Anne Olivier Bell
|Anne Olivier Bell|
|Born||Anne Olivier Popham|
June 22, 1916
|Died||July 18, 2018 (aged 102)|
|Occupation||Art scholar, editor|
|Period||1945—1947 (Monuments Men); 1972–1984 (editor)|
|Spouse||Quentin Bell (b. 1910, d. 1996)|
|Relatives||Virginia Nicholson (daughter)|
Cressida Bell (daughter)
Julian Bell (son)
Anne Olivier Bell (née Popham; 22 June 1916 – 18 July 2018) was an English art scholar. She was part of the Bloomsbury Group and best known for editing the diaries of Virginia Woolf. As a member of the Monuments Men, she was responsible for the protection of cultural artifacts in Europe during the Second World War.
Anne had three brothers, one of whom died young. Her parents divorced in 1924. After her mother's remarriage to F.R.N. Sherrard, she moved with them to Dorset. Her mother had three more children with Sherrard.
Anne's mother died in 1935, after which she lived with her father. She attended St Paul's Girls' School, then went to Germany to train as an opera singer. Unsuccessful in this, she returned to London to join the Central School of Speech and Drama. Her audition for the Royal Albert Hall failed, and she enrolled at the Courtauld Institute.
After the Second World War, Anne met Quentin Bell, who asked her to model for him. They married in 1952. In 1967, they moved to Cobbe Place in Beddingham, when Bell was made Professor of Art History and Theory at the University of Sussex. The couple had three children, two daughters and a son.
Second World War
Anne was compiling a study of Rubens as a research associate of a German historian in London when the war broke out. Her employer was interned and she joined the Ministry of Information, working with Laurie Lee. She was a research assistant in the photographs division and then in the publications department, where she published documentation on the British war effort. She was also an air raid warden in London.
In 1945, Anne became one of the Monuments Men, seeking to prevent the destruction of cultural artefacts in Germany, and to restore artworks stolen by the Nazis. She travelled to Bünde, the only female member of the programme and the only civilian, albeit with a rank of major. While the men sought out hidden art, she was responsible for organisation and documentation.
Anne invited Franz Wolff-Metternich, a curator of historical monuments and an art professor, to the officers' club. She wanted to discuss the restitution of stolen artworks to museums, but her colleagues refused to dine with him. She was to became unpopular with her colleagues for her willingness to socialise with the Germans.
Anne joined the Arts Council in 1947. She was responsible for the publication of exhibition catalogues. She also escorted paintings from the Alte Pinakothek in Munich for an exhibition at the National Gallery, London.
Anne assisted her husband, Quentin Bell, in his monumental biography of Virginia Woolf by compiling index cards for each month of her life, and copying Leonard Woolf's diaries. The biography was published to acclaim in 1972. Anne then edited the diaries of Virginia Woolf, publishing them in five volumes starting in 1977.
She then published a book Editing Virginia Woolf's Diary, detailing her work as editor.
The Charleston Farmhouse was the country seat of the Bloomsbury group. After the death of Duncan Grant in 1978, Anne was instrumental in establishing a charitable trust to preserve the property. The artistic influence of the Bloomsbury group was fading by then, and the farmhouse itself was in a poor state of repair. It took six years of fundraising to monetise the trust.
Charleston became open to the public in the 1980s, presented in the period style of the Bloomsbury group. Till her death, she was the president of the trust. She was also an expert on the artworks preserved there, and an editor of Canvas, the publication of the Friends of Charleston.
While the British government did not initially acknowledge the efforts of the Monument Men, the US established a foundation to recognise them, and Anne was lauded in 2007 for her contributions. She received an MBE in the New Year's Honours list of 2014 for services to Literature and the Arts.
- Anne Olivier Bell, ed. (1979). The Diary of Virginia Woolf, Volume 1: 1915–1919. ISBN 978-0156260367.
- Anne Olivier Bell, ed. (1980). The Diary of Virginia Woolf, Volume 2: 1920–1924. ISBN 978-0140052831.
- Anne Olivier Bell, ed. (1981). The Diary of Virginia Woolf, Volume 3: 1925–1930. ISBN 978-0156260381.
- Anne Olivier Bell, ed. (1983). The Diary of Virginia Woolf, Volume 4: 1931–1935. ISBN 978-0156260398.
- Anne Olivier Bell, ed. (1985). The Diary of Virginia Woolf, Volume 5: 1936–1941. ISBN 978-0156260404.
- Anne Olivier Bell (1990). Editing Virginia Woolf's Diary. The Bloomsbury Workshop. ISBN 978-0951681305.
- Charles Saumarez Smith (19 July 2018). "Anne Olivier Bell obituary". The Guardian. Retrieved 21 July 2018.
- "Anne Olivier Bell". The Times. 21 July 2018. Retrieved 21 July 2018.
- "Hon. Brynhild Olivier". The Peerage. Retrieved 21 July 2018.
- Paul Levy (17 June 2016). "How does the last surviving member of the Bloomsbury Set celebrate her 100th birthday?". The Daily Telegraph. Retrieved 21 July 2018.
- "Miss Anne Popham". Tate. Retrieved 21 July 2018.
- Sarah Sands (5 January 2008). "'I'm just a garrulous old woman'". The Financial Times. Retrieved 21 July 2018.
- Charles Saumarez Smith (16 August 2013). "Anne Olivier Bell: The last of the 'Monuments Men'". The Guardian. Retrieved 21 July 2018.
- "Anne Olivier Bell". The Royal Society of Literature. Retrieved 21 July 2018.
- Sylvia Howe (12 May 2013). "Bloomsbury laid bare: The last member of the famous artistic set reveals all". The Independent. Retrieved 21 July 2018.
- "New Year's Honours 2014". Cabinet Office. 20 February 2015. Retrieved 21 July 2018.