Anthony Bushell

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Anthony Bushell
Anthony Bushell.jpg
Born Anthony Arnatt Bushell
(1904-05-19)19 May 1904
Westerham, Kent, England
Died 2 April 1997(1997-04-02) (aged 92)
Oxford, Oxfordshire, England
Occupation Actor
Years active 1929–1964
Spouse(s) Zelma O'Neal (1928–1935)

Anthony Arnatt Bushell (19 May 1904 – 2 April 1997) was an English film actor and director, who appeared in 56 films between 1929 and 1961. He played Colonel Breen in the BBC serial Quatermass and the Pit (1958-59), and also appeared in and directed various British TV series such as Danger Man.

Career[edit]

Bushell was born in Westerham, Kent and was educated at Magdalen College School, and then Hertford College, Oxford, where he was the stroke on the crew[1] and belonged to the Hypocrites Club. After Oxford, he trained at the Royal Academy of Dramatic Art and got his start on stage from Sir Gerald du Maurier, making his theatrical debut in Sardou's Diplomacy at the Adelphi Theatre in 1924.[2]

Bushell worked in the U.S. for a time in 1927-28, touring in Her Cardboard Lover with Jeanne Eagels.[3]

In 1928 he met American actress Zelma O'Neal (1903–1989), who was performing on the London stage in the musical Good News.[4] They married in New York on 22 November 1928, when he was appearing on Broadway in Maugham's The Sacred Flame and she was preparing to open in the musical Follow Thru.[5] George Arliss saw Bushell on Broadway the play and when he was cast as the lead in his first talkie, the American 1929 film Disraeli, recommended Bushell for the role of Disraeli's young rival Charles Deeford.[2]

Bushell was cast in another American film Jealousy (1929), but after shooting was completed all his scenes were re-shot with Frederic March at the insistence of his co-star Eagels.[6] His other Hollywood films, several of which saw him in the military roles that became his specialty, included Journey's End (1930), Three Faces East (1930) with Erich Von Stroheim, Five Star Final (1931) with Edward G. Robinson, Chances (1931) with Douglas Fairbanks Jr., Vanity Fair (1932) with Myrna Loy, and A Woman Commands (1932) with Pola Negri in her first sound picture.[2]

In 1930, he and his wife took a delayed honeymoon trip to Germany, France, and England, leaving on the Nieuw Amsterdam in April and returning to New York in July.[7] [8]

Bushell and O'Neal relocated to London in 1932, where she established a second stage career.[9] They divorced in 1935. Following their divorce, they appeared in the same show at least once, though they did not appear together on stage.[10] O'Neal appeared in Swing Along in Manchester and London in 1936.[11] She returned to New York in June 1937.[12]

Bushell remained in England and played more important roles in several films: The Midshipmaid (1932) with Jessie Matthews; Boris Karloff's horror film The Ghoul (1933) where he played the romantic lead; The Scarlet Pimpernel (1934) with Leslie Howard; Dark Journey (1937) with Vivien Leigh; and Arsenal Stadium Mystery (1939) in which the Arsenal football team appeared and Bushnell played their star football player who is poisoned during a match.[2] He also had a brief affair with Patricia Roc, with whom he appeared and gave her first onscreen kiss in film The Rebel Son (1938) set in 17th-century Ukraine.[13] In a sarcastic assessment of the film, which he left a half hour, Graham Greene wrote in The Spectator: "I liked particularly the scene when the young Cossack (played by Mr. Anthony Bushell with his keen young Oxford accent) bursts into the bedroom of the girl he loves, 'I know it's very late to call but ... O I am glad you are not angry.'"[14] In The Lion Has Wings (1939), a documentary-style anti-German propaganda film, he was cast, in one critic's words, as one of several "idiosyncratic but not over well-known actors" who could stand in for RAF crew members.[15]

In 1939, he joined the British Armed Forces, was commissioned in the Welsh Guards and served in the Guards Armoured Division as a tank squadron commander. During the war he married his second wife, Anne,[2] an heiress said by David Niven to be the wife of one of his fellow officers.[16]

After the war, he developed a relationship with Laurence Olivier, at whose urging he served as associate producer on Olivier's Hamlet (1948) and later as associate director on two more films which Olivier both directed and starredin, Richard III (1965) and The Prince and the Showgirl (1957), helping with Olivier's scenes.[2] Colin Clark, who worked as an assistant on the latter, wrote in his diary: "I don't think Tony [Bushell] could direct traffic in Cheltenham [a spa town]. Despite his imposing appearance he is really a pussy cat. But [Olivier] needs a chum to guard his rear, as it were, and it is a great joy to have Tony around. He has a heart the size of a house which he loves to hide behind a glare." He described Bushell at the time: "Tony looks like a bluff military man–bald, red-faced and jovial. In fact he was in the Guards during the war and almost everyone forgets he is an actor."[17]

He directed for the first time in 1950, using material from an earlier Austrian filmed called Der Engel mit der Posaune, substituting new scenes with British actors where necessary and dubbing minor roles to create an English-language version, The Angel with the Trumpet. Bushell also took the role of Baron Traun, companion to Rudolf, Crown Prince of Austria.[18]

Of his direction in partnership with Reginald Beck of The Long Dark Hall (1951), one critic wrote: "The tandem direction is surprisingly able and occasionally inventive."[19]

In the early 1960s, he directed segments of The Valiant Years, a documentary based on the memoirs of Winston Churchill. Though it was a documentary, and BBC rules forbade the use of re-enactments, Bushell appeared in one scene as an RAF air marshal deriding British attempts to sway German public opinion by dropping leaflets on their cities early in World War II. He was filling in for Sir Arthur "Bomber" Harris and speaking Harris' words only because illness prevented Harris from participating on the day scheduled for filming.[20]

He retired in 1964, and he later served as director of the Monte Carlo Golf Club.[2]

He died in Oxford on 2 April 1997.

Partial filmography[edit]


Actor


Director, film


Director, television

References[edit]

  1. ^ "'Journey's End'". New York Times. 30 March 1930. Retrieved 12 April 2015. 
  2. ^ a b c d e f g Vallance, Tom (17 April 1997). "Obituary: Anthony Bushell". independent.co.uk (London). Retrieved 13 April 2015. 
  3. ^ "Way Down East". New York Times. 8 January 1928. Retrieved 12 April 2015. 
  4. ^ "Zelma O'Neal to Marry". New York Times. 22 November 1928. Retrieved 11 April 2015. 
  5. ^ "Zelma O'Neal Marries". New York Times. 23 November 1928. Retrieved 11 April 2015. 
  6. ^ Mell, Ella (2005). Casting Might-Have-Beens: A Film by Film Directory. Jefferson, North Carolina: McFarland & Company. p. 134. 
  7. ^ "Four Ships Sail Today; One Liner Coming In". New York Times. 6 July 1930. Retrieved 12 April 2015. 
  8. ^ "Bushell and Bride Back". New York Times. 4 April 1930. Retrieved 11 April 2015. 
  9. ^ Picture Show Annual. Amalgamated Press. 1936. p. 20. 
  10. ^ Loew, Thomas Alfred (1937). We All Go to the Pictures. W. Hodge. p. 69. 
  11. ^ "The London Wireless". New York Times. 16 August 1936. Retrieved 11 April 2015. 
  12. ^ "Ocean Travelers". New York Times. 28 June 1937. Retrieved 11 April 2015. 
  13. ^ Hodgson, Michael (2013). Patricia Roc: The Goddess of the Odeons. Bloomington, Indiana: AuthorHouse. p. 30. Retrieved 13 April 2015. 
  14. ^ Greene, Graham (1993). Parkinson, David, ed. The Graham Greene Film Reader: Reviews, Essays, Interviews & Film Stories. Carcanet Press Ltd. p. 316. Retrieved 13 April 2015. 
  15. ^ Murphy, Robert (2000). British Cinema and the Second World War. New York: Continuum. p. 17. Retrieved 13 April 2015. 
  16. ^ Clark, Colin (2011). My Week with Marilyn. Weinstein Books. ran off with the wife of someone in the regiment 
  17. ^ Clark, Colin (2011). My Week with Marilyn. Weinstein Books. p. 154. 
  18. ^ Reid, John Howard (2006). America's Best, Britain's Finest: A Survey of Mixed Movies. pp. 7–8. Retrieved 14 April 2015. 
  19. ^ Reid, John. These Movies Won No Hollywood Awards. LuLu Press. pp. 100–1. Retrieved 15 April 2015. 
  20. ^ Purser, Philip (30 December 1999). "Jack Le Vien". The Guardian. Retrieved 13 April 2015. 

External links[edit]