Anthony Roth Costanzo
Anthony Roth Costanzo
Anthony Roth Costanzo singing at an event for Cincinnati Opera in June 2018.
|Born||May 8, 1982|
Durham, North Carolina
|Genres||classical, contemporary classical music|
|Occupation(s)||opera singer (countertenor), actor, producer|
Anthony Roth Costanzo is an American countertenor, actor, and producer who has led performances at opera companies around the world. Beginning his career in musical theatre at the age of 11, he has since been featured at the Metropolitan Opera, Lyric Opera of Chicago, San Francisco Opera, English National Opera, Los Angeles Opera, and Glyndebourne Opera Festival, as well as in concert with the New York Philharmonic, Berlin Philharmonic, San Francisco Symphony, London Symphony Orchestra, Cleveland Orchestra, and National Symphony Orchestra. In 2012, he won first place at Plácido Domingo's international opera competition Operalia and, in 2009, was a Grand Finals Winner of the Metropolitan Opera National Council Auditions. As an actor, he has performed in several films, including the Merchant Ivory film A Soldier's Daughter Never Cries, for which he was nominated for an Independent Spirit Award. As a producer and curator, he has created shows for National Sawdust, Opera Philadelphia, the Philharmonia Baroque, Princeton University, WQXR, The State Theater in Salzburg, MasterVoices, and Kabuki-za Tokyo. Costanzo is a graduate of Princeton University, where he has returned to teach, and he received his master's degree from the Manhattan School of Music.
Costanzo became active in the arts at a young age. He performed on Broadway and in Broadway national tours including A Christmas Carol, The Sound of Music, and Falsettos. He sang backup for Michael Jackson and the Olsen Twins, as well as a duet with Deborah Gibson. He began his opera career while still a teenager, performing the role "Miles" in The Turn of the Screw. Costanzo also performed with Luciano Pavarotti in the Opera Extravaganza production by the Academy of Music in Philadelphia.
Costanzo graduated Magna Cum Laude and Phi Beta Kappa from Princeton University in 2004 with a degree in music. He was awarded the Lewis Sudler prize in the arts. Costanzo frequently returns to Princeton to teach courses and master classes. After Princeton, Costanzo attended the Manhattan School of Music, where he received his Masters of Music and earned the Hugh Ross Award.
Costanzo has appeared in numerous roles at the Metropolitan Opera. He has appeared as both Ferdinand and Prospero in the world premiere of The Enchanted Island. He also performed as Prince Orlofsky in a production of Die Fledermaus after making his debut as Unulfo in Rodelinda.
Costanzo has appeared in many venues throughout North America. Costanzo served as title role in Philip Glass' Akhnaten at the English National Opera and the Los Angeles Opera, and will perform the role again at The Metropolitan Opera in Fall of 2019. He has also recently appeared with the San Francisco Opera, Lyric Opera of Chicago, Houston Grand Opera, Dallas Opera, Glimmerglass Festival, Opera Philadelphia, San Diego Opera, Boston Lyric Opera, Michigan Opera Theater, Palm Beach Opera, The North Carolina Opera, Cincinnati Opera, and as a guest with Juilliard Opera.
Internationally, Costanzo made his European debut at the Glyndebourne Festival in Rinaldo and later performed with the Canadian Opera Company. Costanzo appeared at the Teatro Real Madrid in Death in Venice in 2014, the English National Opera in The Indian Queen in 2015 and the Finnish National Opera in Kaija Sariaaho's Only the Sound Remains in 2017.
A champion of new works, Costanzo has created roles in Jimmy López's Bel Canto at the Lyric Opera of Chicago and Jake Heggie's Great Scott at Dallas Opera. He has also premiered works written for him by Matthew Aucoin, Paola Prestini, Gregory Spears, Suzanne Farrin, Bernard Rands, Scott Wheeler, Mohammed Fairouz, Steve Mackey, and Nico Muhly.
In concert, Costanzo recently made his debuts with the London Symphony Orchestra and the Berlin Philharmonic in performances of Le Grand Macabre, conducted by Sir Simon Rattle and directed by Peter Sellars. He sang Messiah at Carnegie Hall in 2009. Costanzo appeared in the New York Philharmonic's production of Le Grand Macabre in 2010. Costanzo performed Handel's Messiah, Bernstein's Chichester Psalms and Orff's Carmina Burana with The Cleveland Orchestra.
Additionally, Costanzo has appeared in concert with the International Contemporary Ensemble (ICE) at both the Mostly Mozart Festival and the Metropolitan Museum of Art. Costanzo has also performed with Jordi Savall in Barcelona, Paris, and Versailles, with Ian Bostridge and Julius Drake at the Teatro Real, and the Spoleto Festival USA. He has also appeared with the San Francisco Symphony, the National Symphony Orchestra, Trinity Church Wall Street, and the orchestras of Indianapolis, Detroit, Denver, Birmingham (Alabama), and Seattle.
Costanzo is passionate about interdisciplinary collaboration, and in 2018 will create an art installation with multimedia fashion and art company Visionaire, producer Cath Brittan, artist George Condo, fashion designer Raf Simons (Chief Creative Officer of Calvin Klein), choreographer Justin Peck, dancers David Hallberg and Patricia Delgado, and other artists including James Ivory, Pix Talarico, Maurizio Catellan, Pierpaolo Ferrari, Mark Romanek, Mickalene Thomas, Daniel Askill, AES+F, and Chen Tianzhuo. He recently helped create two unique collaborations with Kabuki and Noh actors in a presentation of The Tale of Genji, with sold-out runs in Tokyo and Kyoto. His has curated and produced two sold out runs of performances for National Sawdust including Aci, Galatea e Polifemo, and Orphic Moments which traveled to the Salzburger Landestheater, and then Lincoln Center's Rose Theater with MasterVoices. At Princeton, Costanzo also created a pasticcio about castrati in collaboration with choreographer Karole Armitage and filmmaker James Ivory, which was chronicled by the documentarian Gerardo Puglia. The film was selected for the Cannes Film Festival and qualified for an Academy Award, airing on PBS affiliates.
In New York City, he has appeared in venues such as The Park Avenue Armory, Joe's Pub, The Guggenheim Museum, Le Poisson Rouge, Subculture, The Box Soho, Morgan Library & Museum, The Metropolitan Museum of Art, The Miller Theater, The New York Public Library, and Madison Square Garden.
Costanzo was nominated for an Independent Spirit Award for his role of Francis in the Merchant Ivory film, A Soldier's Daughter Never Cries. He also played Simon in Brice Cauvin's film De Particulier a Particulier, and Allen Ginsberg in the short film Starving Hysterical Naked.
- Metropolitan Opera (Rodelinda, Die Fledermaus, The Enchanted Island)
- Lyric Opera of Chicago (Bel Canto – world premiere)
- San Francisco Opera (Partenope)
- English National Opera (Akhnaten, The Indian Queen)
- Los Angeles Opera (Akhnaten)
- Glyndebourne Opera Festival (Rinaldo)
- Houston Grand Opera (Giulio Cesare)
- Teatro Real Madrid (Death in Venice)
- Philadelphia Opera (Written on Skin, Phaedra)
- Canadian Opera Company (Semele)
- White Light Festival — Lincoln Center (Stabat Mater)
- Glimmerglass Opera (Tolomeo, Stabat Mater, Dido and Aeneas, and Giulio Cesare)
- Cincinnati Opera (L'Incoronazione di Poppea)
- Dallas Opera (Great Scott – world premiere)
- Spoleto Festival USA (Farnace, Dido and Aeneas)
- Finnish National Opera (Only the Sound Remains)
- Florida Grand Opera (Orfeo)
- Boston Lyric Opera (Agrippina)
- San Diego Opera (Great Scott)
- Palm Beach Opera (Orfeo)
- Michigan Opera Theater (Giulio Cesare)
- New York City Opera (Partenope)
- Juilliard Opera (Ariodante)
- Manhattan School of Music (Griffelkin)
- Seattle Opera Young Artists Program (A Midsummer Night's Dream)
- New York Philharmonic (Le Grand Macabre)
- Cleveland Orchestra (Messiah)
- National Symphony Orchestra (Messiah)
- London Symphony Orchestra (Le Grand Macabre)
- Berlin Philharmonic (Le Grand Macabre)
- Tours in Spain and France with Jordi Savall and his ensemble
|Nomination||61st Annual Grammy Awards: Best Classical Solo Vocal Album||2019|
|Richard Tucker Career Grant||The Richard Tucker Foundation Competition||2010|
|George London Award||The George London Foundation Competition||2010|
|First Place and Audience Choice||The Houston Grand Opera Eleanor McCullom Competition||2010|
|Grand Finals Winner||Metropolitan Opera National Council Auditions||2009|
|First Place||National Opera Association Vocal Competition/Artist Division||2009|
|First Place||Jensen Foundation Competition||2009|
|Richard F. Gold Career Grant||Shoshana Foundation||2009|
|Top Award||Sullivan Foundation Auditions||2008|
|First Place||Opera Index Vocal Competition||2008|
- Artistic Advisory Council, National Sawdust
- Artistic Advisory Council, Manhattan School of Music
- Artistic Advisory Board, The Glimmerglass Festival
- Board of Directors, American Opera Projects
- Advisor to the Board, Chez Bushwick - Jonah Bokaer Arts Foundation
- Advisory Board, Brooklyn Music School
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- "Archived copy". Archived from the original on 2018-07-23. Retrieved 2018-07-23.CS1 maint: archived copy as title (link)
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