter (Feature Film) Pro Tools Synthmaster Preparation
HALO V: Guardians (Video Game) Additional Music Arranger, Sample Development
Galavant Season 01 (TV Series) Score Arranger, Score Programmer (3 Episodes)
2016 Lotte World Seoul: Fly Venture (Theme Park Ride) Composer (with Klaus Badelt)
Galavant Season 02 (TV Series) Score Arranger, Score Programmer (10 Episodes)
Leap! (aka Ballerina) (Feature Film) Additional Music, Song Arrangements
WTF: World Thumbwrestling Federation (Feature Film) Composer
2017 Saawan (Feature Film) Composer (with Emir Isilay)
Vriend Van Goud (Short) Composer
Geostorm (Feature Film) Additional Score Programmer
The Jade Pendant (Feature Film) Composer
The Legend of the Mongolian War Horse (Play) Composer (with Daniel James)
Lilly's Bewitched Christmas (aka Hexe Lilli rettet Weihnachten) (Feature Film) Composer
The Future Is Female (Short) Self
The Legend of the Demon Cat (Feature Film) Composer: Additional Music
2018 Tides of Fate (Documentary) Score Programmer
Putting All The Eggs In One Basket (Feature Film) Composer (with System)
Captain Black (Feature Film) Composer
Help I Shrunk My Parents (aka Hilfe, ich habe meine Eltern geschrumpft!) (Feature Film) Composer
Lords Mobile (Video Game) Arranger
Broken (Short) Composer
Trouble (Feature Film) Song Arranger & Orchestrator
Wish (Feature Film) Composer (with Klaus Badelt)
Castle Clash (Video Game) Composer (with Klaus Badelt)
2019 Lotte World Shenyang: Cosmic World (Theme Park Ride) Composer (with Klaus Badelt)
Galaxy Mobile (Video Game) Composer (with Klaus Badelt)

Awards and nominations[28][29][30][edit]

Year Awards Category Nominated Work Result
2015 Ciné Public Film Festival Best Soundtrack A Broken Man Nominated
2017 Madrid International Film Festival, Spain Best Original Score Saawan Nominated
2017 Salento International Film Festival Best Soundtrack Saawan Won
2017 IFMCA (International Film Music Critics Association) Breakthrough Film Composer Of The Year The Jade Pendant / Lilly's Bewitched Christmas Nominated
2017 Movie Music UK Awards Breakthrough Composer Of The Year The Jade Pendant / Lilly's Bewitched Christmas Nominated
2017 Reel Music Awards Original Score For A Fantasy/Science-Fiction/Horror Feature Lilly's Bewitched Christmas Nominated
2018 Burbank International Film Festival Best Feature Film Score The Jade Pendant Nominated
2018 Burbank International Film Festival Best Short Film Score Vriend Van Goud Won
2018 Tenerife International Film Music Festival (Fimucité) Alex North Award for Best Original Score in a Feature Film The Jade Pendant Nominated
2018 Tenerife International Film Music Festival (Fimucité) Best Original Song The Sailor's Lament (from 'The Jade Pendant') Nominated
2018 Jerry Goldsmith Awards Best Original Score for a Feature Film The Jade Pendant Nominated

References[edit]

  1. ^ "ABOUT – Anne Dern". www.annedern-filmcomposer.com. Retrieved 2018-03-13.
  2. ^ "Cinesamples | Sample libraries by composers, for composers". Cinesamples. Retrieved 2018-03-13.
  3. ^ "Cinesamples - CinePerc | All-Encompassing Cinematic Percussion Collection". Cinesamples. Retrieved 2018-03-13.
  4. ^ "Cinesamples - CineWinds COMPLETE Bundle | Complete orchestral woodwinds library". Cinesamples. Retrieved 2018-03-13.
  5. ^ "Cinesamples - CineBells | A focused collection of intimately-recorded, pitched happiness". Cinesamples. Retrieved 2018-03-13.
  6. ^ "Cinesamples - CineSymphony LITE | Orchestral Essentials recorded at the SONY Pictures Scoring Stage". Cinesamples. Retrieved 2018-03-13.
  7. ^ "Cinesamples - Dulcimer and Zither | Incredibly detailed library - the first release in our World Series!". Cinesamples. Retrieved 2018-03-13.
  8. ^ "Cinesamples - CineStrings CORE | Orchestral Strings Essentials recorded at the MGM Stage". Cinesamples. Retrieved 2018-03-13.
  9. ^ "Cinesamples - CineStrings RUNS | A collection of tempo-locked runs, scales, and rips". Cinesamples. Retrieved 2018-03-13.
  10. ^ "Cinesamples - Tina Guo | Powerful sound-design tool based off Tina Guo's acoustic/electric cello and erhu". Cinesamples. Retrieved 2018-03-13.
  11. ^ "Cinesamples - Deep Percussion Beds 2 | Our second epic percussion loops library". Cinesamples. Retrieved 2018-03-13.
  12. ^ "Cinesamples". Cinesamples. Retrieved 2018-03-13.
  13. ^ "The Foundry - Sonicsmiths". Sonicsmiths. Retrieved 2018-03-13.
  14. ^ "Aeris: Hybrid Chior Designer | Vir2 Instruments". Vir2 Instruments. Retrieved 2018-03-13.
  15. ^ "Apollo: Cinematic Guitars | Vir2 Instruments". Vir2 Instruments. Retrieved 2018-03-13.
  16. ^ "HOME". Ninja Tracks. Retrieved 2018-03-13.
  17. ^ "Hollywood Scoring". hollywoodscoring.com. Retrieved 2018-03-13.
  18. ^ "12 Composers From Around the World Make the Cut for Acclaimed ASCAP 2016 Film Scoring Workshop". www.ascap.com. Retrieved 2018-03-13.
  19. ^ Burlingame, Jon (2016-08-24). "ASCAP Workshop Spotlights Future Film Composers". Variety. Retrieved 2018-03-13.
  20. ^ "Best Scores of 2017 – Rest of Europe, Part II". MOVIE MUSIC UK. 2018-01-26. Retrieved 2018-03-13.
  21. ^ "Best Scores of 2017 – Asia-Pacific, Part II". MOVIE MUSIC UK. 2018-01-29. Retrieved 2018-03-13.
  22. ^ "mysite". mysite. Retrieved 2018-03-13.
  23. ^ "The Future Is Female: A Concert For Women In Film - Film.Music.Media". www.filmmusicmedia.com. Retrieved 2018-03-13.
  24. ^ "Anne Dern on Composing for Film with Sibelius". Avid Blogs. 2018-02-27. Retrieved 2018-03-13.
  25. ^ "Conversations With The Future Is Female Composers | Output". Output. 2017-05-04. Retrieved 2018-03-13.
  26. ^ "Best Scores of 2017 – Asia-Pacific, Part II". MOVIE MUSIC UK. 2018-01-29. Retrieved 2018-03-13.
  27. ^ "Best Scores of 2017 – Rest of Europe, Part II". MOVIE MUSIC UK. 2018-01-26. Retrieved 2018-03-13.
  28. ^ "2017 Reel Music Awards – The Nominations". Reel Music. 2018-01-26. Retrieved 2018-03-13.
  29. ^ "Movie Music UK Awards 2017". MOVIE MUSIC UK. 2018-02-01. Retrieved 2018-03-13.
  30. ^ "IFMCA Award Nominations 2017". IFMCA: International Film Music Critics Association. 2018-02-08. Retrieved 2018-03-13.

External links[edit]